Love & Fascism In The 21st Century (2018)

The Short Films of David Lynch (2002) is a DVD collection of the early student and commissioned film work of American filmmaker David Lynch. As such, the collection does not include Lynch's later short work, which are listed in the filmography. The films are listed in chronological order, with brief descriptions of each film. The DVD contains introductions by Lynch to each film, which can be viewed individually or in sequence. # 1 Six Figures Getting Sick (Six Times) # 2 The Alphabet # 3 The Grandmother # 4 The Amputee # 5 The Cowboy and the Frenchman # 6 Premonitions Following an Evil Deed

17세기 영국. 젊은 로체스터 백작은 술과 여자들에 둘러싸여 퇴폐적인 생활을 하며 금기를 깨기 위해 반항했던 방탕한 시인이다. 어느 날, 재능 없는 여배우 엘리자베스 배리를 보고 운명적으로 끌리게 된 그는 그녀를 최고의 여배우로 만들겠다고 호언장담한다. 그리고 서서히 그녀에게 빠져들며 진정한 사랑을 느끼게 된다. 한편, 영국 왕 찰스 2세는 프랑스 대사의 방문 계획에 맞춰 로체스터에게 자신의 업적을 기리는 연극을 만들어 달라고 부탁한다. 하지만 그의 기대와 달리 로체스터는 왕을 신랄하게 풍자하는 내용의 연극을 준비해 무대에 올린다. 자신의 열정과 진정한 단 한 번의 사랑을 위해 천재적 재능을 모두 불사르며 그는 스스로를 파멸로 이끌 위험 속으로 걸어 들어 가는데…

La Maison en Petits Cubes tells the story of a grandfather's memories as he adds more blocks to his house to stem the flooding waters.

Lynch's first film project consists of a loop of six people vomiting projected on to a special sculptured screen featuring twisted three-dimensional faces.

Glimpses and sparkles of light lead us onto the dreamy path of a timeless place, immersed within ancient nature. There, the ancestors move beyond the darkness, seeking to create another (im)possible world.

In the seaside town of Canvey Island, we meet Charlie, an 8-year-old boy with a great imagination. He spends his school summer holidays in isolation, playing with his toys and too afraid to leave his room. One fateful day he becomes so hungry he must venture downstairs and into certain danger to retrieve food. It is on this mission where he comes face to face with his greatest fear; his Zombie Parents! And his true adventure begins!

미국 실험영화의 새로운 흐름을 이룩했다는 평을 얻은 실험영화의 고전. 내러티브 없이 유사한 장면들이 반복, 순환됨으로써 마치 꿈을 재현한 듯한 느낌을 주는 초현실주의 작품이다. 어느 여성이 꿈 속에서 또 다시 꿈을 꾸는 듯한 나선형 구조이며, 떨어지는 열쇠, 빵을 자르는 칼, 전화기, 거울 등의 상징적 오브제가 반복 등장한다. 흔히 정신분석학적으로 해석되기도 하는 이 영화의 목적을 마야 데렌은 ‘신화적인 경험을 창조하기 위함’이라 밝힌 바 있다. 마야 데렌이 여주인공으로서 직접 출연하며, 두 번째 남편인 알렉산더 해미드와 2주 여의 시간 동안 자신들의 집에서 손수 촬영했다. 대표작이라 불리는 이 첫 번째 작품으로 마야 데렌은 감각을 뒤흔드는 미학을 만들어 내며 차별적인 실험적, 독립적인 초기 미국 여성 영화의 근간을 마련하였다.

CREMASTER 4 (1994) adheres most closely to the project's biological model. This penultimate episode describes the system's onward rush toward descension despite its resistance to division. The logo for this chapter is the Manx triskelion - three identical armored legs revolving around a central axis. Set on the Isle of Man, the film absorbs the island's folklore ...

닐 블롬캠프 감독의 'Oats Studios' SF 단편 프로젝트 첫번째작. 기술적으로 우월한 외계종족의 침략으로 무너져버린 인류에 대한 이야기이다. 절망적인 약탈과 무자비함에도 불구하고 사람들은 계속 싸울 용기가 남아있었다.

Investigating autumn, temporal alterations, and their effect on movement

Mockumentary experimental film, which shows one day in the life of a young man. The action takes place on the Day of Soviet Cosmonautics, April 12, one of the last years of the USSR. Outside the window, it is gradually getting warmer, the onset of spring is felt, promising hope for the possibility of changes in the country. The hero of the film is fond of space. The young man, who idolizes Gagarin, is engaged in reconstruction, making the uniform in which the cosmonaut walked in the prime of his glory. Our hero is also a film enthusiast. He makes films with stories of space flights and shows them to his friends. The film is stylized as amateur films of the 1980s and was shot on a 16-mm color film made by the company" Svema", made in the Soviet Union. The quality of this film allows the viewer to fully immerse themselves in the atmosphere of the time of the film, which is dedicated to Soviet cosmonautics and Edward D. Wood Jr.

In his squalid apartment, a man tries to squash with his shoe an insect of some kind that is moving around the room.

A costume designer is sent to the Catskills for an interactive theatre piece set in the 1920s. When she arrives things seem dark, strange and off. She soon realizes she is part of a student film.

Dance becomes a vehicle to show love's different phases. Amor y Asfixia consists of three scenes that seek to dismantle certain social stereotypes linked to the women's body and its role in dance. It's a short film that experiments with the human body to initiate a bigger discussion.

Seeking fulfillment, a young drifter forgoes isolation to embark on a year-long murder spree.

Each day after work, Carlos, a language school teacher, frequents the heady surroundings of his local cruising ground. One evening he encounters a teenage boy from his class named Toni, and the two engage in a brief sexual tryst. As the relationship between teacher and student begins to develop, some dark truths emerge about the young man and his mysterious group of friends.

A visual representation, in four parts, of one man's internalization of "The Divine Comedy." Hell is a series of multicolored brush strokes against a white background; the speed of the changing images varies. "Hell Spit Flexion," or springing out of Hell, is on smaller film stock, taking the center of the frame. Montages of color move rapidly with a star and the edge of a lighted moon briefly visible. Purgation is back to full frame; blurs of color occasionally slow down then freeze. From time to time, an image, such as a window or a face, is distinguishable for a moment. In "existence is song," colors swirl then flash in and out of view. Behind the vivid colors are momentary glimpses of volcanic activity.

2012: Time For Change is a documentary feature that presents ways to transform our unsustainable society into a regenerative planetary culture. This can be achieved through a personal and global change of consciousness and the systemic implementation of ecological design.

A Japanese fairy tale meets commedia dell'Arte. All in white, the naïf Pierrot lies in a wood. Doo-wop music plays as he rises, stares about, and reaches for the moon. Although music abounds and the children of the wood are there at play, Pierrot is melancholy and alone. Harlequin appears, brimming with confidence and energy. He conjures the lovely Colombina. Pierrot is dazzled. But can the course of true love run smooth? Filmed in France in 1950, it was not completed nor released until 1971