Wheat Cycle (1975)
장르 : 다큐멘터리
상영시간 : 16분
연출 : David Hancock, Herbert Di Gioia
시놉시스
The people and their labor are bound to the land in the cycle of activities to the sowing to the harvesting of wheat. Without narration or subtitles, the film conveys a sense of unity between the people and the land. Filmed in the Balkh Province, an area inhabited by Tajik and other Central Asian peoples. The town of Aq Kupruk is approximately 320 miles northwest of Kabul. The theme of the film focuses on rural economics. The film and accompaning instructor notes focus on herding, and fishing under diverse environmental conditions. The impact of technological change, human adaptation, and governmental extension of market systems are parallel themes.
평범한 여대생 하나는 강의실에서 우연히 만나게 된 그에게 반하게 되고, 곧 사랑에 빠지게 된다. 하지만 그는 평범한 사람이 아닌 늑대인간이었다. 늑대인간과의 동화 같은 사랑 후에 남은 것은 두 아이뿐. 눈 내리는 날에 태어난 누이 유키, 비 내리는 날 태어난 동생 아메. 두 아이에게는 커다란 비밀이 있는데, 바로 흥분하면 귀가 쫑긋, 꼬리가 쏘옥 나오는 늑대아이라는 것. 남들과 조금 다른 육아, 남들과 살짝 다른 고민을 하며 신비로운 운명을 살아가는 남매와 특별한 두 아이를 키우는 엄마의 이야기가 시작된다.
뉴욕에서 자금세탁 감독원으로 일하는 ‘듀란’은 갑작스럽게 고향 엘바 지사로 발령받게 된다. 전임자의 업무를 정리하던 그는 우연히 의심스러운 가상화폐 거래 내역을 보게 되고, 비트코인에 빠져 있는 친구 ‘얼’의 도움을 받아 사건을 조사하게 된다. ‘듀란’은 점점 사건을 파헤칠수록 가상화폐가 러시아 마피아 조직과 연관되었다는 사실을 알게 되는데…
환경을 보호하고 기후 변화를 해결할 수 있는 열쇠. 그것이 바로 토양이라면? 건강한 지구, 더 나은 우리의 터전을 위해 유명 연예인들과 사회운동가, 과학자들이 나섰다. 위대한 대지의 베일이 벗겨지는 순간.
When an injured wife-murderer takes refuge on a remote Lancashire farm, the farmer’s three children mistakenly believe him to be the Second Coming of Christ.
동물의 왕국을 인류가 지배하는 것에 대한 도덕성과 타당성에 의문을 제기하는 다큐멘터리
대공황기, 존과 메리 역시 경제적 어려움에 처한다. 고민 끝에 둘은 시골로 가 자급자족하며 살기로 한다. 할 줄 아는 게 없던 두 사람이지만, 주변의 도움으로 농장 생활에 적응한다. 곧 비슷한 처지의 사람들이 모여 하나의 공동체를 이루어가는데, 극심한 가뭄에 작물이 쓰러지자 사람들은 힘을 모아 수로를 파기로 한다. 대공황기를 지나며 공동체적 유토피아를 꿈꾸는 사람들을 그린 작품으로, 의 속편으로 만들어졌다. 조셉 L. 맨케비츠가 참여해 대사를 썼다고 한다.
A group of people setting out to find a previously assumed land and upon reaching it, not knowing how to deal with the customs of the place, have to deal with all the consequences.
King Corn is a fun and crusading journey into the digestive tract of our fast food nation where one ultra-industrial, pesticide-laden, heavily-subsidized commodity dominates the food pyramid from top to bottom – corn. Fueled by curiosity and a dash of naiveté, two college buddies return to their ancestral home of Greene, Iowa to figure out how a modest kernel conquered America. With the help of some real farmers, oodles of fertilizer and government aide, and some genetically modified seeds, the friends manage to grow one acre of corn. Along the way, they unlock the hilarious absurdities and scary but hidden truths about America’s modern food system in this engrossing and eye-opening documentary.
1948년, 체코의 모라비아에 위치한 작은 시골 마을. 나라는 급격한 변화를 겪고 있지만 이곳의 사람들은 여전히 순수함을 간직한 채 즐겁게 살아가고 있다. 하지만 결국 변화의 물결이 조금씩 밀려오고, 주민들의 평화로운 일상은 요동치기 시작한다. 1968년 소련이 체코를 침공했을 당시 상영을 금지당하기도 했던 작품. 1969년 칸영화제 최우수감독상 수상.
(2014 체코영화제 역사적 순간들)
A strange story from Somerset, England about a filmmaking farmer and the inspiring legacy of his long-lost home movies.
낙농산업의 전반을 살피면서 문제점을 조명하는 다큐멘터리
Featuring the characters from Murray Ball's "Footrot Flats", (New Zealands most beloved local cartoon strip ). Questions to be answered include: Will Wal Footrot win the affections of Cheeky Hobson over the sleazy Spit Murphy? Will the Dog win the affections of the lovely Jess? Will Wal make a good impression on the All Black selectors at Saturdays rugby match? Can Rangi and Pongo save Cooch's prize stag from the depths of Blackwater station, home of the Murphy's, their vicious dogs and deadly croco-pigs? All this and more will be answered as the small town of Raupo comes to life on the big screen.
Moo Man은 Andy Heathcote의 감독으로 영국 서 섹스의 유기농 낙농장에 관한 2013 영국 다큐멘터리 영화입니다. 이 영화는 2013 Sundance Film Festival에서 초연을 받았으며, 세계 영화 다큐멘터리 부문에서 경쟁했습니다
Uprooted from their comfortable home in Pennsylvania, James and Kate Tanner, along with their sons, Virgil and Andy, journey to the wild country of 1890s Wyoming to become farmers. Soon, they come face-to-face with tornadoes, bears and wolves. But through the hardships their love for each other endures, even when a local rancher sees the newcomers as "squatters" on his land, and will stop at nothing – including murder – to drive them out.
This first co-production of the Soviet and Indian cinematographers is dedicated to the Tver merchant Afanasy Nikitin who in 1466-1472 blazed the trade way from Europe to India. The film is based on Nikitin’s travel notes. Starring in the film are popular Russian actor Oleg Strizhenov and India’s 1950s movie star Nargis.
For ancient Mayans, cocoa was as good as gold. For subsistence farmer Eladio Pop, his cocoa crops are the only riches he has to support his wife and 15 children. As he wields his machete with ease, slicing a path to his cocoa trees, the small jungle plot he cultivates in southern Belize remains pristine and wild. His dreams for his children to inherit the land and the traditions of their Mayan ancestors present a familiar challenge. The kids feel their father's philosophies don't fit into a global economy, so they're charting their own course. Rohan Fernando's direction tenderly displays a generational shift, causalities of progress in modern times and a man valiantly protecting an endangered culture. Breathtaking vistas of lush rainforests contrast with the urban dystopia that pulled Pops children away from him. Will one child return to carry on a waning way of life
Santiago, a jolly modern bandito, has just lost his partner when he happens on the isolated farm of young Manuel and Maria Lopez...
A young woman in traditional Japanese attire fixes her hair and kimono while her servants assist her.
A look at man's relationship with Dirt. Dirt has given us food, shelter, fuel, medicine, ceramics, flowers, cosmetics and color --everything needed for our survival. For most of the last ten thousand years we humans understood our intimate bond with dirt and the rest of nature. We took care of the soils that took care of us. But, over time, we lost that connection. We turned dirt into something "dirty." In doing so, we transform the skin of the earth into a hellish and dangerous landscape for all life on earth. A millennial shift in consciousness about the environment offers a beacon of hope - and practical solutions.
Remember the culture clash in THE GODS MUST BE CRAZY? This time it's real. One of the most ancient cultures on our planet is undergoing a major change. The Ju/Hoansi Bushmen in Namibia are not allowed to hunt anymore and need to converge with our so called “civilized” lifestyle. For the first time the Ju/Hoansi Bushmen travel through the Kalahari and then right into the heart of Europe. What starts as a look at their fascinating culture becomes an even more fascinating look at our Western lifestyle. A warm and humorous reflection of our habits through the eyes of people who are about to give up their million year old traditions.
