Lean on Me (2021)

With the banning of the religion in 1972, male Jehovah's Witnesses are made to spend their National Service in the detention barracks for two and a half years or longer. This documentary follows the lives of three male Jehovahs Witnesses and their lives in Singapore as well as the first Witness who was imprisoned in 1972.

After the death of his wife, a taxi driver, Hoon, struggles to provide for himself and his daughter, Mei, during the COVID-19 pandemic. He chooses to turn his taxi into a mobile brothel so he can give his daughter a better life. One life-changing moment forces him to re-consider his choice.

Jackson, a detective who is on the hunt to locate his wife Connie, soon realises that he is held in captivity alongside Connie. Trapped inside an abandoned building, his search is never as easy as it seems. He will have to unravel everything and find out who is behind all that is happening.

Ah Ma, a lonely elderly woman suffering from dementia longs for her family to be united again. But when her children stop visiting her, she wonders if her family has forgotten her.

Recently widowed Liz struggles with grief while raising her two daughters - Gigi, a cynical teen venturing into romance, and pre-teen Stacy, whose imaginary boyfriend is her getting bullied at school. A coming-of-age, drama-comedy mockumentary about three women, all operating on what-ifs and varying circumstances of the heart.

Using a unique format of episodes and advertisements: GUNKWORLD is a short film about a horror cult cartoon series on TV where the main characters: Gunkman, Sallysweets and Roboji, are cute monster schoolchildren who terrorize human characters. Outside the TV show, GUNKWORLD begins to advertise its brand through commercials and merchandise, which quickly gains popularity at an unholy rate. The entire planet eventually becomes crazed, all their thoughts replaced with messages from GUNKWORLD. Back in the TV show, Gunkman starts to miss his lines. Gunkman is up to something... As a film, GUNKWORLD overloads the viewer with loud, colorful and compressed visuals, audio, stories and designs, playing with ideas of hypnotic subconscious consumption. It paints a vibrant yet ugly picture of needless ‘over-consumption’ and loss of control. GUNKWORLD is also a love letter to Japanese media, seen from the eyes of a child growing up in Singapore during the 90s.

An ex-convict of substance abuse tries to win over his 9-year-old son and reintegrate himself into society. His value as a father and a man is challenged as he goes through a particularly trying day.

A phone call turns an evening at home into a nightmare.

Mae and Gemma spend one last night together knowing that, in the morning, their relationship will be over. Mae struggles to get through to Gemma, who does everything to cling onto what she thinks is the perfect relationship. Through manipulation and seduction, the two women try to understand how what is tearing them apart is also what is keeping them together.

Saturated colors and X-ray imagery swirl and bounce through wide eyed and frantic characters in a play of animation techniques, video overlays and stylized trippy imagery. An original experimental animation utilizing both stop motion and digital techniques to create mesmerizing sequences.

A boy who is kicked out of his post-apocalyptic camp is forced to try and find a new home, as well as, civilisation without being caught by the unknown beings that lie ahead.

Zac has just moved away from home and during a party he loses his housewarming gift from his mother, a bonsai tree. With his mother coming for a visit, Zac must enlist the help of his friends to find the tree and prove himself to her.

A quiet trip away isn't quite what Daniel was expecting, when he finds out he's the only guest in his mysterious host's B&B...

An office worker gets terrorized by an unknown force through an error on his computer.

A young man comes home to find his brother has committed suicide. The psychological aspects of grief are a tantalizing force.

After her mother’s death, Kim finds solace in wearing her mother’s old sweater. However, the sweater begins to itch and even hurt her, but she still can’t bring herself to take it off.

A young germaphobe moves to a bunker to escape the pandemic, starts to become obsessed with news stories of how to prevent getting sick.