Enrico Guazzoni

Enrico Guazzoni

출생 : 1876-09-18, Roma

사망 : 1949-09-24

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Enrico Guazzoni

참여 작품

La fornarina
Director
During Italian renaissance, young painter Raffaello Sanzio falls in love with Margherita, a maiden of the people, becomes her lover and lives with her. But this relationship arouses the jealousy of a beautiful aristocrat who secretly orders the kidnapping of the girl. Raffaello falls into a state of prostration and does everything he can to find Margherita...
Oro nero
Director
I pirati della Malesia
Director
La figlia del corsaro verde
Director
Il dottor Antonio
Director
Ho perduto mio marito
Director
Re di danari
Director
The Two Sergeants
Director
Attempting to cover the fault of one of his subordinates, an officer of the Napoleonic army is condemned to death for treason.
Messalina
Screenplay
In ancient Rome, tyrannical Emperor Caligula is assassinated through the machinations of Messalina. She then makes a conquest of Marcus, who forces the Senate to name her husband, Claudius, as emperor. Messalina's wicked ways continue when she falls in love with Ennio, a slave. Ennio is also loved by Egyptian princess Mirit, but he loves neither of them, preferring the company of Ela, a Greek slave.
Messalina
Writer
In ancient Rome, tyrannical Emperor Caligula is assassinated through the machinations of Messalina. She then makes a conquest of Marcus, who forces the Senate to name her husband, Claudius, as emperor. Messalina's wicked ways continue when she falls in love with Ennio, a slave. Ennio is also loved by Egyptian princess Mirit, but he loves neither of them, preferring the company of Ela, a Greek slave.
Messalina
Director
In ancient Rome, tyrannical Emperor Caligula is assassinated through the machinations of Messalina. She then makes a conquest of Marcus, who forces the Senate to name her husband, Claudius, as emperor. Messalina's wicked ways continue when she falls in love with Ennio, a slave. Ennio is also loved by Egyptian princess Mirit, but he loves neither of them, preferring the company of Ela, a Greek slave.
Jerusalem Liberated
Writer
The film is set during the Crusades and describes Godfrey of Bouillon's conquest of Jerusalem in 1099.
Jerusalem Liberated
Director
The film is set during the Crusades and describes Godfrey of Bouillon's conquest of Jerusalem in 1099.
Fabiola
Director
In "Fabiola" (1918) Herr Guarzzoni moved from the earliest days of Christianity when the new faith was struggling to just survive to a later period in the Roman Empire when the religion was a major force and attempting to win over Rome.
Scarpetta e l'americana
Director
A fragment of a short comedy of Neapolitan setting, in which the actor Vincenzo Scarpetta, son of playwright Eduardo, is struggling with a Miss across the Atlantic. The woman throws a chest in the sea, asking his lover to recover it as proof of love. He turns to a fisherman, offering him money to complete the recovery for him. The film, shot in 1916, was, for reasons unknown, unpublished until 1918.
Madame Guillotine
Writer
“Madame Tallien” (1916) depicts the libertine life and loves of the eponymous decadent aristocrat, an important activist who was ahead of her time in deciding to make both love and war before, during and after the French Revolution . She even caused Robespierre to lose his head (literally) because of her.
Madame Guillotine
Director
“Madame Tallien” (1916) depicts the libertine life and loves of the eponymous decadent aristocrat, an important activist who was ahead of her time in deciding to make both love and war before, during and after the French Revolution . She even caused Robespierre to lose his head (literally) because of her.
Cajus Julius Caesar
Director
A colossal epic film like this that tries to depict the life and glory of Julius Caesar, must have a variety of scenery appropriate to the film's hero. This includes the Senate and its conspirators..or .. strange places beyond Rome full of barbarians that must fall under the Rome yoke. Let's not forget the sequences depicting the masses mentioned before.. or.. the human side of Caesar and his troublesome relationship with his son Brutus.
For Napoleon and France
Director
Directed by Enrico Guazzoni.
Marc Antony and Cleopatra
Director
Based loosely on Shakespeare's play, Plutarch's "Life of Antony", and Pietro Cossa's dramatic poem, "Cleopatra", this movie was spectacular for its time. It offers location shots made in Italy and Egypt, large crowd scenes (e.g., the Roman army embarking in Alexandria), lots of emotional drama (Marc Antony & Cleopatra, his wife Octavia, sister of Antony's rival Octavian, unhistorically coming to Alexandria to beg him to return to her, and some mean, mean looks exchanged between Octavia and Cleopatra.
Cinema Tragedy at Carnival Time
Director
Antonio is jealous of his wife Clara and follows her everywhere; one day he sees her walking with a man on the street. He immediately becomes convinced that they went together to the movies (instead they went separate ways). Blinded by jealousy, Antonio wants to enter in the cinema hall and make a killing; but the director of the cinema stops him, and goes into the cinema room saying: "Outside a husband is waiting for his unfaithful wife to come out and kill her. Please, those of you who do not have a clear conscience, go to the emergency exit." In a moment almost all the spectators disappear.
Quo Vadis?
Production Design
During the latter years of the reign of the tyrannical Roman emperor Nero, Marcus Vinicius, one of Nero's officers, falls in love with a young Christian hostage named Lygia. "Quo Vadis?" is a landmark in epic film-- Certainly Enrico Guazzoni’s grand-scale masterpiece laid the foundations for what colossal Italian spectacles would become. The film had tremendous influence on Giovanni Pastrone’s Cabiria (1914) and D.W. Griffith’s Intolerance (1916).
Quo Vadis?
Editor
During the latter years of the reign of the tyrannical Roman emperor Nero, Marcus Vinicius, one of Nero's officers, falls in love with a young Christian hostage named Lygia. "Quo Vadis?" is a landmark in epic film-- Certainly Enrico Guazzoni’s grand-scale masterpiece laid the foundations for what colossal Italian spectacles would become. The film had tremendous influence on Giovanni Pastrone’s Cabiria (1914) and D.W. Griffith’s Intolerance (1916).
Quo Vadis?
Art Direction
During the latter years of the reign of the tyrannical Roman emperor Nero, Marcus Vinicius, one of Nero's officers, falls in love with a young Christian hostage named Lygia. "Quo Vadis?" is a landmark in epic film-- Certainly Enrico Guazzoni’s grand-scale masterpiece laid the foundations for what colossal Italian spectacles would become. The film had tremendous influence on Giovanni Pastrone’s Cabiria (1914) and D.W. Griffith’s Intolerance (1916).
Quo Vadis?
Writer
During the latter years of the reign of the tyrannical Roman emperor Nero, Marcus Vinicius, one of Nero's officers, falls in love with a young Christian hostage named Lygia. "Quo Vadis?" is a landmark in epic film-- Certainly Enrico Guazzoni’s grand-scale masterpiece laid the foundations for what colossal Italian spectacles would become. The film had tremendous influence on Giovanni Pastrone’s Cabiria (1914) and D.W. Griffith’s Intolerance (1916).
Quo Vadis?
Director
During the latter years of the reign of the tyrannical Roman emperor Nero, Marcus Vinicius, one of Nero's officers, falls in love with a young Christian hostage named Lygia. "Quo Vadis?" is a landmark in epic film-- Certainly Enrico Guazzoni’s grand-scale masterpiece laid the foundations for what colossal Italian spectacles would become. The film had tremendous influence on Giovanni Pastrone’s Cabiria (1914) and D.W. Griffith’s Intolerance (1916).
The Medals of Bidoni
Director
A patriotic film tinged with humor and sentimentalism. Stock footage (the crowded town, the departure of warships) and reconstructed war scenes in the desert are part of the second half about the war in Libya. The soldier Bidoni (P. Cuticca) is a mess-maker but has a great affection for Claretta (M. Tucci), the young daughter of the colonel, which she returns.
Brutus
Director
Believing that Caesar is becoming too powerful in the state, Brutus and others conspire to take his life. The next day, when all are assembled in the senate chamber, the conspirators accomplish their fatal purpose
La sposa del Nilo
Director
La Sposa del Nilo (1911) was a proto-epic, where you could sense the Italian filmmakers (Enrico Guazzoni in this case) gearing up to the gigantic imaginings of Cabiria and Quo Vadis just a few years on. The film wanted to impress you with its stateliness and scale; at time the central action (a young virgin is drowned to appease Isis and ensure that the Nile floods) became lost in the crowded frame – but that just reminded you that early cinema audiences look that much more intently at what was going on, and picked up on details that our lazier eyes sometimes miss.
Jerusalem Delivered
Director
Directed by Enrico Guazzoni.
Agrippina
Director
In "Agrippina" (1910), Guazzoni recreates the particular and troublesome relationship between Agrippina, the second wife of the Emperor Claudius, and her son Nero.