ING. (1985)
clerical musical
장르 :
상영시간 : 22분
연출 : Tomáš Vorel
각본 : Lumír Tuček, Tomáš Vorel
시놉시스
Short musical comedy from Tomas Vorel.
Children at UK schools with individual special educational needs (SEN) make up 14.9% of the student population (a figure that is predicted to rise). So it raises questions to why the education system isn’t adapting to meet these needs? And, how does it feel to be one of these kids stuck in an institution which isn’t accommodating you? Teach Me as a documentary sets out to understand these experiences in the present moment from children who are at the age when school makes up a large portion of their daily experiences. The documentary interviews four children all ages 12 and 13 and each of them with individual and overlapping SEN. Using childlike paper cut-outs and school supplies to form a stylish stop motion that transports you into the world/mind of Dan, Lydia, Martha and Annie.
Mia has locked herself inside her recently deceased mother's rundown, crumbling house. Armed with a litany of books detailing ancient cultures and rituals, she tries desperately to reach out to the other side and speak to her mother. But when she succeeds, she gets more than she bargained for. Waiting alongside her mother is something monstrous, something that Mia recognises instantly. As she tries to survive the night and escape the ritual alive, Mia is forced to confront a variety of evils - ones from both without, and from within.
A story of grief and loss as a result of a plane crash. The family must deal with the death of a loved one while living it all over again.
A nearly finished construction site. The wiring is completed, the walls are painted, the final inspections are being done. The construction manager Thomas Zetzsche is proud of his achievement. The prestigious building he created is a modern dream come true. But suddenly that dream begins to crumble as more and more defects appear. Cables run into dead ends, the fire protection malfunctions and entire rooms go missing. Desperately Thomas is trying to fix the building until he finally accepts that the opening date has to be postponed. Now he must confront his own responsibility in this faulty system and draw the necessary consequences
Two teens are compelled by a mask possessed by the soul of Satan.
A showcase of various kinds of technology in daily life.
Joy can't let go of her ex, but doesn't seem to be able to fall for the new guy. In the meantime she keeps having casual sex with strangers.
An unwitting customer biting off more than he can chew. A mysterious driver with a penchant for blood. A delivery that is not what it seems. Nightmares will come to a head in this gruesome Halloween short film.
A psychological horror about a novice nun who develops a severe skin condition which continues to worsen along with her mental state as she struggles with her feelings for another nun.
This film is an imprint on the film strip, an imprint in the mind just like a memory of my father’s garden where a child is playing; an imprint of the father on the garden as a reflection of his character; an imprint of the garden on the father; an imprint of him on a person. As if the seeds were falling from his beard, skin, or hair and become the garden, roots, sprouting and growing, just like a child.
Her first foray into documentary filmmaking was a short called Green Street (1959), a look at an over-loaded freight train departing from Prague. Though only nine minutes in length, Chytilová’s astute editing ensured a visual spectacle.
Full Circle is an animated short film that presents the Moon and Earth’s relationship through a narrative medium. It journeys through a sleepless night, conquering the semi-conscious moonlit world and the retrospective nature of the night. The personal stories of twenty experts and enthusiasts in astronomical fields construct the narrative and its landscapes — coffee tables, paper planes, corridors, among other things. This anecdotal format seeks to present science through the eyes of humanity, prompting the audience to experience scientific information through the familiar mundanity of life.
The humanistic vision of science acts as a launchpad for curiosity and allows the audience to access science through their own experiential libraries.
After her mother’s death, Kim finds solace in wearing her mother’s old sweater. However, the sweater begins to itch and even hurt her, but she still can’t bring herself to take it off.
Amelie goes to her psychiatrist to talk about her visions that only happens when she closes her eyes.
Set largely in the dressing-room after a particularly chaotic performance, lead singer Jim is determined to kick bass player Sean out of his band. However, in a twist of fate, taking the form of a record deal, can Sean ensure his future in the band?
PR Firm owner Liv falls for her client Ollie, placing them in a complicated relationship where mixed signals eventually cause them to grow apart without closure.