Braden King

콜은 요양원에서 일하는 젊고 건강한 요양보호사로 애팔래치아 시골 마을에 살고 있다. 도시의 남는 의약품을 지역 주민들에게 판매하며 근근이 살아가던 콜. 이 마을에는 돈 벌 기회가 별로 없지만, 약물이 풍부하다는 것을 알게 되면서 마약 거래상의 길을 걷는다. 공급책들을 진심으로 아끼고 마약 중독자들을 위험한 약물로부터 보호하는 등 이중생활을 하던 콜의 위태로운 삶은 몇 년 만에 귀향한 어린 시절 친구 테리 로즈가 그의 자리를 노리기 시작하며 흔들리기 시작한다.

콜은 요양원에서 일하는 젊고 건강한 요양보호사로 애팔래치아 시골 마을에 살고 있다. 도시의 남는 의약품을 지역 주민들에게 판매하며 근근이 살아가던 콜. 이 마을에는 돈 벌 기회가 별로 없지만, 약물이 풍부하다는 것을 알게 되면서 마약 거래상의 길을 걷는다. 공급책들을 진심으로 아끼고 마약 중독자들을 위험한 약물로부터 보호하는 등 이중생활을 하던 콜의 위태로운 삶은 몇 년 만에 귀향한 어린 시절 친구 테리 로즈가 그의 자리를 노리기 시작하며 흔들리기 시작한다.

In his latest film, Braden King ponders the Geneva Freeport, a warehouse complex in Switzerland that is said to house over 1 million works of art. A high-security tax haven for international dealers and collectors, the Freeport's exact contents remain a mystery to the general public. As people crossing borders are more to more and greater scrutiny, NATIONAL DISINTEGRATIONS examines what it means to have untold amounts of wealth and property flow freely through this extralegal space.

In his latest film, Braden King ponders the Geneva Freeport, a warehouse complex in Switzerland that is said to house over 1 million works of art. A high-security tax haven for international dealers and collectors, the Freeport's exact contents remain a mystery to the general public. As people crossing borders are more to more and greater scrutiny, NATIONAL DISINTEGRATIONS examines what it means to have untold amounts of wealth and property flow freely through this extralegal space.

In his latest film, Braden King ponders the Geneva Freeport, a warehouse complex in Switzerland that is said to house over 1 million works of art. A high-security tax haven for international dealers and collectors, the Freeport's exact contents remain a mystery to the general public. As people crossing borders are more to more and greater scrutiny, NATIONAL DISINTEGRATIONS examines what it means to have untold amounts of wealth and property flow freely through this extralegal space.

Set against the gorgeous landscape of Armenia, Here chronicles a brief but intense relationship between an American satellite-mapping engineer (Foster) and an expatriate photographer (Azabal) who impulsively decide to travel across the remote countryside. As their trip comes to an end, the two must decide where to go from Here

Set against the gorgeous landscape of Armenia, Here chronicles a brief but intense relationship between an American satellite-mapping engineer (Foster) and an expatriate photographer (Azabal) who impulsively decide to travel across the remote countryside. As their trip comes to an end, the two must decide where to go from Here

A distilled, up-to-the-minute portrait of our agitated nation, its politics, its economics, its delusions and its dreams. Laurie Anderson's tone is less outraged than elegiac, mourning for lives lost, ideals misplaced. The music is dramatically stripped down to a handful of players, centered around Anderson's haunting violin and voice, frequent Bill Frisell band-mate Eyvind Kang's viola and Peter Scherer's keyboards.

Looking For a Thrill: An Anthology of Inspiration is a collection of personal stories about defining moments of musical inspiration (a record, a show, a musician, etc.) for 112 musicians who themselves have inspired so many. The interviews on the DVD include recollections by Mike Watt, Thurston Moore, Hamid Drake, Bjork, Yo La Tengo, Tortoise, the Butchies, Jon Spencer, Vic Chesnutt, Kurt Wagner, Fred Anderson and Giant Sand - as well as members of the Urinals, Califone, Jesus Lizard, the Boredoms, Mekons, Slint, the Sea and Cake, and Calexico (to name just a few).

Having toured extensively in the U.S.and Europe with live, improvised soundtrack accompaniment by the critically acclaimed Boxhead Ensemble, Dutch Harbor sits at the forefront of a movement that opened new doors for independent distribution and cinematic experience.