O Filme da Minha Vida (2020)
장르 : 다큐멘터리, 드라마
상영시간 : 0분
연출 : Alvarina Souza e Silva
각본 : Alvarina Souza e Silva
시놉시스
할리우드는 트랜스 커뮤니티에 어떤 영향을 끼쳤을까. 그 빛과 그늘을 조명하는 다큐멘터리. 선도적인 트랜스 창작자와 사상가들이 진솔한 견해와 분석을 들려준다.
A hilarious introduction, using as examples some of the best films ever made, to some of Slovenian philosopher and psychoanalyst Slavoj Žižek's most exciting ideas on personal subjectivity, fantasy and reality, desire and sexuality.
멜라 B. 그린이 연출하고 조디 포스터가 내레이션을 맡은 '알리스 기-블라쉐 이야기'는 영화사를 다시 쓴 장편 다큐멘터리다. 처음으로 영화 최초의 여성 감독, 시나리오 작가, 프로듀서, 스튜디오 주인 알리스 기-블라쉐의 인생과 작품의 전모를 공개한다.
The extraordinary life of Orson Welles (1915-85), an enigma of Hollywood, an irreducible independent creator: a musical prodigy, an excellent painter, a master of theater and radio, a modern Shakespeare, a magician who was always searching for a new trick to surprise his audience, a romantic and legendary figure who lived only for cinema.
In this filmed version of cult film director John Waters' popular one-man show, the Pink Flamingos and A Dirty Shame director takes the stage to discuss everything from his early influences, fondest career memories, and notorious struggles against the MPAA rating system. Part endearing memoir and part hilarious lecture, This Filthy World touches on everything from the insanity of contemporary pop culture to the director's unforgettable early collaborations with inimitable Pink Flamingos star Divine.
할리우드 영화장면과 주요 감독들의 인터뷰를 통해 영화사운드가 지닌 힘을 잘 보여주는 영화로, 지상의 소리, 영화사운드의 미학과 예술, 역사를 오가며 창의적인 사운드 디자이너의 세계로 관객들을 안내하는 영화사운드 개론서.
Jack L. Warner, Harry Warner, Albert Warner and Sam Warner were siblings who were born in Poland and emigrated to Canada near the turn of the century. In 1903, the brothers entered the budding motion picture business. In time, the Warner Brothers moved into film production and would open their own studio in 1923.
Among the pieces featured in Fragments are the final reel of John Ford's The Village Blacksmith (1922) and a glimpse at Emil Jannings in The Way of All Flesh (1927), the only Oscar®-winning performance in a lost film. Fragments also features clips from such lost films as Cleopatra (1917), starring Theda Bara; The Miracle Man (1919), with Lon Chaney; He Comes Up Smiling (1918), starring Douglas Fairbanks; an early lost sound film, Gold Diggers of Broadway (1929), filmed in early Technicolor, and the only color footage of silent star Clara Bow, Red Hair (1928). The program is rounded out with interviews of film preservationists involved in identifying and restoring these films. Also featured is a new interview with Diana Serra Cary, best known as "Baby Peggy", one of the major American child stars of the silent era, who discusses one of the featured fragments, Darling of New York (1923).
오손 웰즈가 남긴 사적인 그림들을 직접 볼 수 있게 된 감독 마크 커즌스는 이 전설적인 감독이자 배우가 그린 시각적 세계로 깊이 들어가 오손 웰즈가 그의 눈을 통해 직접 보고 그의 손으로 직접 그리고 칠한 초상화를 공개한다. 영화는 이 20세기 쇼맨의 열정과 정치, 천재성의 힘을 생생히 살려내며 오손 웰즈라는 천재가 어떻게 그의 사후 30년이 넘은 현재까지 영향력을 끼치고 있는지를 탐구한다.
An intimate portrait and saga of four film pioneers--Harry, Albert, Sam and Jack who rose from immigrant poverty through personal tragedies persevering to create a major studio with a social conscience.
David Gregory and Kier-La Janisse take a detailed look at the history of horror anthology films with the help of more than sixty writers, genre specialists, and members of the film industry.
In 1964, Henri-Georges Clouzot's production of L'Enfer came to a halt. Despite huge expectations, major studio backing and an unlimited budget, after three weeks the production collapsed. This documentary presents Inferno's incredible expressionistic original rushes, screen tests, and on-location footage, whilst also reconstructing Clouzot's original vision, and shedding light on the ill-fated endeavor through interviews, dramatizations of unfilmed scenes, and Clouzot's own notes.
For just forty days, filmmaker and writer Mark Cousins embarks on a peculiar journey in order to explore topics as the passion for cinema and certain aspects related to making films as style, ideas, emotions and practicalities; an ambitious exploration of the universal language of cinema by analyzing pieces of work that cross every artistic and cultural boundaries.
Long treated with indifference by critics and historians, British silent cinema has only recently undergone the reevaluation it has long deserved, revealing it to be far richer than previously acknowledged. This documentary, featuring clips from a remarkable range of films, celebrates the early years of British filmmaking and spans from such pioneers as George Albert Smith and Cecil Hepworth to such later figures as Anthony Asquith, Maurice Elvey and, of course, Alfred Hitchcock.
홍콩 영화의 큰 축이었던 쿵푸 배우와 스턴트맨들의 이야기를 다룬 다큐멘터리 영화
This documentary revisits the making of Gone with the Wind via archival footage, screen tests, insightful interviews and rare film footage.
Cameramen and women discuss the craft and art of cinematography and of the "DP" (the director of photography), illustrating their points with clips from 100 films, from Birth of a Nation to Do the Right Thing. Themes: the DP tells people where to look; changes in movies (the arrival of sound, color, and wide screens) required creative responses from DPs; and, these artisans constantly invent new equipment and try new things, with wonderful results. The narration takes us through the identifiable studio styles of the 30s, the emergence of noir, the New York look, and the impact of Europeans. Citizen Kane, The Conformist, and Gordon Willis get special attention.
An account of the extraordinary life of film pioneer Georges Méliès (1861-1938) and the amazing story of the copy in color of his masterpiece “A Trip to the Moon” (1902), unexpectedly found in Spain and restored thanks to the heroic efforts of a group of true cinema lovers.
로맨틱 코미디는 많은 관객들이 사랑하지만 비평의 영역에서는 종종 잘 다루어지지 않거나 가벼운 장르로 여겨졌다. 평론가, 배우, 감독들의 생생한 인터뷰와 무수한 로코 명작들의 클립을 통해 감독은 우리자신의 취향에 대한 여행으로 안내한다.