Indian Summer (1960)
장르 : 다큐멘터리
상영시간 : 28분
연출 : Jules Schwerin
시놉시스
On the first hot day of summer, an old farmer goes fishing just as he has done for many years on the West Branch of the Delaware River. A young boy, his frequent fishing companion, eagerly takes him to see the first giant bulldozers, which are to begin construction on the Cannonsville Reservoir. In order to provide more water for the cities, the vast project will flood the valley. The old man goes to the general store and walks the length of the valley to talk about his concerns, but most people do not support him. The young people of the valley celebrate at a barn dance. The old man resists eviction with his unloaded flintlock. The next day, he watches as the houses and farms are burned to clear the way. His friend, the fiddler, picks him up and takes him and his few belongings away.
Tells the history and importance of The National Film Registry, a roll call of American cinema treasures that reflects the diversity of film, and indeed the American experience itself.
어느 날, 마약 중독을 회복하고 있는 젊은 안더스가 오슬로에 있는 오랜 친구들을 만나기 위해 치료 센터를 잠시 떠나게 된다.
Among the pieces featured in Fragments are the final reel of John Ford's The Village Blacksmith (1922) and a glimpse at Emil Jannings in The Way of All Flesh (1927), the only Oscar®-winning performance in a lost film. Fragments also features clips from such lost films as Cleopatra (1917), starring Theda Bara; The Miracle Man (1919), with Lon Chaney; He Comes Up Smiling (1918), starring Douglas Fairbanks; an early lost sound film, Gold Diggers of Broadway (1929), filmed in early Technicolor, and the only color footage of silent star Clara Bow, Red Hair (1928). The program is rounded out with interviews of film preservationists involved in identifying and restoring these films. Also featured is a new interview with Diana Serra Cary, best known as "Baby Peggy", one of the major American child stars of the silent era, who discusses one of the featured fragments, Darling of New York (1923).
A documentary on Cosme Alves Netto (1937-1996), former head of the Cinematheque of the Museum of Modern Arts at Rio de Janeiro.
대학에서 사회학을 가르치는 젊은 교수 조나가 어머니의 기일을 맞아 오랜만에 집으로 돌아온다. 종군 사진 작가였던 어머니의 3주기 기념 전시를 위해 그녀의 자료들을 정리하는 조나. 그는 어머니가 떠난 뒤 사이가 서먹해진 아버지와 동생의 사이에서 관계를 회복하기 위해 노력한다. 한편, 어머니의 오랜 파트너였던 리처드는 어머니의 사고에 대한 비밀을 기사화하겠다고 선언하고, 이를 반대하던 조나는 또다른 진실을 마주하게 되는데…
In this John Nesbitt's Passing Parade short, a look is taken at the problems of film preservation efforts in the 1930s and early 1940s.
프랑스 앙뉘에서 발간되는 미국 잡지 프렌치 디스패치의 편집장 아서 하위처 주니어(빌 머리)가 갑자기 사망한다. 발행인의 부고는 곧잡지의 부고이기도 해서, 프렌디 디스패치의 최정예 저널리스트들은 마지막 발행본에 실을 특종 기사를 고민한다. 허브세인트 새저랙 (오언 윌슨), J. K. L. 베렌슨(틸다 스윈튼), 루신다 크레멘츠(프랜시스 맥도먼드), 로벅 라이트(제프리 라이트)는 각자 도시와 예술, 정치와 푸드 섹션을 맡아 피날레를 장식할 호의 기사를 쓴다. 살인죄로 수감된 천재 화가의 작품은 영악한 미술상에 의해 그 가치가 엄청나게 뛰게 되고, 기성세대에 저항하는 프랑스 청년들의 변혁 운동은 기성세대가 선언문을 고쳐준다는 아이러니를 마주하고, 해외파 기자는 프랑스의 외국인 노동자 셰프의 감정을 이해한다.
This John Nesbitt's Passing Parade series short highlights the film preservation efforts of the Museum of Modern Art in New York. Several scenes from early newsreels are shown.
A group of friends vacation in a cabin close to a lake where local legends say a man disappeared under mysterious circumstances. It's not long until they start feeling the same dark force pulling them closer to the lake.
노르웨이 해안에서 석유 시추선이 무너지는 사고가 발생한다. 연구자들은 이 사건이 이후에 발생할 심각한 재앙의 시작에 불과하다는 것을 알게 된다. 그것을 막기 위해 시추선이 무너진 이유를 밝히려고 한다.
THE TRAIN is an allegory inspired by current events. There is an ongoing battle between good and evil, and Christianity is now under severe persecution. The film starts in the not-too-distant future in the year 2041 and it pivots between two different timelines. This film illustrates the conflicts as well as the erosion evil powers have created within the Roman Catholic Church. The laity itself becomes the main force holding the church together, as it fights the powers of darkness that takes the lives of Father Michael, Christie and her two daughters, Anna and Mary. The evil "Grandmother" who is the head of an ancient crime syndicate, and hates all of humanity, is desperately trying to get her hands on a vial which contains some droplets of the blood of Christ, now in the possession of Cardinal Langham, who bravely stands up to the communist forces that are chopping Christian's heads off.
Today, the art world and beyond is obsessed with shooting analog. Whether it's a fashion house seeking to bring a new edge to their creative work, an amateur perusing eBay for the perfect vintage Polaroid, or an influencer attempting to capture a comforting retro aesthetic on social media, analog photography has piqued the interest of people everywhere. Is this resurgence a backlash against digital photography? Is it just a trend perpetuated by our desire for authenticity in an increasingly superficial world? Or is it something else entirely?
Grain: Analog Renaissance is a documentary by Alex Contell and Tommaso Sacconi that explores the stories of those committed to using film in modern day photography.
카페 바리스타로 따분한 인생을 살던 시그네에겐 행위 예술가로 매거진 표지를 장식한 남자친구 토마스가 있다. 점점 유명해지는 토마스 옆에서 자꾸만 소외당하던 시그네는 인터넷에서 발견한 정체불명의 알약으로 남자친구의 사랑은 물론, 세상의 관심까지 독차지할 황당한 계획을 세운다.
Stacey is a young mother trapped in a violent marriage who wants to see her daughter as Cinderella in the school play but must first escape the nightmare of her own Prince Charming.
With the aid of usb microscopes and X-ray scanners, this is the first of many test films, peering into the surface structure of decayed and rotted 35 mm celluloid film. Thank you Brian Eno for the music.
Through the entanglement of home videos, archival footage, and cinéma vérité, I Am Corn Puffians: Ghost Camera seizes 116 years of Toronto history to tell the tale of a documentarian's descent into artistic madness.
Some Things Hidden (2020) is an experiment in rhythmic succession of still images to create illusions of movement through space in an altered time. The film documents a day with the artist and his parents on a hike through active bear country, beneath the Grand Tetons in Wyoming using a hand cranked 35mm movie camera.
During the 1920's, Augusto San Miguel (1905-1937) directed, produced and starred in the first feature films made in Ecuador. Unfortunately, San Miguel's films -like many episodes of his life- disappeared in time. The only remains are the movie ads on old newspapers and a mysterious legend, by which San Miguel was buried with his films.
A 3 Part Collection of More Than 75 Early Films by Alice Guy, Louis Feuillade and Léonce Perret. The invention of cinema—and its growth into a sophisticated art form—are vividly brought to life in this massive collection of films from the early years of the influential Gaumont Film Company. Each disc is devoted to one of Gaumont’s artistic directors, who oversaw all film production at the studio, and profoundly influenced not only the identity of the studio but also the evolution of the cinema itself.
An exploration into the world of someone's psyche and how they find the words to explain the way they are viewing the world around them.
