Maybe Someday, Another Day, But Not Today (2022)

여기, 아프가니스탄의 수도 카불에는 할머니, 어머니와 가난하게 살고 있는 열두 살 소녀가 있다. 아버지를 비롯한 집안의 남자들은 모두 전쟁에 나가 죽었다. 어머니는 병원의 조수로 일하며 남은 가족인 할머니와 소녀를 부양하며 겨우 살아가고 있다. 어느 날 탈레반 정권이 소녀의 어머니가 일하던 병원을 폐쇄시키고 어머니는 일자리를 잃게 된다. 가족인 남자가 동행하지 않으면 밖에 나갈 수도, 일을 할 수도 없는 아프가니스탄의 탈레반 정권. 혹독한 가난에 시달리게 된 마을에서는 이에 항의하는 여인들의 시위가 매일 이어진다. 생계의 위협에 직면하게 된 소녀의 가족. 할머니는 군인의 눈을 피해 소녀를 남장시키자고 제안하는데…

Marta is a young, energetic girl who wants to become a tractor driver. Her husband, Adem, initially supports her, but then she discovers his true nature.

A misogynistic old man goes to complain about "his rights" after a woman is elected as the leader of his village's cooperative.

World War II. Albania is under the Nazi occupation. The Germans capture two young girls and torture them to learn more about the communist movement.

An old man refuses to undergo an operation in the hospital because he does not trust the abilities of the female surgeon.

Erotic tangles forced Fani and Panai to leave from Athens to Chalkida, there they await new adventures with women, which will result in marriage, but Panai will escape the wedding night.

Germans come amid snow and winter. In the village only people remained are women, that fight until wounded partisans, sheltered in the village, will retreat deeper and snow will cover their tracks. Face to face with the Germans and their control of the village, women, led by mother Shano and mother Mara, depart to make a pile of wood, but actually bring bread and food to the partisans.

When a day in the life of a beleaguered Egyptian filmmaker goes sideways, he witnesses anew issues like class and gender relations.

A story of survival about a woman's first night in a Soviet prison camp. After committing a crime to protect her son, Anastasia is sentenced to 12 years in a Soviet prison camp. Her arrival upsets the balance between the inmates. In a night of backstabbing and shifting alliances, she must find a way to escape and discover the hidden truth of her survival.

Hëna, who works in a construction site, falls in love with another worker, Agim.

The Woven Path: Perempuan Tana Humba is made up of two short movies that highlight the role of women in Sumba culture. The first part of the documentary, The Woven Path, is a 10-minute movie featuring picturesque footage and images that serve as a backdrop to two poems centering on the theme of mothers. The 30-minute Perempuan Tana Humba is a much more straightforward documentary, focusing more on Sumba culture and women in three short chapters: “Marapu”, “Belis” and “Perkawinan”.

운명이라 믿었던 남자와의 오랜 연애를 끝낸 다프네는 이별 후폭풍으로 No 연애, No 알콜과 함께 금욕 생활을 선언한다. 어느 날 그녀 앞에 나타난 두 남자 잭과 프랭크. 다프네는 따뜻하게 다가와 안정감을 주는 잭에게 끌리면서도 섹시한 눈빛으로 자신을 바라보는 프랭크에게 흔들려버린다. 사랑이 실패할까 두려운 다프네와 그녀에게 직진하는 두 남자. 다프네는 두 사람을 알아가보기로 결심하는데… 두 가지 색 리얼 현실 로맨스가 시작된다!

싱글 맘 안나는 아이들과 함께 우크라이나 돈바스의 전쟁 지역 최전방에 살고 있다. 영화에 대한 사랑이 깊은 안나 가족은 전쟁 속 자신들의 삶을 영화로 찍어 나간다. 그들에게 있어 트라우마를 작품으로 만든다는 것은 인간으로 남기 위한 마지막 수단이다.

This animated short challenges enduring myths, spawned by fairy tales and romances, about women in medieval society. It explores the differences and similarities between that distant period and our own, and shows what medieval women’s lives were really like.

A woman blessed with magical powers by the gods and living in a place where you are forbidden to use them, teams up with a princess to summon the gods and bring down the oppressive regime.

The vege­ta­bles come from the garden behind the house, the fish comes out of a can, and money for bread is earned at the factory. It’s because of this money that they came here. Women from Turkey stand side-by-side with women form Meck­len­burg at the conveyor belt of a fish-proces­sing factory in Lübeck. Their hands are stained brown, the pungent smell of fish clings to them, and their arms and backs ache. If these jobs were done by men, machines would have been invented long ago to replace them. But female labour is cheap and the women do not complain. They have learned to work – and therein lies the source of their pride. (Source: https://www.artechock.de/film/text/filminfo/g/ge/gefubr.htm)

This early public information film puts out an appeal for more women to take up munitions work - showing training centres, opportunities for work in the aircraft industry as well as the tempting prospect of a fun social life. (source: British Film Institute)

'The Pass' is a compelling series of autobiographical vignettes incorporating songs and stories penned and performed by Denise Marsa. Marsa lays her soul bare as she weaves us through her struggles and accomplishments in the music industry. She has the courage to be authentically raw and vulnerable as she delves deep into introspection. Her sense of humor keeps her from falling into pathos, even when tackling difficult subjects such as sexuality and sexual harassment. What emerges is an entertaining portrait of a strong, talented, complex & inspiring woman. “The Pass” is a must-see tale about perseverance and the human spirit in a mesmerizing tour de force.

Alma W. Thomas lived a life of firsts: the first Fine Arts graduate of Howard University (1924), the first Black woman to mount a retrospective at the Whitney Museum of American Art (1972), and the first Black woman to have her paintings exhibited in the White House (2009). Yet she did not receive national attention until she was 80.

Ana had the perfect husband, the perfect children, and the perfect friend, but she wanted to turn her life around and turned everything upside down.