Director
태국에 새 국가 원수가 즉위한 직후인 2020년에서 2022년까지 벌어진 시위를 기록한 다큐멘터리이다. 권력의 횡포에 반대하는 모든 사람들, 특히 학생들의 반란을 다룬다. 정치적인 반대자들을 다루는 데 있어 권력 남용이 존재하며, 여기에는 국제적으로 인정받는 정치 활동가들의 체포도 포함된다. 영화는 현재 태국의 투쟁을 목격하고 따라간다.
Screenstory
Worship is premised on a hard reality of the poor in Thailand: the only way for them to climb the economic ladder is not with hard work and financial prudence, but by winning the game of chance—lottery. Many of them thus stay devoted to their faith out of fervent hopes that the deities would reciprocate their devotion by endowing them with luck and prosperity.
Director
Worship is premised on a hard reality of the poor in Thailand: the only way for them to climb the economic ladder is not with hard work and financial prudence, but by winning the game of chance—lottery. Many of them thus stay devoted to their faith out of fervent hopes that the deities would reciprocate their devotion by endowing them with luck and prosperity.
Editor
Laila leaves Bangkok, besieged by law enforcement due to political and social unrest, and embarks on a road trip to the town of Pattani, in the far south of Thailand, along with her brother Sugood and Toi, a friend of his, to visit Sainab, the brothers' aunt, whom they barely know.
Writer
In Thailand, a hymn to rice need not always be sung. A dance, or spectacular homemade fireworks can say the same thing. As can a film, as is convincingly demonstrated by this lyrical, beautifully filmed homage to this essential staple food.
Director
In Thailand, a hymn to rice need not always be sung. A dance, or spectacular homemade fireworks can say the same thing. As can a film, as is convincingly demonstrated by this lyrical, beautifully filmed homage to this essential staple food.
Editor
Facing seizure of their own lands, two families found themselves farming together on the same field, hoping to get through just another rice-farming season like every year. But no matter how much the world is evolving, how much the country is going through economic, political and social changes, they still cannot grasp that ideology of happiness.
Cinematography
Facing seizure of their own lands, two families found themselves farming together on the same field, hoping to get through just another rice-farming season like every year. But no matter how much the world is evolving, how much the country is going through economic, political and social changes, they still cannot grasp that ideology of happiness.
Writer
Facing seizure of their own lands, two families found themselves farming together on the same field, hoping to get through just another rice-farming season like every year. But no matter how much the world is evolving, how much the country is going through economic, political and social changes, they still cannot grasp that ideology of happiness.
Director
Facing seizure of their own lands, two families found themselves farming together on the same field, hoping to get through just another rice-farming season like every year. But no matter how much the world is evolving, how much the country is going through economic, political and social changes, they still cannot grasp that ideology of happiness.
Director
About a village celebration that involves the ceremonial launching of homemade bamboo rockets
Writer
Eight pastoral vignettes make up this leisurely and benevolent stroll through Thailand’s rural north country, where time slows down and the changing seasons dictate the day’s chores from dawn to dead of night.
Director
Eight pastoral vignettes make up this leisurely and benevolent stroll through Thailand’s rural north country, where time slows down and the changing seasons dictate the day’s chores from dawn to dead of night.
Visual Effects
In the mid-18th century, Thailand's King Textron was defending his Ayuthaya Kingdom as he fought against the Myanmar invasion. At the same time, his wife Queen Taya was having a secret affair with the swordsman Chai, who may actually be a Myanmar traitor intending on toppling the Ayuthayans from within the palace. Filled with dazzling swordplay action and epic battle scenes, THE LORD OF AYUTHAYA is a stirring account of one of Thailand's most famous battle in history
Editor
When the Thai government announces a plan to empty its vaults to repay its IMF loans, a gang of local Mafia cook up a scheme for a mega-heist: they will steal the country's gold reserves. They hire the notorious Navin, a former military assassin, to lead an operation involving all of the top thieves in the country. The government sends Lieutenant Pakorn, head of the Counter-Terrorism Bureau, to track down Navin. As the two men try to outwit each other, the robbers race against the clock to pull off the biggest heist in the Thai history.
