Sulabha Deshpande

인도에서는 돈과 명성 그리고 영어실력이 사람을 판단하는 기준이 되곤 한다. 외모부터 요리실력까지 흠잡을 데 없이 완벽한 가정주부 샤시는 영어를 못한다는 이유 하나로 가족들에게 크고 작은 무시를 받으며 조금씩 소외감을 느낀다. 그러던 어느 날, 뉴욕에 사는 조카의 결혼 준비를 돕기 위해 나 홀로 미국으로 떠나게 된 샤시는 용기를 내어 가족들 아무도 모르게 영어학원을 찾아 간다. 그녀를 이해해주는 친구들과의 즐거운 영어수업은 영어울렁증 극복은 물론 엄마도 아내도 아닌 자기 자신을 위한 소중한 시간이 되는데… 영어 마스터를 코 앞에 둔 종강 1주일 전, 예정보다 일찍 가족들이 뉴욕에 들이닥치고 샤시는 가족들 몰래 학원 가기가 만만치 않다. 과연 샤시는 누구에게도 들키지 않고 무사히 영어 수업을 마칠 수 있을까?

Surrogation has become a large scale business in India these days. This film is based on a true incident. Mary a photo model from a foreign country comes to India with a dream of becoming a mother. But, destiny has a different plan. Due to circumstances, if Mary denies to accept the child from a surrogate mother, then what ?

Khogiram (Atul Kulkarni), his wife (Rituparna Sengupta) and their kids Pinu (Darsheel) and Rimzim (Zia) belong to a terrorist dominated region. Khogiram and Ritu have a hand-to-mouth income working for a tea plantation and can barely manage things. The kids are affected by this as well. They go to a respectable school as it is Khogiram's ambition to give them the educational opportunities he missed. But the financial crunch makes it difficult for kids to match the standards of the school. They don't have enough money for uniform or shoes. Things become worse when Pinu misplaces Rimzim's only pair of shoes in the vegetable shop! Rimzim can't go to school without her shoes. They work out a scheme where both of them share the same shoes. However, Pinu always gets into trouble at school waiting for Rimzim to give him the shoes. He comes to know of the Interschool Marathon where one of the prizes is a pair of shoes. Pinu plans to run for it and win the shoes for Rimzim.

One of a four-film series on the AIDS epidemic in India, this film examines the virus as Indian society's great class leveler, following its transmission through interweaving stories that link urban and rural India.

Chalu Navra Bholi Bayko is a comedy film released on 2008. The film is directed by Anil Mohile.

Seven strugglers who wanted to make it big in Bollywood, turns to crime to achieve this end. However their plans goes horribly awry when they are entangled with a gangster.

The Little Painter of Rajasthan Aniket is a middle class executive living in the Indian city of Pune with his wife Malati and his son. He leaves Pune every morning at dawn and undertakes a long train journey to work in Mumbai. After riots took place, he takes his son Anirudh to his grand-mother's place in a little town of Shekhawati, in the middle of the desert, and somehow haunted by the magical and superb traditional paintings decorating the walls of houses and palaces. The old woman happily welcomes her grand-son she hardly knows. Anirudh discovers another world, a fascinating world far from what he was used to. He feels very affectionate for his grandmother. She gives him the painting box of her deceased husband, the artist who made the most beautiful paintings in town.

This film is based on five shot stories of Rabindranath Tagore's Jibito O Mrito, Sarat Chandra Chattopadhyay's Abhagir Swarga, Gour Kishore Ghosh's Aei Daha, Prafulla Roy's Satgharia and Dibyendu Palit's Kaanch.

A young woman falls in love with a handsome playboy, while aboard a Singapore to India cruise. They make plans to meet again, but fate may have other plans...

Anirudh is a mentally retarded man who falls in love with Sunita. Her guardian Mohan disapproves.

After completing his studies in London, England, Shakti Thakur returns home to India in a small town where his family resides.

Janki lives a poor lifestyle in a small village consisting of her dad, Bhervi Prasad and her mom. She meets and falls in love with her school-teacher, Ramcharan, and both want to get married. Ramcharan's brother is opposed to this marriage as Bhervi is unable to pay any dowry, nevertheless the marriage does take place, but the couple are turned out of Kalicharan's house, and instead go to live with Ramcharan's friend, Ashok Mishra.

A man (Govinda) falls in love with a living mannequin (Karisma Kapoor), and each learn they were lovers in a previous life. Remake of the American movie Mannequin.

The Verma family consists of two brothers, Vijay and Sharad (Jeetendra and Govinda respectively), Vijay's wife, Ganga (Reena Roy), and their daughter. Sharad is unmarried and is studying in college, while Vijay runs the household on his income. In college, Sharad meets with Punam (Meenakshi Sheshadhri) and both are attracted to each other. Ganga and Vijay get them married, but permit them a married life only after they complete their studies, which they do so. They are devastated to learn that Punam cannot be a mother, so Ganga lets Punam mother her child. Soon Sharad gets a job, which gets him to re-locate to another city, and there are tearful good-byes. Punam decides to keep Ganga's child with her. But Ganga has been kind to Punam and Sharad for a reason, and now the time has come for payback.

A cabaret dancer who was raised in a brothel sets out to find her biological mother.

Twins Govardhan & Harshvardhan exchange their names in childhood and decide to live each others life forever without the knowledge of their parents but what will happen when their strict father will come to know about this. Loosely based on 'Coming To America' starring Eddie Murphy

In order to manipulate the wealth and estate of his brother, Kunver Pratap Singh, and his mother is killed by Thakur Vikram Singh leaving behind Kunver's daughter, Lavina and her governess Anita as witness. The duo does manages to escape only to find life threatened by Vikram goons where-by their rescuer, Lambu Dada turns out to be Vikram's hit-man secretly wanting to turn them over to him for a hefty sum.

An estranged couple accidentally meet in a railway station's waiting room and revisit their past.

A young woman angers her wealthy father by falling in love with a television repairman.

Kavita lives a poor lifestyle with her widower dad, Rai Bahadur, and her brother. They had once been wealthy but now live in a heavily mortgaged mansion. She is in love with Advocate Sunil much to her family's displeasure as he is unsuccessful and an alcoholic. They discuss her situation with Murli, who arranges a matrimonial alliance with the Srivastav family. The Srivastavs consist of Mr. Srivastav, his wife, Shobha; a widower Advocate son, Jaswant and his daughter, Binny; and second son, Vimal, who is studying Medicine and is in love with wealthy Madhu. The Srivastav's mistakenly believe that Rai Bahadur is wealthy and force Vimal to marry Kavita. Shortly thereafter Madhu's marriage is arranged elsewhere...

Mohan Kumar's diligence and honesty lands him in trouble with Balwant Singh Kalra, Jugal Kishore Ahuja, and Mr. Bhandari. Together the trio frame and imprison Mohan and make him watch helplessly as his wife is killed. Years later, Mohan Kumar is released from prison, his only goal in life is to avenge his humiliation and wrongful arrest at the hands of the trio. With the help of Dinesh Verma, he establishes himself again, and starts the process of bringing death and destruction to the trio. The trio are well aware of his presence, and decide to send one of their men, Ravi, to spy on him. Ravi falls in love with Verma's daughter, Roma, and decides to change sides to help Verma and Mohan, but Mohan will not have anything to do with Ravi, and asks him to leave. Ravi then becomes a target by the trio and their men, and has to save himself, and the only way he can redeem himself is by turning the tables over Mohan, who is none other than his own father.Duniya

Rahul, the son-in-law of an old industrialist and one of the heirs to his fortune, clashes with Dinesh, the industrialist’s nephew who is openly unscrupulous. Rahul, on his part, conceals his personal ambition under a cloak of liberalism and encourages indigenous production.

Vijeta (The Victor) is the coming of age story of Angad (Kunal Kapoor). Confused like any other teenager trying to find himself and caught in between the marital problems of his mother Neelima (Rekha) and father Nihal (Shashi Kapoor). It is time for him to decide what he wants to do with his life. To select a profession and be someone, Angad chooses to become a fighter pilot with the Indian Air Force. What follows is his struggle to become a victor both with his self and the outer world.

A 1982 Indian Bollywood film directed by Sisir Mishra and produced by K. K. Arya. It stars Raj Babbar and Smita Patil in pivotal roles. It was based on a family drama of Odisha Brahmin family, uncivilized casting systems at that time and about the blame between husband and wife in family.

Najma is in platonic love with Salim Akhtar but cannot marry him until he is financially stable. An elderly Shakir promises to help Akhtar set up his business in exchange for Najma finding a suitable bride for him.

In Dr. Gindes Hospital for the mentally insane is a patient named Inder, who is in a catatonic state, which occurred after a traumatic childhood incident. While Inder has shown signs of recovering, he has also started taking an interest in a young woman by the name of Meenakshi. But will Meenakshi be able to reciprocate the affections of an unstable and mentally ill admirer, if not, will this result in Inder return to his original state?

'Albert Pinto Ko Gussa Kyun Ata Hai' revolves around the Pintos and the people connected to them. There's Albert who's pretty much angry at everybody. His brother Dominic who thinks it's better to be jobless than to work an underpaid job, his patient sister Joan who works at a sari shop, his independent girlfriend Stella who feels under-appreciated by her boyfriend, his father and his colleagues, client and Stella's family. The film is very much a social commentary about Middle-class life in Bombay during the late ’70s and the conflicts arising in the labour force because workers were getting severely underpaid.

Madhu (Sachin) and Malti (Sarika) are college students, who are assigned by their professor, Anil Sharma, to play the title parts in a college play based on Romeo and Juliet. The two fall in love along the way but are forced to move to a big city to realise their love, as their traditional families oppose to their relationship. The later move to Goa, where a Goan couple looks after them, but soon decide to go back home and confront the situation.

Arvind Desai is the only son of a rich businessman who deals in luxury handicrafts and products. His feelings for his father are mixed—while he hates his dominating nature, he admires his power and lack of scruples. He has long discussions on art and politics with a Marxist friend Rajan, is seeing his father's secretary Alice, and sometimes he visits a prostitute, Fatima. Much against his wishes, his marriage is arranged to a girl from a high-class family that has just returned from Paris; much to the dismay of Alice's mother, who realizes that Alice was just time-pass for Arvind and nothing more.

In order to improve their lifestyle, Lucknow based Ghulam Hussain decides to re-locate to Bombay, leaving his ailing mother and wife, Khairun, behind. He arrives in Bombay, and looks up his close friend, Lalulal Tiwari, who gets him a job of cleaning taxis. Ghulam subsequently learns how to drive, and is hired to drive a taxi. Despite his best efforts he is unable to save enough money to visit Lucknow. Lalulal has problems of his own, inspite of being settled in Bombay for several years; having a sweetheart, Yashodra, he is unable to even rent a decent apartment, and lives in a shanty tenement, which is slated to be demolished by the Bombay Municipal Corporation. Will Lalulal and Ghulam be able to improve their lives or will they be caught up in just surviving on a day to day basis?

The film involves the life of a young man who comes to believe that he has been bestowed supernatural powers. As the story unfolds, this boon eventually leads to a tragedy.

A girl learns music from her courtesan grandmother and breaks into the burgeoning show business industry of 1930s Bombay, which eventually leads to decades of superstardom as well as romantic entanglements.

A story centered on a Nagya who is a drummer having a passion for being a "pure one" (punyavant). He meets Chindhi, who has abandoned her husband as she considers him useless.

Shyam and Soni live with their mother in a village. They are very poor. The children give away the only bread piece to a hungry saint, who in turn gives them a magical conch. The children somehow discover that the conch reveals something foul concerning the listener. While patrolling, the disguised king reaches the kids and the children give the conch to him, requesting to pass it to the king, saying that this is magical. The king, using the conch, finds that his cousin wants to poison him. The king reaches his palace and confirms the plot against him and punishes the culprits. The king sends jewelery, garments, sweets, fruits etc for the kids and punishes the moneylender, and comes to take them along. The message "Good deeds do not go unrewarded".

A political and social satire on middle-class society's hypocrisy. A group of teachers plan to stage a play in a village. When a cast-member does not show up, a local stagehand is asked to replace him. An improvised, free-flowing 'rehearsal' is arranged and a mock trial is staged to help the novice understand court procedures. A (mock) charge of infanticide is levelled against Miss Benare, another cast-member. Suddenly the pretend-play turns into an accusatory game when it emerges from the trial that Miss Benare is carrying an out-of-wedlock child from her failed illicit relationship with Professor Damle, the missing cast-member.