Sigrid Dyekjær

A filmmaker ventures into the archives of her photographer mother to construct a personal story of love, loss, and finding someone in the work they leave behind.

Experiencing violence is commonplace for Syrian women but they do not discuss the prevalence of – often sexual – exploitation for fear of revenge. A collective of young women want to break the taboo with a theatre project. But how free are they themselves?

America’s policy of producing cheap food at all costs has long hobbled small independent farmers, ranchers, and chefs. Worried for their survival, trailblazing food writer Ruth Reichl reaches out across political and social divides to uncover the country’s broken food system and the innovators risking it all to transform it.

브라질 아마존에서는 비원주민 농부들이 보호지역의 삼림 벌목을 강행하고 숲을 태우면서 땅을 무단 점거하는 파괴가 계속되고 있다. ⟨아마존의 수호자⟩는 이러한 토지 약탈에 맞서는 우루에우와우와우 부족의 지칠 줄 모르는 투쟁을 보여주면서 열대우림이 직면한 문제를 정면으로 다룬다. 아마존 파괴의 진실을 폭로하기 위해 우루에우와우와우 사람들이 목숨을 걸고 3년에 걸쳐 직접 촬영한 생생한 영상이 담겨있는 이 작품은 인물들과 밀착해 사건을 따라가는 현장감 넘치는 장면들을 통해 관객을 아마존 깊숙한 곳으로 안내한다.

Elisabet wakes up one night and isn't sure if it was her own scream that woke her. At the same time Lucia crosses Plaza Tetuan and is hit by a wind that awakens a childhood memory. Both women carry a loss. We don't know how it is to be the person that sits next to us on the metro. Sometimes we still find ourselves reaching out for him or her. Sometimes we get a hold while other times they slip through our fingers. One Thursday, Elisabet and Lucia ride the same metro in the direction of Pobleneu.

Documentary about Danish filmmaker, sports journalist and poet Jørgen Leth who struggles after surviving a major earthquake in Haiti.

지난 8년간 지속된 시리아 내전은 나라 전역을 죽음과 파괴, 공포로 몰아넣고 수많은 희생자와 난민을 만들어냈다. 전쟁의 포화 속에 황폐해진 동구타 지역, 포위된 시민들의 희망과 안전은 용기 있는 일군의 의료진들이 만든 지하병원 ‘동굴’에 달려 있다. 내과와 소아과를 담당하며 병원을 이끄는 젊은 의사 아마니를 필두로, ‘동굴’의 여성 의료진들은 남성들과 동등하게 일할 수 있는 권리를 요구하며 가부장적 억압을 당연시하던 지상의 사회에서는 생각도 못할 방식으로 자신들의 소임을 다한다. 끊임없는 폭격과 고질적인 물자 부족, 화학무기 공격의 위협에 시달리며 목숨을 걸고 환자를 치료하며, 생존뿐 아니라 인간으로서의 존엄성과 꿈을 위해 차별에 맞서 싸우는 여성들의 용기와 연대를 담은 작품으로 2020년 아카데미영화상 최우수장편다큐멘터리상 후보에 올랐다.

초당 96프레임의 카메라로 촬영한 "아쿠아렐라"는 물의 변형적인 아름다움과 날 것의 힘 속으로 관객들을 깊숙이 인도한다. 이 작품은 물의 변덕스러운 의지 앞에서 무력할 수밖에 없는 인류의 깨달음을 보여준다. 물을 주인공으로 한 이 여정에서 감독인 빅토르 코사코프스키는 꽁꽁 언 러시아 바이칼 호수부터 마이애미, 허리케인 일마가 덮친 플로리다, 베네수엘라의 앙헬 폭포에 이르는 과정을 통해 물의 다양한 모습을 놀랍도록 아름답게 포착한다.

Three Russian women in their 30s who all seek the same: security, a higher social status and eternal happiness. Not an easy wish to fulfill in today's Russia, where the patriarchy dominates. So our heroines take matters into their own hands and join a course in the art of seducing a man - preferably a rich one. Seven years of recordings paint a sometimes tragicomic picture of gender roles and femininity in Putin's Russia.

Three Danish entrepreneurs embark on making cherry wine on the island of Lolland.

Over a period of 6 years award winning director Max Kester follows two best friends and top engineers as they follow their dream to build a "DIY" rocket to travel into space. If they succeed, Denmark will be only the fourth nation in history to launch people beyond the Earth's atmosphere. Against their families odd's and technical challenges they build the cheapest rocket for the costs of a small car. They attract a group of space-flight enthusiasts from around the world who support them with great excitement. It's the story of one of the greatest dreams of humankind and how to make it come true, despite such everyday obstacles as losing your screwdriver or fighting about whose turn it is to take out the trash. It's a film about reaching for the stars.

Right outside of Moscow – home to the highest number of billionaires pr. capita – you’ll find the largest junkyard in the world: The Svalka. It’s a hard place run by the Russian mafia. And it's where Yula lives with her mother, her friends and many other people. Life is tough in the Svalka, but it’s also a place where beauty and humanity can arise from the most unlikely conditions. It is from this place that Yula dreams of escaping and changing her life, even if it seems impossible. Oscar-nominated director Hanna Polak followed Yula for 14 years, bringing us along on Yula's journey to achieve this dream.

In this new documentary you get to follow the life of Ekstra Bladet's editorial staff through one of the papers most turbulent years with catastrophic readership numbers and a long row of controversial agenda-setting cases. From the common journalistic staff being pushed to deliver the daily front-page stories, to Poul Madsen in management who has to make the drastic decisions regarding the papers continued existence. We get to see up close how the paper's staff handles the many ethical dilemmas they face everyday. We see what it takes for news to make the front page and in the paper's machine room we get to see the drastic death battle for the 110 years old paper play out - The question is: Will there be a place for Ekstra Bladet in the media image of tomorrow?

The mother of a child suffering from cancer struggles to maintain a normal life for her family. Stine is thirty-seven years old and the single mother of three girls. Her daughter Cecilie, now aged eleven, has had cancer since she was two. Cecilie has spent half her life in hospital and Stine along with her. Stine is fighting an unfair battle in unbearable chaos. At the same time, she insists on maintaining some sort of life for all three children.

50 years ago Jørgen Lauersen Vig bought Hesbjerg Castle, situated in the Danish country side, with the purpose of turning it into a monastery. Now, many years later, he is about to realize his old dream. A group of Russian Orthodox nuns are on their way, and thus Mr. Vigs life-long dream is about to come true. But, nuns have plans and wills of their own, and Mr. Vig must realize that the road to fulfilling his dream is very different than what he imagined.

A humorous documentary about Nicolas Winding Refn and his struggle to secure his family financially and help him get on with his life. Forced to file for personal bankruptcy after the failure of "Fear X" at the box office, Refn has only one chance to wipe the slate clean and continue his career as a filmmaker: produce sequels to his breakthrough movie "Pusher."