Bangladesh: A World to Discover (2022)
장르 : 다큐멘터리
상영시간 : 0분
시놉시스
From the poor to the richest Bangladesh has it all. Let us discover how people are living in Bangladesh. First, in our journey, we head to the heart of the country Dhaka, Bangladesh, and talk to the founders of some very successful companies. Then let's move on the range of families that lives on less than $5 per month. Let's head to the lowest part of Bangladesh Cox's Bazar. People who live there are one of the toughest living people alive. Well, Bangladesh has all types of people so let's discover them and the history and culture that is involved.
세 개의 나라, 세 개의 언어, 세 개의 종교. 각기 다른 배경에서 벌어지는 성매매의 현실을 여과 없이 담아낸 미카엘 글라보거 감독의 최신작. 남녀가 나눌 수 있는 가장 친근하고 은밀한 행위는 상품이 되어버린 지 오래. 직업 여성들은 매춘을 통해 많은 돈을 벌지만, 쌓여가는 것은 말 못할 사연 뿐, 결코 그들의 삶이 풍족해지는 것은 아니다. (2012년 4회 DMZ국제다큐멘터리영화제) 는 매춘에 대한 영화적 삼면화이다. 세 개의 국가, 세 개의 언어, 세 개의 종교. 태국에서 여자들은 판유리 뒤에서 반사된 자신들을 쳐다보며 고객을 기다린다.방글라데시에서 남자들은 욕구를 채우기 위해 사랑의 게토로 간다. 멕시코에서 여자들은 자신들의 현실을 회피하고자 여성의 죽음을 기도한다. 가장 내밀한 행위가 상품이 되어버린 세상에서, 이 여자들은 남자와 여자 사이에 일어날 수 있는 모든 것을 경험해 보았다. (2016년 제13회 서울환경영화제)
1980년대, 젊고 아름다운 나즈님은 방글라데시에 사랑하는 여동생 하시나를 남겨둔 채, 나이 차이가 많이 나는 중년 남자와 결혼해 런던으로 건너온다. 그러나 답답한 도시 생활과 사랑 없는 결혼생활이 점점 자신의 영혼을 갉아먹고 있다는 것을 느끼기 시작한다. 그녀는 모든 것을 체념한 채 그저 묵묵히 인생에 순응해 살아가려 하지만, 어느 날 카림이라는 젊고 성마른 남자가 그녀를 찾아오게 되는데...
Ayna is an actor and the prison is his stage. He slips into the characters of the powerful convicted in exchange of money and take their place in prison. This strange profession is borne out of a society that doesn't give him a chance to follow his passion of acting, but forces him to act in the real life. Falling in love with the girl next door changes his life equation and he decides to end this career with one last performance. But this one takes him too deep in the rabbit hole. The story unfolds on how an underdog survives in a society that is merciless and struggles his way out from the clutch of crime game which he is a part too.
A visual and visceral celebration of the Dark Knight’s 80 years of crime fighting, narrated by storytellers of the past, present, and future.
The film tells the story of the legendary 'Shadhin Bangla Football Team' founded during the 1971 Liberation War of Bangladesh. They played friendly matches across India to raise funds which would be used in the war. The film also portrays the personal lives of few players of the team and their struggle and losses during the war. Though the film is inspired by true events, it takes cinematic liberty and mixes fiction with reality as well.
Faced with a documentary film that included an interview with a young girl forced into prostitution, Michael Kranz asked himself the apparently banal question of “what can be done?” He travelled to Bangladesh and began to search for the girl. A film that is both self-critical and critical of society about the desire to at least do something and not to simply and passively give in to the injustices in this world.
The story of the Bangladesh Liberation War in 1971 as seen through the eyes of a young boy.
A group of four friends, on the verge of the end of their academic life sets on a tour to Cox's Bazaar. Expecting to live their life at the fullest. But some unexpected events that take place on the tour make their worlds go upside down.
The story revolves around a writer's writing and psychology. How would the writer feel if his own character came in front of him? Is it possible to measure someone's worth in money? What is the present? What is the truth? Is death the end?
Shimu, 23, works in a clothing factory in Dhaka, Bangladesh. Faced with difficult conditions at work, she decides to start a union with her co-workers. Despite threats from the management and disapproval of her husband, Shimu is determined to go on. Together the women must fight and find a way to register their union.
Off the coast of Bangladesh in the Bay of Bengal is a tiny 'brothel island' populated by women forced to sell their bodies to men who arrive by the boatload. Each of the women came to inhabit the 100m long and 10m wide piece of land for different reasons, whether through a sister, the need for money, or in search of love and affection, but for all of them it is a life tougher than they could have imagined. Deepening their troubles is the island's existence at the frontline of climate change, and with the increase of cyclones, floods and soil erosion the prospect of losing their homes, and the island itself, is closer than ever. Beautifully shot and subverting expectation, Bad Weather is a documentary that carves out a message of hope in extreme adversity.
A young man who lives nearby an airport finds himself in trouble upon meeting a mysterious stranger.
A group of men in North-Eastern Bangladesh are facing a dangerous mission. They are to conquer the river, with a 70 meter long raft. The ride is 300 kilometre long, always downstream. The freight: 25 000 bamboo trees. The men's path begins in the dense forests of the Sylhet region in North-Eastern Bangladesh. Millions of bamboo trunks are hacked down there and being slid down by the workers along the dangerous mountain-stream into the valley. The bamboos reach the river Kushiara through hundreds of these channels. Here, the trunks are bundled - a giant raft arises. Then the long journey begins.
The wildlife and cultures of southern Asia have been shaped by one of the greatest phenomena on Earth: the mighty monsoon winds that sweep across this vast region, turning drought into deluge. All life – human and animal – is dominated by this rampaging weather system. From the northern shores of Australia to the highest peaks of the Himalayas and the wind-blown deserts of northern India to the lush equatorial forests of Borneo, this series makes an exhilarating journey through the lands of the monsoon. Along the way, it offers a taste of the variety and colour of the different regions’ most extraordinary wildlife and cultures and the way they cope with the tumultuous weather. This is the story of a relationship between humans and nature that has grown across thousands of years – all living in the shadow of the monsoon.
A servant boy's world is turned upside down by the arrival of a guest.
Nabil Al Shahriar is a conscientious police officer of CTTC, is trying to track down a group of terrorists, who want to create inquietude and rampancy of terrorism. To stave them off, he along with his associates tries to find out what they’re up to.
Everyday Samrat wakes up with the sound of the quarreling of her parents. He doesn't like to study rather he feels comfort and forgets everything when he is in the playground or having fun with friends in the tea-tong of markets. One day their Bangla teacher tells them that the best student will get a chance to go to the picnic. That grew attention in Samrat to go to the picnic for the first time of his life. Out of the, he started studying hard. But suddenly his dad becomes sick, but that doesn't grab any attention of Samrat rather he keeps himself busy with study.
This is a film which challenges our notions of child labor. It peeks into a world where the concept of childhood as we know it has no meaning, where children support their parents, and where work is just another part of growing up. This is Dhaka, Bangladesh. Following several children over a period of six years, A KIND OF CHILDHOOD is an attempt to focus on the realities of child labor, with real children, their struggles and dreams.
During the 1947 partition of Bengal, a man and a woman cross a river to begin life anew. Their journey manifests many roles against the backdrop of some horrific events and loss of life.
A mother and her son return to their home in Sylhet, Bangladesh after 15 years abroad and try to retrace their roots. Beginning with the death of the father of the family, the film proceeds with the central characters seeking a link to their lives.