10년 동안 오랜 친구 ´이치´를 짝사랑해오던 요시카는 어느 날 직장동료 ´니´로부터 사랑고백을 듣는다. 두 명의 남자친구 사이에서 갈팡질팡하는 요시카의 사랑과 자아를 찾아 떠나는 여행이 시작된다. (2018년 제19회 전주국제영화제)
In this surrealistic and free-form follow-up to the Monkees' television show, the band frolic their way through a series of musical set pieces and vignettes containing humor and anti-establishment social commentary.
A lonely character in a deserted world watches as it goes up silently in flames.
아프리카의 북서쪽 해안에 위치한 카보베르데라는 작은 섬나라의 마을. 포르투갈에서 온 간호사 마리아나는 건설현장에서 사고를 당한 레오를 간호한다. 레오는 자신의 처지에 분노하며, 그런 레오를 지켜보는 마리아나는 유럽의 식민지였던 이 땅의 아픈 역사를 생각한다.
(2021 포르투갈 영화제)
Man's rebellion against the world of the digits.
The film was produced applying mixed techniques on Super 8 film support.
After a catastrophic global war, a young filmmaker awakens in the carnage and seeks refuge in the only other survivor: an eccentric, ideologically opposed figure of the United States military. Together, they brave the toxic landscape in search of safety... and answers.
Cut up animation and collage technique by Harry Smith synchronized to the jazz of Thelonious Monk's Mysterioso.
"Momentum is Belson's most serene and gentle film since Allures. This treatment of the sun as an almost dreamlike hallucinatory experience is both surprising and curiously realistic." -Gene Youngblood
This film, photographed in London, is an exploration into the depths of unconscious reactions.
A hand animated film that is a precursor for Belson’s later work
How would a found footage film look if the footage was never found? This conceptual art experiment questions the very nature of film and cinema while serving as an ironic tribute to the found footage horror pop culture. The found footage format provides the narrative justification for such a film to exist: the non-existence exists because the footage existed yet it was lost and never found.
The human psyche unfolds and becomes something different in this musical dance film featuring specialised choreography and direction.
The AHRC funded Objects of Immersion created the Living Room of the Future (LROTF) to highlight the future potential of Object Based Media (OBM). OBM allows programme content to change according to unique interactions with audiences. The ‘objects’ in OBM refer to the different assets within a given programme. These include large objects like audio and video used to construct a scene in a drama, and small objects, like an individual frame of video, a caption, or a signer. By breaking down a piece of media into separate objects, attaching meaning to each object, and describing how they can be semantically rearranged, a programme can change to reflect an individual viewer’s unique context.
A description of some parts of the world - explored, visited, documented, imagined. An abstract attempt at finding them again. The title refers to geographer and civil servant of the Republic of Venice Giovanni Battista Ramusio (1485-1557).
The shifting, abstract color imagery of Jordan Belson's "Cosmos," which unfurls to electronic sound, is attributed in the program notes to the artist's insight from experience with drugs and yoga. - The New York Times
We watch white shapes dancing on black background, which changes when the white shape fills up the screen completely, and black lines and figures bounce around on the now white background.
Len Lye usually timed his films with great care to match their soundtracks, but for All Souls Carnival, he and composer Henry Brant worked separately, preferring to see if the score and visual track would synchronise by chance. Lye also experimented with a new Direct Film technique, drenching the filmstrip in colourful paint and marker pen.
