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Diego Galán

출생 : 1946-10-13, Tétouan, Morocco

약력

Diego Galán Fernández (Tangier, Morocco, October 13, 1946), film critic and film director, director of the San Sebastian International Film Festival between 1986 and 1989 and between 1995 and 2000. After working as an administrative and accounting officer in several companies and as an actor in some theatrical companies, his love for film led him to direct the JAASA Cinema Club, in Madrid, between 1966 and 1968, after which he served as a member of the board director of the National Federation of Film Clubs. His activity extends, during those same years, to the professional field, where he works as an assistant director in some TVE programs made by Pedro Olea and Josefina Molina, in the Tele Club series and Los pintores del Prado, and in feature films for cinema. During the seventies, he also entered the field of performing with four short films that he wrote and directed solo.

프로필 사진

참여 작품

Olea… ¡Más alto!

Self - Film Critic

An account of the life and work behind the camera of Spanish filmmaker Pedro Olea, whose very personal viewpoint, interested in all kinds of subjects, approached in very different ways, but always with a very characteristic style, has analyzed the social and political life of Spain for more than five decades.

El Cepa Returns

Self

Forty years later, Guillermo Montesinos, the actor who played José María el Cepa in The Cuenca Crime (1980), directed by Pilar Miró, returns to the various locations where the shooting of the mythical film, narrating the infamous Grimaldos case (1910), took place.

Manda huevos

Writer

A look at the different masculinities portrayed in Spanish cinema through time. (A sequel to “Barefoot in the Kitchen,” 2013.)

Manda huevos

Director

A look at the different masculinities portrayed in Spanish cinema through time. (A sequel to “Barefoot in the Kitchen,” 2013.)

Los chicos de la foto

Self

Elio Berhanyer, maestro del diseño

Director

Barefoot in the Kitchen

Writer

What was the role of women in Spanish cinema from the 1930s to the present explained through fragments of different films, both fiction and non-fiction. (Followed by “Manda huevos,” 2016.)

Barefoot in the Kitchen

Director

What was the role of women in Spanish cinema from the 1930s to the present explained through fragments of different films, both fiction and non-fiction. (Followed by “Manda huevos,” 2016.)

The Invisible Half: Luis García Berlanga's The Executioner

Interviewee

Documentary about Spanish director Luis García Berlanga's "The Executioner" (1963)

Hécuba: un sueño de pasión

Thanks

What we tend to identify with the acting profession has little to do with what is really this profession. Thirty-six Spanish actors reflect on their work and contrasted their experiences. As thread, the contrast between the voices of veterans and images of young theater students , for whom everything is still possible. Among the many actors are interviewed Javier Bardem, Antonio Banderas, Victoria Abril, Carmen Maura, Fernando Fernán Gómez, José Luis López Vázquez, José Coronado, Emma Suarez, Alberto San Juan, Ariadna Gil, Ana Belén, Pilar Lopez de Ayala and many other.

Pablo G. del Amo, un montador de ilusiones

Director

Documentary about the personal and professional life of Pablo G. del Amo. He is the most influential movie editor in Spain.

¡Hay motivo!

Director

A multi-part feature on the governing body of Spain, the Popular Party under Jose María Aznar. Themes include the bombing of Iraq, immigration, U.S. fire in Baghdad, and the manipulation of the media.

Bolero de amor

Assistant Director