Kristof Gerega

출생 : 1981-01-01,

참여 작품

Life Is Not a Competition, But I’m Winning
Producer
If history is written by the victors, where does that leave those who were never allowed to be part of the game? A collective of queer athletes enters the Olympic Stadium in Athens and sets out to honour those who were excluded from standing on the winners’ podium. They meet Amanda Reiter, a trans* marathon runner who has to struggle with the prejudices of sports organisers, and Annet Negesa, a 800m runner who was urged by the international sports federations to undergo hormone-altering surgery. Together they create a radical poetic utopia far from the rigid gender rules found in competitive sports.
피아페
Producer
When her sibling Zara suffers a nervous breakdown, the introvert Eva is forced to take on Zara’s job as a Foley artist. She struggles to create sounds for a commercial featuring a horse, and then a horsetail starts growing out of her body. Empowered by her tail, she lures a botanist into an affair, through a game of submission. Piaffe is a visceral journey into control, gender, and artifice.
피아페
Veterinär
When her sibling Zara suffers a nervous breakdown, the introvert Eva is forced to take on Zara’s job as a Foley artist. She struggles to create sounds for a commercial featuring a horse, and then a horsetail starts growing out of her body. Empowered by her tail, she lures a botanist into an affair, through a game of submission. Piaffe is a visceral journey into control, gender, and artifice.
Sirens
Producer
Monolithic power plants; billowing columns of smoke; the backdrop of a red sun. Sirens is an experimental short documentary that captures Germany’s coal-fired power plants in their final years of generating energy. Shot entirely from helicopters, the film takes us on a journey through industrial wastelands, thus recalling the passage of Ulysses’ boat through the Sirens’ strait. An odyssey through the dystopian industrial world that has left a permanent mark on earth’s ecosphere.
1000 Kings
Man 6
In a society of abstract figures, 1000 people live imprisoned in an immense space, distinguished by their social class, like a hive of bees. Their ultimate goal is to produce light, but only one will be able to! 1000 Kings is a conceptual and innovative animation, a poetic meditation on the origins of the universe with a geometric approach and psychedelic colors, inspired by both Western and Eastern mythologies.
No Longer Our Homeland
Writer
The documentary ‘No Homeland’ impressively demonstrates the absurd course that things can take when the so called national consciousness awakes and a constructed and at the same time uncontrollable hatred destroys the hitherto peaceful life of a community forever.
No Longer Our Homeland
Script
The documentary ‘No Homeland’ impressively demonstrates the absurd course that things can take when the so called national consciousness awakes and a constructed and at the same time uncontrollable hatred destroys the hitherto peaceful life of a community forever.
No Longer Our Homeland
Editor
The documentary ‘No Homeland’ impressively demonstrates the absurd course that things can take when the so called national consciousness awakes and a constructed and at the same time uncontrollable hatred destroys the hitherto peaceful life of a community forever.
No Longer Our Homeland
Director
The documentary ‘No Homeland’ impressively demonstrates the absurd course that things can take when the so called national consciousness awakes and a constructed and at the same time uncontrollable hatred destroys the hitherto peaceful life of a community forever.
Spaceship
Kristof
When his daughter goes missing in an apparent alien abduction, Gabriel's search takes him dangerously close to her strange group of so-called friends. But the further he goes inside their computer game and fantasy-obsessed world, the more he realises that he must confront his own difficult memories if he is to get his daughter back.
Rough Road Ahead
Brother Udolf
Germany, 1967. Ruby & Martin, a young couple, are rehearsing their uprising. The price is high: expulsion from school, parental violence, and ultimately institutionalization. But they are ready to take on the cause of love.
Oilfields Mines Hurricanes
Salpa
OILFIELDS MINES HURRICANES is a road-movie, in which the classical concept of that genre - the quest for and the fixation of the own identity - is lead ad absurdum: Salpa, the traveler, experiences a corrosion of his all-along-multiple identity. This is already founded within the production: 18 authors have taken turns writing the screenplay. The amount and sequence of the scenes correlate with John Cage's organ piece As Slow As Possible. The performance venue of that piece, Halberstadt, is the apparent destination of Salpa's journey. But, arrived, no redemption is waiting...
Oilfields Mines Hurricanes
Writer
OILFIELDS MINES HURRICANES is a road-movie, in which the classical concept of that genre - the quest for and the fixation of the own identity - is lead ad absurdum: Salpa, the traveler, experiences a corrosion of his all-along-multiple identity. This is already founded within the production: 18 authors have taken turns writing the screenplay. The amount and sequence of the scenes correlate with John Cage's organ piece As Slow As Possible. The performance venue of that piece, Halberstadt, is the apparent destination of Salpa's journey. But, arrived, no redemption is waiting...
Oilfields Mines Hurricanes
Director
OILFIELDS MINES HURRICANES is a road-movie, in which the classical concept of that genre - the quest for and the fixation of the own identity - is lead ad absurdum: Salpa, the traveler, experiences a corrosion of his all-along-multiple identity. This is already founded within the production: 18 authors have taken turns writing the screenplay. The amount and sequence of the scenes correlate with John Cage's organ piece As Slow As Possible. The performance venue of that piece, Halberstadt, is the apparent destination of Salpa's journey. But, arrived, no redemption is waiting...
드라이레벤
Zivildienstleistender
독일에 있음직한 소도시, 하지만 허구의 도시인 ‘드라이레벤'을 중심으로 펼쳐지는 기이한사랑과 범죄의 이야기가 총 3부작으로, 세 명의 감독에 의해 연출되었다. 각각의 영화는 저마다의 스토리로 마무리되는 자족적인 성격을 갖지만, 몇몇 연결고리에 의해 세 편이 이어지는 연작의 성격 또한 띄고 있다. 크리스티안 펫졸트의 첫 번째 이야기에서는 간호 호스텔에서 근무하는 요하네스가 사랑하는 안나와 부유한 의사의 딸 사라 사이에서 갈등하다가 결국 사라를 선택하는 멜로 드라마가 펼쳐진다. 도미닉 그라프의 두 번째 이야기에서는 1편의 마지막 부분에서 탈출한 살인마 몰레쉬의 이야기가 펼쳐진다. 크리스토프 호흐호이슬러가 만든 세 번째 이야기는 살인마 몰레쉬의 시선으로 진행된다. 몰레쉬가 어떻게 범죄자가 되었는지를 보여주는, 시간상으로는 가장 최초에 진행되는 이야기이다. (전주국제영화제)
Beyond Revolution – Fighting for Democracy
Director
In Ukraine, they are called the ‘three musketeers’: together, journalists Svitlana Zalishchuk, Serhiy Leshchenko and Mustafa Nayyem are fighting for democracy on the Maidan. When the revolution comes to a head, and President Yanukovych absconds, his magnificent estate is left behind. Mustafa, Svitlana and Serhiy go inside – and see the extent of the corruption and greed in its rooms. Now they want to go one step further and completely change politics. They run for parliament themselves in 2014 – and win. But the 2019 election changes everything. While Serhiy supports the candidate Selenskyj, Mustafa and Svitlana take a different path. Serhiy must now fight for himself alone.