Dreaming Machine

A woman is brutally raped by four men, and she plans to seek vengeance. After five years, she hasn't gotten over it yet, and she and her friend are again raped by four men. This time, she tracks them down and finally has her revenge.

어릴 적 "2001 스페이스 오디세이"를 보고 SF 장르에 흠뻑 빠진 팻. 없는 돈을 끌어 모아 남동생과 여동생까지 총 동원하며 세기의 위대한 대작을 만들 꿈에 부풀어 있지만 그의 노력을 알아봐주는 사람은 그리 많지 않다. 아빠와 이혼한 엄마는 홀로 삼남매를 키워야 하는 삶의 무게에 짓눌려 있고, 친구들은 B급 장르영화만 읊어대는 팻을 전혀 이해하지 못한다. 그러던 어느 날, "스타워즈"가 개봉한다는 소식을 듣게 된 팻. 세기의 역작이 탄생했다 생각하곤 개봉일에 영화를 보러 가지만 그가 사는 워즈워스에서는 "스타워즈"가 어떤 영화인지 아는 사람조차 드물다.

첫눈이 내리는 날 한 여인이 실종되는 사건이 일어났을 때 형사 해리 홀레는 오랫동안 미제 살인사건을 저질러온 연쇄살인마가 다시금 나타났음을 직감한다. 신임경찰 카틀린과 함께 수사를 시작한 그는 다시 눈이 내리기 전에 범인을 잡아야 한다고 다짐하는데...

A group of contemporary young people are swept to the Land of Oz--only Ozma and the Wizard are missing, and no one knows why.

Unfinished early documentary by Ulrich Seidl about a foto shooting with Sonja Kirchberger and Peter Baumann at the Tunisian seaside.

Ramkinkar Baij is an incomplete personality study or documentary on sculptor Ramkinkar Baij created by legendary filmmaker Ritwik Ghatak. He started creating the film in 1975. The film was almost complete but it still remained unfinished for the death of Ritwik Ghatak.

The Adventures of Pinocchio (Italian: Le avventure di Pinocchio) was an Italian animated film directed by Raoul Verdini and Umberto Spano. Created and produced by Cartoni Animati Italiani Roma (CAIR) and distributed by De Vecchi, this cartoon was based on the famous children's book The Adventures of Pinocchio by Carlo Collodi. The film was intended to be the first animated feature film from Italy, but was never completed; if the film was finished, it also would have been the first cel animated feature film ever, beating Snow White and the Seven Dwarfs, and the first animated film adaptation based on the novel of the same name, It is now considered lost: only the original script and a couple of still frames are all that survived of the film. Currently considered a lost film.

Mid '80s slasher with teens being picked off one by one by a masked killer.

In the spring of 1970, between the African Orestiade and The Decameron, Pasolini shot a film for which he wrote a commentary in verses but never finished editing. The film was born as a typical Pasolini intervention: filming the strike of the garbage collectors in Rome, who at the time worked in dramatic health conditions, and filming the humility of their daily work, amidst the waste and scraps of society, in the squares and in the streets. Pasolini also filmed the faces of garbage collectors engaged in claims discussions and the result was an extraordinary anthropological picture of an unknown humanity.

An unfinished short student film about dreaming