Gustav Deutsch

Gustav Deutsch

출생 : 1952-05-19, Vienna, Austria

사망 : 2019-11-02

약력

Austrian multidisciplinary artist, art director, and film director.

프로필 사진

Gustav Deutsch

참여 작품

How We Live - Messages to the Family
Director of Photography
Tradition and modernity, contrasting ways of life: the master of archival footage has assembled an impressive collection. His serene narration takes us inside the private lives of migrant families in different eras, from the beginnings of film to the present day. This new film from one of the great avant-garde directors is also a powerful tribute to a neglected genre.
How We Live - Messages to the Family
Writer
Tradition and modernity, contrasting ways of life: the master of archival footage has assembled an impressive collection. His serene narration takes us inside the private lives of migrant families in different eras, from the beginnings of film to the present day. This new film from one of the great avant-garde directors is also a powerful tribute to a neglected genre.
How We Live - Messages to the Family
Editor
Tradition and modernity, contrasting ways of life: the master of archival footage has assembled an impressive collection. His serene narration takes us inside the private lives of migrant families in different eras, from the beginnings of film to the present day. This new film from one of the great avant-garde directors is also a powerful tribute to a neglected genre.
How We Live - Messages to the Family
Director
Tradition and modernity, contrasting ways of life: the master of archival footage has assembled an impressive collection. His serene narration takes us inside the private lives of migrant families in different eras, from the beginnings of film to the present day. This new film from one of the great avant-garde directors is also a powerful tribute to a neglected genre.
Notes and Sketches I (2005-15)
Director
Travelogues can also contain “mini-dramas”: this is what the “pocket films” of Notes and Sketches I (2005-15) reveal. Surprising behavioural 
studies of man and animal, the hidden humour of nature’s phenomena as well as of automatized routines make good entertainment for your 
home cinema and for all ages.
Shirley: Visions of Reality
Editor
A series of snapshots from the life of a fictional actress named Shirley serves to weave together thirteen paintings by Edward Hopper (e.g. "Office at Night", "Western Motel", "Usherette", "A Woman in the Sun") into a fascinating synthesis of painting and film, personal and political history. Each station in Shirley’s professional and private life from the 1930s to 1960s is precisely dated: It is always August 28/29 of the year in question, as the locations vary from Paris to New York to Cape Cod.
Shirley: Visions of Reality
Production Design
A series of snapshots from the life of a fictional actress named Shirley serves to weave together thirteen paintings by Edward Hopper (e.g. "Office at Night", "Western Motel", "Usherette", "A Woman in the Sun") into a fascinating synthesis of painting and film, personal and political history. Each station in Shirley’s professional and private life from the 1930s to 1960s is precisely dated: It is always August 28/29 of the year in question, as the locations vary from Paris to New York to Cape Cod.
Shirley: Visions of Reality
Screenplay
A series of snapshots from the life of a fictional actress named Shirley serves to weave together thirteen paintings by Edward Hopper (e.g. "Office at Night", "Western Motel", "Usherette", "A Woman in the Sun") into a fascinating synthesis of painting and film, personal and political history. Each station in Shirley’s professional and private life from the 1930s to 1960s is precisely dated: It is always August 28/29 of the year in question, as the locations vary from Paris to New York to Cape Cod.
Shirley: Visions of Reality
Director
A series of snapshots from the life of a fictional actress named Shirley serves to weave together thirteen paintings by Edward Hopper (e.g. "Office at Night", "Western Motel", "Usherette", "A Woman in the Sun") into a fascinating synthesis of painting and film, personal and political history. Each station in Shirley’s professional and private life from the 1930s to 1960s is precisely dated: It is always August 28/29 of the year in question, as the locations vary from Paris to New York to Cape Cod.
60 Seconds of Solitude in Year Zero
Director
An anthology of one-minute films created by 60 international filmmakers on the theme of the death of cinema. Intended as an ode to 35mm, the film was screened one time only on a purpose-built 20x12 meter public cinema screen in the Port of Tallinn, Estonia, on 22 December 2011. A special projector was constructed for the event which allowed the actual filmstrip to be burnt at the same time as the film was shown.
Film Is. a Girl & a Gun
Writer
Fragments of several (mostly) silent films are shown. They're guided by quotes from, among others, Plato and Sappho and a soundtrack.
Film Is. a Girl & a Gun
Director
Fragments of several (mostly) silent films are shown. They're guided by quotes from, among others, Plato and Sappho and a soundtrack.
1분짜리 모차르트
Director
오스트리아에서 활동 중인 28명의 감독들이 모차르트에 대한 1분짜리 단편 영화를 만들기 위해 한자리에 모인다. 애니메이션, 실험영화, 다큐멘터리, 극영화 등 다양한 장르의 감독들이 각자 만든 이 작품은 오늘의 사회, 예술, 문화에 모차르트가 끼친 영향을 다양한 형식과 맥락에 의해 담아내고 있다. 2006년 모차르트 탄생 250주년 기념 위원회가 제작한 작품.
World Mirror Cinema
Director
In Gustav Deutsch's most recent found footage work the masses "absorb" (Walter Benjamin), the artwork. Three historical camera pans across the streets and squares of Vienna, Surabaya, and Porto provide a starting point for reflection on the relationship of everyday stories and cinematic machinery.
Film Is. 1-12
Writer
A condensed omnibus of all twelve chapters of Film ist. by Gustav Deutsch. Chapters 1-6 consists almost exclusively, of sequences from existing scientific films, while chapters 7-12 is a collection of moving pictures from the first thirty years of a medium which was then still silent.
Film Is. 1-12
Director
A condensed omnibus of all twelve chapters of Film ist. by Gustav Deutsch. Chapters 1-6 consists almost exclusively, of sequences from existing scientific films, while chapters 7-12 is a collection of moving pictures from the first thirty years of a medium which was then still silent.
Spectrum
Director
Film Is. 7-12
Writer
The second half of Gustav Deutsch's experimental Film ist. series, constructing new narratives and moods out of existing footage, mostly from early silent era films.
Film Is. 7-12
Director
The second half of Gustav Deutsch's experimental Film ist. series, constructing new narratives and moods out of existing footage, mostly from early silent era films.
Film Is. 1-6
Sound
Film ist. 1-6 is an avant-garde collage from Gustav Deutsch, using found footage from various scientific films to explore the properties, impact and nature of film.
Film Is. 1-6
Writer
Film ist. 1-6 is an avant-garde collage from Gustav Deutsch, using found footage from various scientific films to explore the properties, impact and nature of film.
Film Is. 1-6
Director
Film ist. 1-6 is an avant-garde collage from Gustav Deutsch, using found footage from various scientific films to explore the properties, impact and nature of film.
Tradition Is the Handing on of Fire and Not the Worship of Ashes
Director
The pictures are burning. A house is in flames for exactly one minute. Cinema under attack: An anonymous fragment from the early days of film is turned into a reflection on reproduction and reality as well as on destruction which takes place on two levels through Gustav Deutsch’s reworking of the material.
Film ist mehr als Film
Director
24 formula on the medium film. 24 sound quotes on film history. 25 frames of a blink of an eye. Cinema is a battlefield and an amour fou, a time between two blinks of the eye and an artificially delineated territory between two signal beeps. Commissioned as a Viennale-Trailer 1996.
Pocket Cinema - The Catalogue
Director
100 film loops for 100 film-viewers. Each loop deals with one basic aspect of repetition in life and film. The essential characteristics of each aspect become evident by endless repetition in the loop. "With the Pocket Cinema project I want to trace the repetitions in life and film as an attempt at the essential elements of film - motion and time.
Mariage blanc
Editor
Mariage Blanc in Morocco means a sham marriage between a Moroccan man and a European woman in order to obtain a residence permit and thereafter the citizenship of a European country. The theme of Mariage Blanc is this very intimate form of attempted immigration which is, for Mostafa Tabbou, simultaneously fiction and reality. The film was shot in three days in July of 1996 in the Hotel de Paris in Casablanca, Morocco.
Mariage blanc
Cinematography
Mariage Blanc in Morocco means a sham marriage between a Moroccan man and a European woman in order to obtain a residence permit and thereafter the citizenship of a European country. The theme of Mariage Blanc is this very intimate form of attempted immigration which is, for Mostafa Tabbou, simultaneously fiction and reality. The film was shot in three days in July of 1996 in the Hotel de Paris in Casablanca, Morocco.
Mariage blanc
Producer
Mariage Blanc in Morocco means a sham marriage between a Moroccan man and a European woman in order to obtain a residence permit and thereafter the citizenship of a European country. The theme of Mariage Blanc is this very intimate form of attempted immigration which is, for Mostafa Tabbou, simultaneously fiction and reality. The film was shot in three days in July of 1996 in the Hotel de Paris in Casablanca, Morocco.
Mariage blanc
Director
Mariage Blanc in Morocco means a sham marriage between a Moroccan man and a European woman in order to obtain a residence permit and thereafter the citizenship of a European country. The theme of Mariage Blanc is this very intimate form of attempted immigration which is, for Mostafa Tabbou, simultaneously fiction and reality. The film was shot in three days in July of 1996 in the Hotel de Paris in Casablanca, Morocco.
Eyewitnesses in Foreign Countries
Director
A film-experiment in six hundred takes, three seconds each, of a European's private images in Africa and of an African's images in Europe. A mutual perception of the one's and the other's native place.
Adria - Holiday films 1954-68 (The School of Seeing I)
Director
ADRIA is an artistic analysis of film as a medium and of its meaning as SCHOOL OF SEEING. The subjects of this analysis are the beginnings of the Austrian hobby and amateur film creation, restricted to holiday movies from the Adriatic Sea. The footage was analyzed according to set focal points (image detail, camera movement, etc.) then dissected according to serial aspects (tracking shots, pans, etc.) and edited into new sequences (descriptions, reactions, etc.) These sequences are liberated from their individual isolation and unified in a sequence that reflects the general situation. This general situation reflects upon two aspects. One is the first active involvement with film as a medium - in front of and behind the camera - and the other aspect highlights social contexts such as the first holiday abroad and organizing one’s leisure time.Therefore the private depiction of an individual situation becomes a document of a general situation.
Sa, 29. Juni/Arctic Circle
Writer
Experimental film about a voyage to the north pole.
Sa, 29. Juni/Arctic Circle
Director
Experimental film about a voyage to the north pole.
Rituale
Director
Asuma
Director