Aslanbek (2021)

칼립(아드리안 패스다 분)은 메이(제니 라이트 분)와의 첫번째 만남에서 호감을 느껴 데이트를 하지만 새벽이 다가오자 그녀는 마지막 키스의 혈흔만을 남긴 채 홀연히 사라진다. 메이는 태양을 피해 살 수 밖에 없는 뱀파이어 일당의 일원이었다. 이들의 희생물이 된 칼립은 마지막 순간에 메이의 도움으로 목숨을 건지는데, 이미 햇빛에 노출되어 온몸이 타들어가는 증세로 무자비한 살륙을 일삼는 테러 집단의 일원이 된다. 한편 칼립의 아버지 로이(팀 토머슨 분)와 여동생 사라(마시 리즈 분)는 그를 찾기 위해 끈질긴 추적을 벌여 변두리 모텔에서 칼립을 발견하지만 일당에게 다 잡히고 만다. 격투 끝에 탈출한 칼립은 아버지의 헌신적인 치료로 정상인이 되는 데 그 사이 사라가 일당에게 납치당한다. 메이와 사라를 구하려고 나선 칼립에게는 무서운 보복만이 기다리고 있는데...

경제적 붕괴로 도시 전체가 무너진 후 홀로 남겨진 펀. 추억이 깃든 도시를 떠나 작은 밴과 함께 한 번도 가보지 않은 낯선 길 위의 세상으로 떠난다. 그곳에서 펀은 각자의 사연을 가진 노매드들을 만나게 되고, 광활한 자연과 길 위에서의 삶을 스스로 선택한 그들과 만나고 헤어지며 다시 살아가기 위한 여정을 시작하는데…

기원전 5세기, 중앙아시아 초원 지대. 마사게타이 부족 내 반란으로 족장 스파르갑이 죽고, 유일하게 살아남은 군주의 딸 토미리스는 복수를 다짐하며 고향을 떠난다. 훗날 뛰어난 전사로 성장한 토미리스는 아버지의 원수를 갚고 여왕의 자리에 오른다. 그러던 어느 날, 세계의 반을 정복한 거대한 페르시아 제국이 초원 지대를 넘보기 시작하고, 토미리스의 남편 아르군과 아들이 잔인하게 살해당하는 일이 벌어진다. 분노에 찬 토미리스는 정예부대를 이끌고 초원 지대로 쳐들어온 키루스 왕과 맞서 싸우게 되는데…

In 1976, a lower-middle-class teenager struggles to cope living with her neurotic family of nomads on the outskirts of Beverly Hills.

나침반 위의 네 극점, 즉 동서남북을 주제로 한 4부작 중 두 번째 영화인 [북극]은(그 첫 번째는 동쪽을 다루었던 [무사]이다) 사라 메이트랜드의 단편소설에 바탕을 두고 있다. 군인인 로키는 유목 생활을 하고 있는 두 여성 사이에 끼어들어 비극을 야기하고 만다. (제12회 부산국제영화제)

Explorer Bruce Parry visits nomadic tribes in Borneo and the Amazon in hope to better understand humanity's changing relationship with the world around us.

During a time when the city of Los Angeles is terrorized by animal attack style murders, a kindly elderly lady provides a nomad with room and board. It turns out that he is a werewolf and is responsible for the recent killings. He bites the elderly woman, turning her into a hungry werewolf. Now her adult son must try to prevent the both of them from doing any more harm.

In the vast expanse of desert East of Atlas Mountains in Morocco, seasonal rain and snow once supported livestock, but now the drought seems to never end. Hardly a blade of grass can be seen, and families travel miles on foot to get water from a muddy hole in the ground. Yet the children willingly ride donkeys and bicycles or walk for miles across rocks to a "school of hope" built of clay. Following both the students and the teachers in the Oulad Boukais Tribe's community school for over three years, SCHOOL OF HOPE shows students Mohamed, Miloud, Fatima, and their classmates, responding with childish glee to the school's altruistic young teacher, Mohamed. Each child faces individual obstacles - supporting their aging parents; avoiding restrictions from relatives based on traditional gender roles - while their young teacher makes do in a house with no electricity or water.

Based on the novel of the same name by Chinghiz Aitmatov. The action takes place during the days of World War II in one of the villages of Kyrgyzstan. The famous artist Seit recalls his childhood, his first unrequited love for Dzhamilya, the wife of his older brother, and the wounded front-line soldier Daniyar, whose songs taught to notice beauty... A poetic story about love, the secrets of creation, the national customs of the Kyrgyz people.

Gwen is a young girl adopted by a nomad tribe in a desert post-apocalyptic world. When Gwen's friend is kidnapped, she and an old woman called Roseline embark on a trip to bring him back.

After living as an immigrant in the USA for 15 years, Azat flies to Kyrgyzstan to his family village. His father, Murat, died in the USA a year ago. It was his dying wish to pay back the money he owed to the villagers. Azat discovers the family home derelict. Choro, the younger brother of Murat, and their relations left a long time ago. Despite most villagers not liking him. One day, Choro, who was imprisoned because of Murat, arrives and the most important question about Murat's will is decided.

Centaur lives a modest life with his family in rural Kyrgyzstan until he abruptly becomes the center of attention when he is caught stealing a racehorse at night. A story inspired by the myth when horses became the wings of men.

Esen, a young man who has been expelled from his village, escapes with the daughter of one of the most powerful men in the village. Whilst being pursued, he is forced to fight for her hand in a battle that results in the destruction of a sacred totem tree. This puts the whole village in jeopardy, and it is up to Esen to redeem himself and save them all.

We get to meet Aslanbek—a teenage shepherd in the mountains of Kyrgyzstan. “Aslanbek” is a story exploring the dynamics of relationship between humans and animals, what we can learn from the mountains, and about dreams. In short, it's a story about our forgotten values.

Olle, an introverted, well-mannered boy with an air of innocence and sincerity about him has been camping with his father at the same camping ground with several other people for years now. A sort of tradition that ends in a karaoke party. Then one summer, a family friend brings her reticent 'city boy' nephew, Kevin, and his pet budgerigar. Olle accidentally releases the bird and what follows is a discovery of friendship and love between the guy who has grown up in a loving environment and simply accepts love for what it is and the guy who's apparently been burned too many times in his own circle to feel comfortable with it.

Four men from a nomadic Tibetan tribe undertake their annual, ritualistic pilgrimage to a sacred salt lake. Salt gathered in this traditional fashion will be sold to provide the economic livelihood of the tribe for the coming year. The journey, necessary for the group's survival, also incorporates a number of rituals necessary for their culture to survive in the modern world.

A precocious orphan from Central Asia comes to America to find his long lost mother. Along the way he befriends a down on his luck small time hustler, and together they set in motion a daring scheme to solve all their problems. However, things don't go according to plan.

The Meaning of Vanlife is an adventurous, revealing look into the Vanlife community through the eyes of nomads who have chosen to live a life of freedom on the road. A movement that exemplifies a deeper societal trend towards minimalism and authentic community building.

Aïdar, a young Kyrgyz man returns home from his studies in France, with a beautiful French fiancée in tow. His fiancée is warmly welcomed by the village and captivated by the beauty of the region, but he stubbornly refuses to tell his family that the two are engaged.

One of the highest achievements of the new wave of Kirghiz cinema, which emerged in the mid-1960s. This story of a boy building sandcastles on the shores of the Issyk-Kul Lake becomes a documentary parable on the tensions between an artist and society.