Paulo Sacramento

In 1965, a year after the military coup in Brazil, an oasis of freedom opened in the country's capital. The Brasília Film Festival: a landmark of cultural and political resistance. Its story is that of Brazilian cinema itself.

A group of friends working on an offshore oil rig maintain close bounds and do their best to face the difficulties presented by living and working isolated out in the middle of the sea. A job promotion triggers events that disrupt, in an irreversible way, the group friendship and the protagonist’s own life on land. He is tested by the force of destiny and experiences the drama of an ordinary man facing a gradual process of isolation.

A group of friends working on an offshore oil rig maintain close bounds and do their best to face the difficulties presented by living and working isolated out in the middle of the sea. A job promotion triggers events that disrupt, in an irreversible way, the group friendship and the protagonist’s own life on land. He is tested by the force of destiny and experiences the drama of an ordinary man facing a gradual process of isolation.

A group of friends working on an offshore oil rig maintain close bounds and do their best to face the difficulties presented by living and working isolated out in the middle of the sea. A job promotion triggers events that disrupt, in an irreversible way, the group friendship and the protagonist’s own life on land. He is tested by the force of destiny and experiences the drama of an ordinary man facing a gradual process of isolation.

전편 BiFan2013에서 상영되어 큰 호응을 얻었다. 2년 만에 돌아온 속편 는 나이지리아에서 영국, 그리고 브라질과 그 사이의 모든 장소를 아우르는 야심 찬 작품이다. 각 알파벳에 해당하는 26장으로 구성된 이 영화는 현대 장르영화계를 이끄는 감독들이 한 장씩 연출하여 관객들에게 가장 충격적인 장면을 선사한다. (2015년 제19회 부천국제판타스틱영화제)

Marcelo is a journalist. Carlos is a former car-thief. Renata is a woman torn apart by two relationships as diverse as her desires. Exu is the ever becoming.

Marcelo is a journalist. Carlos is a former car-thief. Renata is a woman torn apart by two relationships as diverse as her desires. Exu is the ever becoming.

Marcelo is a journalist. Carlos is a former car-thief. Renata is a woman torn apart by two relationships as diverse as her desires. Exu is the ever becoming.

A film about the reunion of a family broken by the pain and because of the pain can be reunited. An intense story, told in a soft and sensitive way, showing the search and dedication of a man rediscovering family and the love that unites the brothers, finally forming a real family.

In crisis after killing an innocent during action in the favela, a police officer is introduced into the unit of the "Ninjas" - extermination group that is dedicated to sadistically eliminating suspects of violent crimes.

In São Paulo, Brazil, the lonely 40-something guitar teacher Baby lives a tedious life in a low middle-class apartment. She is addicted to her only companions: cigarettes. Baby has a constant conflict with her two sisters, over a couch she inherited from their deceased aunt. When Max, a restaurant musician, moves to the next door apartment, Baby has a crush on him and sees a chance to have a life again. Soon they start having a love affair, and Baby decides to quit smoking. However, her abstinence will be tough to deal with, when she notices Max still misses his ex-wife.

Experimental documentary short that debates over Rogério Sganzerla's Brazilian cult classic "The Red Light Bandit".

영화 사상 가장 ‘매력적으로 사악한’ 악당으로 꼽히는 악의 화신 코핀 조, 그가 40년의 감옥 생활을 마치고 완벽한 후계자를 임신시킬 여성을 찾기 위해 돌아온다. 한편, 복수를 위해 그를 쫓는 부패 경찰과 신부는 추적의 손아귀를 조여온다. 살인, 섹스, 고문, 신체절단, 식인, 수간, 초자연적 현상, 브라질 토속 미신 등 호러 영화의 모든 요소를 집약시켜 브라질 사회의 문제점을 비추는 브라질 호러 영화 선구자 주제 모지카 마린스의 코핀 조 연작의 완결판.

영화 사상 가장 ‘매력적으로 사악한’ 악당으로 꼽히는 악의 화신 코핀 조, 그가 40년의 감옥 생활을 마치고 완벽한 후계자를 임신시킬 여성을 찾기 위해 돌아온다. 한편, 복수를 위해 그를 쫓는 부패 경찰과 신부는 추적의 손아귀를 조여온다. 살인, 섹스, 고문, 신체절단, 식인, 수간, 초자연적 현상, 브라질 토속 미신 등 호러 영화의 모든 요소를 집약시켜 브라질 사회의 문제점을 비추는 브라질 호러 영화 선구자 주제 모지카 마린스의 코핀 조 연작의 완결판.

An evening in an old time dance hall in Sao Paulo introduces us to local characters who reminisce about the past, wonder about the future, have fun, flirt, fight and, of course, dance. Its earthy humour and eternal themes of ageing, loneliness and desire is an antidote to grumpy old men and women everywhere.

Querô is an orphan teenager, living alone near the docks in Santos, Brazil. Her mother, a prostitute, died when he was a baby, and he was raised in the bordello where she worked. Believing he rules his own destiny, he refuses to compromise with anyone else, the corrupt policemen always chasing him, the oppressive discipline in the juvenile institution Febem, or the drug dealers who try to lure him. But this independence has a price.

A group of bored well-off young adults come up with anarchic concept of Conceptionism, that promotes absolute looseness when it comes to sex and drugs, but total rejection of money and ego. However, their movement won't last long.

A group of bored well-off young adults come up with anarchic concept of Conceptionism, that promotes absolute looseness when it comes to sex and drugs, but total rejection of money and ego. However, their movement won't last long.

Free adaptation of Machado de Assis's short story "Pai Contra Mãe", having some of Nireu Cavalcanti's 18th Century chronicles as inspiration, the film traces parallels between life in during the slavery period and in modern Brazil.

In 2002, the greatest prison in Latin America, Complex Carandiru, was demolished. A couple of months before its implosion, director Paulo Sacramento trained some inmates and together with his crew, they produced many hours of footage, showing daily life in prison.

In 2002, the greatest prison in Latin America, Complex Carandiru, was demolished. A couple of months before its implosion, director Paulo Sacramento trained some inmates and together with his crew, they produced many hours of footage, showing daily life in prison.

In 2002, the greatest prison in Latin America, Complex Carandiru, was demolished. A couple of months before its implosion, director Paulo Sacramento trained some inmates and together with his crew, they produced many hours of footage, showing daily life in prison.

Filho is a miserable bastard. He's divided between the duty of nursing his fanatic mother and his obsessive lust for Formosa - a whore of Satan . His dilemma casts him into an abyss of violence, witchcraft, death and demonic trance.

In a poor neighborhood in Recife, the lives of exotic and bizarre characters entwine in a bar and in a very low-budget hotel. The queer Dunga works in the hotel and has a crush on the butcher Wellington that is married with the religious Kika and has an affair with his mistress Dayse. The sick necrophiliac Isaac owns a yellow Mercedes Benz and wants to have sex with Lígia that owns of Bar Avenida.

In a poor neighborhood in Recife, the lives of exotic and bizarre characters entwine in a bar and in a very low-budget hotel. The queer Dunga works in the hotel and has a crush on the butcher Wellington that is married with the religious Kika and has an affair with his mistress Dayse. The sick necrophiliac Isaac owns a yellow Mercedes Benz and wants to have sex with Lígia that owns of Bar Avenida.

Filmed over a five-year period, Chronically Unfeasible dissects Brazilian problems, using six people who meet in a restaurant in São Paulo as models to illustrate political, sociological and economic disparities between Brazil's upper and lower classes.

Three days in the life of a young clarinetist (Fernando Alves Pinto), who is in love with a violinist (Vera Zimmerman), but can't get her attention. In the first day he feels alone and frail; in the second day what was supposed to be pleasant becomes a nightmare; in the third day he finally achieves fulfillment through music and helps a pianist (Vera Holtz) who is rehearsing for a concert. These three days correspond to a three movement sonata - the director (Lina Chamie) is a musician, so she imprinted a musical structure to her movie, with few dialogs and poetic images. It's a movie for music lovers. Written by CeciliaWolf

A modern couple from a typical advertisement: young, attractive, and brand-conscious. As they use the products on their breakfast table they begin to quote lines from the relevant advertisemnet. Soon their behavior departs from the accepted advertising norm as they zealously defend each other´s products to the death.

Rap, drugs and violence. One day in the suburbs of São Paulo.

Rap, drugs and violence. One day in the suburbs of São Paulo.

An uncompromised from a young group of people.

An uncompromised from a young group of people.

An uncompromised from a young group of people.

An uncompromised from a young group of people.

While there's still oil, a maverick rushes through empty roads.

A funny yet bitter panorama of the several possible viewpoints of this feeling that fulfils hearts and minds.

"Do what you want because everything will be legal".

"Do what you want because everything will be legal".

"Do what you want because everything will be legal".

"Do what you want because everything will be legal".

Two outcasts fight over a pair of shoes in a run-down boarding-house room.