Kōichi, a young Japanese, moves to Los Angeles chasing his dream of becoming an actor.
During the tediousness of late summer, Barbara faces an unknown world from somewhere between desire, strangeness and uncertainty.
The swimming pool has played an important role throughout film history – most often as a romping ground for the sophisticated and hedonistic Dolce Vita. But it can be so much more, even sinister, as in Sunset Boulevard. In Leyenda dorada a rather unglamorous swimming pool of diminished charm forms the focal point of the story. A lazy summer’s day in the Spanish village of Montánchez, and people of all ages enjoy themselves at the outdoor pool. It is an almost utopian depiction of community, under the lofty, watchful gaze of Our Lady of Consolation. While conflicts, aggression, rivalries and animosities have a siesta, the villagers take a well-deserved break. Formally, the film draws on the tradition of New Objectivity. But unlike Robert Siodmak’s Menschen am Sonntag (1930) and its lido sequence, this is a wee summer fairy tale.
Rare, medium rare, medium, medium well and well done. Through intimate and personal stories, five women share their experiences in relation to the body, from childhood to old age.
