Framing Agnes (2022)
장르 : 다큐멘터리
상영시간 : 1시간 15분
연출 : Chase Joynt
시놉시스
Agnes, the pioneering, pseudonymized, transgender woman who participated in Harold Garfinkel’s gender health research at UCLA in the 1960s, has long stood as a figurehead of trans history. In this rigorous cinematic exercise that blends fiction and nonfiction, director Chase Joynt explores where and how her platform has become a pigeonhole. Framing Agnes endeavors to widen the frame through which trans history is viewed — one that has remained too narrow to capture the multiplicity of experiences eclipsed by Agnes’. Through a collaborative practice of reimagination, an impressive lineup of trans stars (Zackary Drucker, Angelica Ross, Jen Richards, Max Wolf Valerio, Silas Howard, and Stephen Ira) take on vividly rendered, impeccably vintage reenactments, bringing to life groundbreaking artifacts of trans healthcare.
태국에서 충격적인 납치사건이 발생하고 마지막 청부살인 미션을 끝낸 암살자 인남은 그것이 자신과 관계된 것임을 알게 된다. 인남은 곧바로 태국으로 향하고, 조력자 유이를 만나 사건을 쫓기 시작한다. 한편, 자신의 형제가 인남에게 암살당한 것을 알게 된 레이. 무자비한 복수를 계획한 레이는 인남을 추격하기 위해 태국으로 향하는데...
Political commentator Matt Walsh explores the changing concepts of sex and gender in the digital age, particularly the transgender rights movement, transphobia, and what it means to be a woman.
메이크업 아티스트로 자신의 일에 열정적인 뭄타즈는 섬세한 남편 하이더르, 가족 내에서 절대자로 군림하는 시아버지 아만, 큰형 내외 및 그들의 네 딸과 함께 산다. 몇 년째 전업주부로 살던 하이더르는 카리스마 있는 트랜스젠더 뮤지션 비바의 백댄서로 취직하게 되고, 그와 동시에 뭄타즈는 전업주부가 될 것을 강요받는다. 하이더르는 첫 만남부터 강렬했던 비바에게 이끌리고, 뭄타즈는 원치 않는 임신으로 답답함을 느낀다.
부대를 옮긴 배리 맥말란 일병은 룸메이트와 동료들과 함께 게이클럽에 놀러갔다가 칼페니아에게 반하게 되고 연락처를 받게 된다. 그리고 칼페니아의 초대로 바베큐 파티에 갔다가 연인 관계로 발전하게 되는데, 당시 군에서는 동성애자에 대한 반대 여론이 거센 상태라 그들의 관계는 위태로워 지는데...
성전환자인 브리는 자신의 새로운 정체성을 찾기 위해, 즉 자신을 완벽한 여자로 만들어 줄 마지막 수술비를 벌기 위해, 2개의 직업을 갖고 정신없이 일한다. 그러던 어느 날, 자기가 남자였던 시절 낳았던 아들 토비가 감옥에 있다는 전화를 받게 되자 할 수 없이 신분을 숨긴 채 보석금을 내주고 처음 보는 자신의 아들과 어색하게 대면한다.
Seven year old Ludovic (Ludo) is transgender and believes god has made a mistake. Assigned male, the film follows her difficult journey to get her family to see what seems obvious to her - that she is a girl.
José Maria is a seventeen year old boy; his father is a successful restaurant owner in a town some distance from Barcelona, in Spain. The boy is intelligent and sensitive, but his mannerisms and habits, and lack of masculine drive, lead him to get bullied at school. The school principal decides that José is the disruptive influence, and asks for him to be removed from the school. The father berates the boy, and his mother, for his failure to be a red-blooded young man, and sends him away for a while to live with a friend in the country. Father visits the boy, and takes him to a strip club in Barcelona, run by a lady friend of his, intending that this will "cure" him of his sexual reserve. However one of the acts is a pre-operative transsexual, and there is a full frontal exposure at the end. Father has arranged that after the show...
방콕의 소방관 샤른은 우연히 슈퍼히어로의 능력을 얻게 된다. 악당들에게 어머니와 여동생이 납치되는데 이 악당들은 다름 아닌 아프가니스탄 출신의 테러리스트들이다. 이들의 목표는 미국 공격. 방콕의 머큐리맨이 미국 평화를 위해 아프간 테러리스트와 결전을 벌인다. 대부분의 아시아 슈퍼히어로들이 미국 슈퍼히어로의 흔적을 간직하고 있는 것은 흔한 일이지만 은 비단 시각적으로 드러나는 이미지뿐 아니라 그들의 세계관까지 고스란히 이접된 것처럼 보인다는 점에서 이채롭다. 태국의 슈퍼히어로가 미국을 공격하려는 아프가니스탄 테러리스트와 싸운다는 설정은 다소 엉뚱하게 느껴지지만 미국 시장 진출을 위한 태국 슈퍼히어로의 포석일 가능성도 배제할 수 없다. (옥미나)
The head of the Tatsumi family falls ill and dies after telling his son(Bell), who disappeared 15 years ago, to take over. The Tatsumi family, including the young head Ryu, decides to search for his son's whereabouts in order to keep his will. They finally found his son and learn he is actually a shemale. Meanwhile, the hostile Honjoukai are plotting to steal the Tatsumi family's territory.
Her ex-wife won’t meet her. Her daughter rejects her. Her mother still calls her “son.” As Marianna transitions from male to female, she is abandoned by her loved ones, alone in a world unwilling to accept her true self. This multi-award-winning documentary is an intensely sympathetic and powerful account of one individual’s struggle to gain acceptance—even in the midst of profound physical hardship.
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Agnes, the pioneering, pseudonymized, transgender woman who participated in Harold Garfinkel’s gender health research at UCLA in the 1960s, has long stood as a figurehead of trans history. In this rigorous cinematic exercise that blends fiction and nonfiction, director Chase Joynt explores where and how her platform has become a pigeonhole. Framing Agnes endeavors to widen the frame through which trans history is viewed — one that has remained too narrow to capture the multiplicity of experiences eclipsed by Agnes’. Through a collaborative practice of reimagination, an impressive lineup of trans stars (Zackary Drucker, Angelica Ross, Jen Richards, Max Wolf Valerio, Silas Howard, and Stephen Ira) take on vividly rendered, impeccably vintage reenactments, bringing to life groundbreaking artifacts of trans healthcare.
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A community of bowlers outside of Cleveland cope with fundamental change when new owners take over at a landmark alley and a longtime league member comes out as a trans woman.
Archive footage from 2006 - 2010 of a young girl growing up during the ages of four to eight. Only fragments of what is remembered exists. Words from a transgender man float to the surface as fleeting memories go on.
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