¿Qué se puede hacer con una chica? (1970)

자유를 외치는 젊은이들의 뜨거운 열기로 가득한 1968년 파리, 영화광인 미국인 유학생 매튜(마이클 피트)는 시네마테크에서 쌍둥이 남매 이사벨(에바 그린)과 테오(루이 가렐)를 만나 가까워진다. 부모가 휴가를 떠난 이사벨과 테오의 집에서 한 달 간 지내게 된 매튜는 영화와 음악, 책, 혁명 등의 이야기를 자유롭게 나누며 특별한 추억을 쌓는다. 자연스레 이사벨에게 사랑을 느끼게 되는 매튜, 하지만 이사벨은 테오와 떨어지려 하지 않고 세 사람의 은밀하고 특별한 관계는 계속되는데...

This documentary about the culture of intense cinephilia in New York City reveals the impassioned world of five obsessed movie buffs. These human encyclopedias of cinema see two to five films a day, and from 600 to 2,000 films per year. This is the story of their lives, their memories, their unbending habits and the films they love.

A shy, lonely film buff embarks on a killing spree against those who browbeat and betray him, all the while stalking his idol, a Marilyn Monroe lookalike.

Puta y amada is a comedy that narrates the constant ruptures and reconciliations of Marcos, a film director who is going through a creative crisis, and Adrián, a pop music composer. Both Marcos and his two friends, Zaida and Julia (with whom he shares his love for cinema), embark on a series of superficial relationships, which will make them move from simple selfishness to the revelation and awareness of the loved one, in this moral tale about the end of youth and the desidealization of the world.

A documentary on the Z Channel, one of the first pay cable stations in the US, and its programming chief, Jerry Harvey. Debuting in 1974, the LA-based channel's eclectic slate of movies became a prime example of the untapped power of cable television.

Jake the Cinephile is the story of a young film fanatic who, fed up with the rowdy behavior and disrespectful etiquette of movie theater audiences, decides to abandon the cinema and take a stab at an actual relationship with a young woman.

In a bar, there is a table where there is a lonely woman who spends her sorrows with a drink. On the other hand we see the bar of the room, where there is a man that does not stop talking to his companion. This man is under drugs influence and his knowledge in cinema will make him go in a non-stop talking .The lives, both of him, and the woman at the table, will intersect in a night where the zombies will begin to appear in the place

스웨덴의 포뢰 섬에 위치한 잉마르 베리만 감독의 집은 전세계의 영화감독들에게는 성지와도 같은 의미가 되었다. 미카엘 하네케, 클레어 드니, 이안, 라스 폰 트리에 등이 이곳에 찾아와 베리만의 개인공간을 둘러보며 그들 각자에게 베리만 감독과 그의 작품들은 어떤 의미인지를 회고한다. 이곳에 오지 못한 우디 알렌, 마틴 스콜세지, 웨스 앤더슨은 뉴욕에서 이야기에 동참한다. 거장감독들이 밝히는 베리만에 대한 애증의 기억들, 혹은 우리가 모르던 베리만 이야기.

Three cinephile university students have a go at making their own Super-8 film.

Three film critics, who hate each other, get together to chat about a topic that concerns art and the media, The violence". As opinions about great exponents of violent cinema emerge, the real personalities of these three critics will also emerge.