Jim Atkinson

A young handyman and his wife move to a small village and set up business. There, the handyman encounters numerous strange characters, including a local constable more inept than a squad car full of Keystone Kops; an elderly magistrate whose primary passion is spanking young women; a schoolmistress with a closetful of kinks; and more predatory housewives than the young man can handle.

Blundering idiot is set an ultimatum by his girlfriend. Keep a job for a week or she leaves him. Only innuendo and comedy pratfalls can stop him. No man was asked to do so much, by so many, in so little time . . .

Written and co-directed by 18-year-old Tunde Ikoli, this was made, he said, 'to show people what we have to put up with'; and its immediacy in dealing with the repressive influences on teenagers living in the East End of London often compensates for its lack of technical gloss. Particularly effective are a pointless search by goon-like policemen, and a café conversation between Tunde's friends, both of which do more to 'explain' delinquency than all of your glib sociological theorising. Like all neo-realism, Tunde's Film has the authority of performers re-enacting lived experience rather than acting.

에드(Ed Gentry: 존 보이트 분)와 루이스(Lewis Medlock: 버트 레이놀즈 분) 등은 주말을 이용하여 댐공사로 수몰될 지역을 탐사하기로 한다. 2대의 카누를 이용, 강을 따라 내려가던 에드 일행은 누군가에게 습격을 받는다. 얼굴을 알 수 없는 살인마, 시시각각으로 다가오는 죽음의 그림자. 에드와 루이스 일행은 보이지 않는 적과 싸워야 하는데.

Prince Leo, last in the line of rulers of a long-deposed monarchy on continental Europe and jaded with the frenetic search for kicks with the European jet-set, returns to his father's London town house for rest.