Stráž míru (1952)

First the atomic war broke out, new machines were made, dead birds appeared. In 1999, a bacteriological warfare began, there were sandstorms and giant locust infestations; the human tissue was transformed and a new being, once legendary, now real, emerged: the vampire. Only Robert Neville, the last man on Earth, remains unpolluted, living in constant struggle with the new inhabitants of the planet.

라이언은 12살 때 비행기에서 우연히 제니퍼란 동갑내기 여자아이의 옆자리에 앉게 된다. 그리고 이때부터 이 둘의 운명적 만남이 계속된다. 고등학교때 이웃 고등학교간의 미식축구경기에서 다시 만난 이들은 하나는 치어리더로 또 하나는 많은 사람들 앞에서 우스갯거리가 되는 덜떨어진 고등학생이 되어 있다. 두 사람은 서로의 첫 만남을 기억해내곤 다시 곧바로 헤어진다. 세번째의 만남은 버클리 대학에서이다.

Hollywood beckons for recent film school grad Nick Chapman, who is out to capitalize on the momentum from his national award-winning student film. Studio executive Allen Habel seduces Nick with a dream deal to make his first feature, but once production gets rolling, corporate reality begins to intervene: Nick is unable to control a series of compromises to his high-minded vision, and it's all he can do to maintain his integrity in the midst of filmmaking chaos.

Short film made with the help of the Sundance Film Institute and serving as a proof-of-concept for the subsequent feature film.

In his squalid apartment, a man tries to squash with his shoe an insect of some kind that is moving around the room.

Lynch's first film project consists of a loop of six people vomiting projected on to a special sculptured screen featuring twisted three-dimensional faces.

모항이란 해변 마을로 어머니와 함께 빚에 쫓겨 내려온 영화과 학생이 불안해서 시나리오를 쓴다. 안느라는 이름의 세 여인이 등장하고, 그들은 차례로 모항으로 내려온다. 첫 번째 안느는 잘 나가는 감독이고, 두 번째 안느는 한국 남자를 비밀리에 만나는 유부녀이고, 세 번째 안느는 한국여자에게 남편을 빼앗긴 이혼녀이다. 모항 갯벌 앞에는 한 펜션이 있고, 그곳엔 주인부부를 대신해 펜션을 지키는 딸이 있고, 해변 쪽으로 가면 항상 해변을 서성이는 안전요원이 있다. 안느들은 모두 이 펜션에 숙소를 정하고, 그 펜션 딸의 작은 도움을 받게 되고, 또 모두 해변으로 나가 그 안전요원을 만나게 된다.

2012: Time For Change is a documentary feature that presents ways to transform our unsustainable society into a regenerative planetary culture. This can be achieved through a personal and global change of consciousness and the systemic implementation of ecological design.

An intimate statement about the filmmaker’s need for self-expression through her own nudity and simultaneously an effort to reject the taboo of patriarchal society. Using diary entries, anger-filled personal reflections, and discussions with a mother painting her nude daughter, the film opens the topic of overcoming shame for one’s own physicality and female sexuality.

Seeking fulfillment, a young drifter forgoes isolation to embark on a year-long murder spree.

A man walks down the exterior staircase of building of flats; he's dressed to go out, taking care to wrap a scarf around his neck. He pauses as he passes a small window that's about eye high. He ventures to look in, and there a young woman stands at a washbasin, drying her hair,

When the Harker Arts Academy drama club produces a play based on the silent horror film Nosferatu (1922), reality and fiction collide, and blood begins to spill.

With their relationship on the rocks, David and Emily move to Halifax to catch a break from the pandemic and their monotonous routine. Upon meeting Emily's best friend Delilah and her local friend Meg, the already shaky groundwork of their relationship starts to fracture.

After a campus-wide zombie outbreak a slacker college student must protect his younger brother while becoming the unlikely leader of a small band of quirky survivors.

The bond between a father and a daughter is imperilled by matters that go unspoken and hurts that are slow to heal.

An idle, Arab American stoner discovers a portal to the war memories of his mother's past while doing the laundry chore.

A young man recruits a film student to help him prove the existence of an urban legend.

Herbie is a short 16mm black and white film by George Lucas and Paul Golding made in 1966 as part of their USC film school course. It is an abstract film with no story and no actors, that graphically depicts the reflections of moving light streaks and light flashes from traffic at night. It is set to a piece of jazz music by Herbie Hancock, whose first name was used for the title.

A day in the life of two film-school students trying to find love and another house-mate.

Bill is a reluctant astronaut in a fascist society.