Masao Matsuda

출생 : 1933-01-14,

사망 : 2020-03-17

참여 작품

Prisoner/Terrorist
During a suicide attack on an airport, the hand grenade of 'M', one of three terrorists, malfunctions, leaving him captured. Exposed to maltreatment in prison, he slowly loses his grip on reality as he is forced to confront his ideological convictions.
Mofuku Shimai: Tappuri Nurashite
Kirai ja nai yo 2
Zokubutsu zukan
The Lonely Hearts Club Band in September
Drunk
Ryo once rode with a biker gang; ever since his friend Tetsuji died riding in September, he's retired from biking, trying to forget the past.
Red Army/PFLP: Declaration of World War
Adachi and Wakamatsu went to Beirut on the way back from the Cannes Film Festival. There, in collaboration with the Red Army members and PFLP, they produced this newsreel film depicting the everyday activities of Arab guerrillas as a cinematic narrative on the world revolution.
New Underground History of Japanese Violence: Vengeance Demon
Sound Recordist
A brother and sister live as outcasts from their hamlet due to a belief that mental illness runs in their family. A group of villagers plot to steal their property by beating and hanging the brother and gang-raping the sister. Believing the brother to be dead, scheming to kill the sister, and making both deaths look like accidents... unbeknownst to them, the brother survives and proceeds on a mission to slaughter those responsible in the hamlet.
The Pistol That Sprouted Hair
Shirō raids the office of the organization that attacked his lover, wreaking havoc and escaping with a stolen handgun. In retaliation, the organization hires two killers to get rid of Shirō. The duo begin to develop a strange kinship with their target...
교사형
Secretary of the D.A.
교수형에 처해질 운명의 재일 한국인 R은 사형 집행에도 불구하고 살아난다. 문제는 그 다음부터 일어난다. R이 자신이 누군지에 대해 전혀 기억을 못하는 것이다. 사형 집행관들은 R의 기억을 되살려 자신이 저지른 살인 행위를 일깨우기 위해 온갖 수단과 방법을 가리지 않는다. R에게 살인 행위를 재현하도록 하고 R의 주변인들을 동원하기도 한다. 1958년에 일어났던 실제 사건을 실험적 기법으로 다룬 일본 누벨바그의 기수 오시마 나기사의 대표작 가운데 하나. 다큐멘터리와 극영화, 판타지와 리얼리즘이 뒤섞이는 형식적 반란이 돋보이며, 음울하면서도 유머가 살아있는 문제작이다. 사형수를 일깨우는 과정에서 재일 한국인에 가해지는 일본사회의 차별과 국가의 역할, 극단적인 민족주의, 상상과 현실의 관계 등이 풍자적으로 그려진다.