Producer
NESHOBA tells the story of a Mississippi town still divided about the meaning of justice, 40 years after the murders of civil rights workers James Chaney, Andrew Goodman and Michael Schwerner. Although Klansmen bragged openly about what they did in 1964, no one was held accountable until 2005, when the State indicted preacher Edgar Ray Killen, an 80-year-old notorious racist and alleged mastermind of the killings. Through intimate interviews with the families of the victims, candid interviews with black and white Neshoba County Citizens, and exclusive, first time interviews with Killen, the film explores whether healing and reconciliation are possible without telling the unvarnished truth.
Writer
NESHOBA tells the story of a Mississippi town still divided about the meaning of justice, 40 years after the murders of civil rights workers James Chaney, Andrew Goodman and Michael Schwerner. Although Klansmen bragged openly about what they did in 1964, no one was held accountable until 2005, when the State indicted preacher Edgar Ray Killen, an 80-year-old notorious racist and alleged mastermind of the killings. Through intimate interviews with the families of the victims, candid interviews with black and white Neshoba County Citizens, and exclusive, first time interviews with Killen, the film explores whether healing and reconciliation are possible without telling the unvarnished truth.
Director
NESHOBA tells the story of a Mississippi town still divided about the meaning of justice, 40 years after the murders of civil rights workers James Chaney, Andrew Goodman and Michael Schwerner. Although Klansmen bragged openly about what they did in 1964, no one was held accountable until 2005, when the State indicted preacher Edgar Ray Killen, an 80-year-old notorious racist and alleged mastermind of the killings. Through intimate interviews with the families of the victims, candid interviews with black and white Neshoba County Citizens, and exclusive, first time interviews with Killen, the film explores whether healing and reconciliation are possible without telling the unvarnished truth.
Director
Hamel portrays director Dickoff who suspends her career in order to help a friend who's been in prison for quite some time in connection with a murder.
Idea
When James admits to his mother that he is gay it strains her liberal attitude. A San Diego businesswoman, Audrey believes she is a modern, open-minded mother, but the news sends her reeling. However, the real shock comes when James asks her to travel to Arkansas and inform his lover's estranged mom, Luanne, that her son has AIDS. As Audrey and Luanne learn to put aside their prejudice toward each other, they soon discover how to share their thoughts, hopes and fears for their sons.
Co-Producer
When James admits to his mother that he is gay it strains her liberal attitude. A San Diego businesswoman, Audrey believes she is a modern, open-minded mother, but the news sends her reeling. However, the real shock comes when James asks her to travel to Arkansas and inform his lover's estranged mom, Luanne, that her son has AIDS. As Audrey and Luanne learn to put aside their prejudice toward each other, they soon discover how to share their thoughts, hopes and fears for their sons.
Co-Producer
A Blue Ribbon winner at the American Film Festival, this hard-hitting, dramatic production is about the relationship between a young man with AIDS and his estranged mother. Unable to understand or accept each other's lives, mother and son are at a stalemate of their own making.
Writer
A Blue Ribbon winner at the American Film Festival, this hard-hitting, dramatic production is about the relationship between a young man with AIDS and his estranged mother. Unable to understand or accept each other's lives, mother and son are at a stalemate of their own making.
Director
A Blue Ribbon winner at the American Film Festival, this hard-hitting, dramatic production is about the relationship between a young man with AIDS and his estranged mother. Unable to understand or accept each other's lives, mother and son are at a stalemate of their own making.
