Ned Lander

호주 시골 마을 브로큰힐의 택시기사 '렉스'. 사랑하는 여자에게 고백 한 번 못한 외톨이 택시기사인 그는 어느 날 자신이 암에 걸렸다는 것을 알게 된다. 주변의 만류에도 불구하고 존엄사 허용법이 통과된 다윈으로 가기 위해 자신의 택시를 몰고 무려 3,000km의 호주 대륙 횡단 여행을 떠나는데.. 와 함께 호주 10대 로드무비 선정! 호주 최초 존엄사 지원자인 한 택시 드라이버의 감동 실화 로드무비!

The ABC telemovie event Dangerous Remedy tells the fascinating story of Dr Bertram Wainer. Living and working in Melbourne in the 1960s, Dr Wainer put his life at risk to expose police corruption in an effort to change the law on abortion and put an end to the illegal operations that were killing young women. It’s a truly inspiring story. Dr Wainer’s determination, even when his own life and that of his family’s was threatened, never faltered. He was living proof that one person can make a difference and change the status quo. With the support of Dr Wainer’s family, the filmmakers have endeavoured to capture the essence of his struggle to expose police corruption and change the law.

After the death of their mother, three estranged sisters return to their childhood home.

The film spans five generations, from my mother's colonial life in Java, recorded on old home movies, through the war, to a new start in England as a young bride, and our family migration to Australia in 1960. It shows how one woman's testimony changed recorded history and became an inspiration to others. It was awarded Best Documentry at the AFI Awards, and a Logie Award for Best Documentary.

Outspoken leader Charles Perkins grew up on a reserve, separated from his relatives. He was shunned by white Australian society and his early experiences of racism spurred him to go on to university and to challenge racial inequality. One of the first Aboriginal people to graduate from university, he soon came to the forefront of direct action against oppression and injustice, leading the 1965 freedom rides that challenged apartheid practices in northern NSW. Freedom Ride takes Charles Perkins back to Moree and Walgett and uses newsreel footage and dramatic reconstructions to retrace his story. The program was directed and produced by his daughter Rachel Perkins; his son Adam Perkins plays Charles as a young man.

Arrernte elder Rupert Max Stuart tells his side of the story about how he was sentenced to death for a crime he says he didn’t commit. For 30 years, Arrernte man Rupert Max Stuart has maintained his innocence of the rape and murder of a young white girl. His story became the basis for the movie Black and White in 2002. In Broken English, we hear from Max and those personally involved in the case. Max Stuart claims he fell prey to prejudices in the white justice system and alleges he was beaten and verballed by police. He spent 14 years in prison and faced the gallows nine times for the crime he says he didn't commit. This film, which combines documentary and drama, recreates some of the events of his trial, appeals and subsequent Royal Commission. It features Hugo Weaving, Noah Taylor and Tony Barry, with Lawrence Turner playing Max Stuart.

Law man Darby Jampinjimpa Ross and other Warlpiri elders introduce us to their community's fire ceremony. Made with the close co-operation of the outback Warlpiri community of Yuendumu, the film follows the staging of the ceremony, involving hundreds of people, over several weeks - part of the process of retaining traditional law and culture within the community. Anthropologists describe the ceremony as a means of resolving personal conflicts in society; the elders speak of paying tribute to their ancestors.

Every 'overnight sensation' in the music industry is preceded by a few years of fine-tuning the act. But 40,000 years? From the far north of Australia, YOTHU YINDI draws on the song cycle of its Arnhem Land ancestors to create a mesmeric mix of traditional Aboriginal music and rock 'n' roll. Into the Mainstream takes us on a journey across the vast continent of America with YOTHU YINDI, on the 'Diesel and Dust to Big Mountain' concert tour featuring MIDNIGHT OIL and American Indian band GRAFITTI MAN. The bands travel 16,000 km over 38 days and play to crowds of up to 10,000. On the way they meet American Indian communities to talk about land rights and cultural identity, culminating in the presentation of a gift from the Yolngu people in Arnhem Land to the Navajo elders in Big Mountain, Arizona. YOTHU YINDI proves to be a revelation on tour - Aboriginal traditional music and dance quickly become the latest American vogue in performing art.

During the 1860s, Dave Powers, apprentice to a horse trainer, volunteers to ride Archer to the Melbourne Cup race. Their start is 600 miles from Melbourne, and the journey is anything but easy. Of course, the pair have numerous adventures along the way, and in the end Archer competes in the Melbourne Cup race.

After Dan collapses at a train station, he enlists Maxie to watch his beloved dog, Molly. Maxie develops a soft spot for her new furry companion - a dog which has a unique ability to sing in tune.

After Dan collapses at a train station, he enlists Maxie to watch his beloved dog, Molly. Maxie develops a soft spot for her new furry companion - a dog which has a unique ability to sing in tune.

A comedic, dramatic day in the lives of employees and patients at a venereal disease clinic.

시대를 앞섰던 호주 뮤지컬 영화 은 모든 뮤지컬 명작들이 그렇듯 문화적 유행을 관통하며 여전히 유의미하고 경쾌하다. 조 케네디가 스타 가수를 열망하는 십 대를 연기하고, 로스 오도너번은 조의 경력을 위해 떠들썩한 홍보와 여러 소동을 벌이는 사촌 동생을 맡았다.​ (2021년 제23회 서울국제여성영화제) 재키 멀렌스는 망해 가는 엄마의 술집에서 웨이트리스로 일하지만 언젠가는 가수로 데뷔하겠다는 꿈을 갖고 있다. 동네 탤런트 쇼에서 멋진 공연을 펼친 재키는 같은 쇼에 너온 웜배츠라는 밴드와 만나고 기타리스트 로비와 데이트를 시작한다. 한편 매니저를 자처하는 열네 살 사촌 앵거스는 TV 프로그램인 「더 와우! 쇼!」의 진행자 테리 램버트의 시선을 끌기 위해 계략을 꾸민다. 엉겁결에 군중 앞에서 줄타기를 하게 된 재키는 과연 계획대로 슈퍼스타가 될 수 있을까? 은 질리안 암스트롱이 첫 작품 (1979) 이후 내놓은 두 번째 장편 극영화이다. 두 작품은 모두 여성 예술가를 주인공으로 내세운다는 점을 제외한다면 극단적으로 다르다. 이 작가의 꿈을 키우는 19세기 호주 여성의 경험을 담은 사실적이고 진지한 시대극이라면, 은 주디 갈랜드와 미키 루니 주연의 1930년대 할리우드 영화처럼 복잡함이나 사실성 따위는 포기해 버린 발랄하고 뻔뻔스러운 뮤지컬 코미디다. 단지 이 영화의 배경은 1980년대 동시대의 호주이고 당시의 네온빛 패션과 음악과 열기로 채워져 있다. 오로지 그 시대, 그 공간에서만 존재했던 청춘 문화의 화려한 기록이다. (2021년 제23회 서울국제여성영화제 /듀나)

Sue is an Australian teenager in the late '70s, and her life mainly consists of doing what all the other girls do: watching the surfing boys and having sex with those same surfing boys. The girls have to follow lots of strange customs, e.g. do not eat or go to the bathroom when a boy is around. Ugly girls have two choices - being bitches and hating boys, or being generally cheap and looked down upon by everyone. The afternoons are spent on the beaches, in the backseats of cars, or at home-alone parties where sex and alcohol are the main ingredients. Parents and teachers are trying to straighten the kids out, but it's not easy.