Ignacio Rogers

Ignacio Rogers

프로필 사진

Ignacio Rogers

참여 작품

The Parties
Writer
Sergio, Mali and Luz reluctantly agreed to spend Christmas in the country with their mother; in part because of the guilt they feel about saying no when she has just come out of the hospital after a heart attack, but also because it would be nice to escape from their frustrations for a while.
The Parties
Director
Sergio, Mali and Luz reluctantly agreed to spend Christmas in the country with their mother; in part because of the guilt they feel about saying no when she has just come out of the hospital after a heart attack, but also because it would be nice to escape from their frustrations for a while.
야간간호사
Gabriel Santos
마르코스는 야간응급병동의 베테랑 간호사로 수간호사 진급을 눈앞에 두고 있다. 하지만 그에게는 비밀이 하나 있다. 고통 속에 삶을 연명해나가는 환자들을 위해 몰래 안락사를 자행하고 있는 것. 신입간호사인 젊은 가브리엘이 마르코스에게 가깝게 다가오면서 아무도 모르는 그의 비밀은 마르코스를 점점 옥죄고 그는 가브리엘에 대한 뒷조사를 시작한다.
Overnight
Lucas
Ignacio embarks on a trip driven by the coincidences that bring together the news that his young girlfriend is pregnant and an invitation to a seminar in Chile almost simultaneously.
The Protagonist
Paula, a 32-year-old actress, unexpectedly stops a robbery at a café and appears on the TV and newspapers. But as the days go by and her fame fades away, we begin to see a woman who works as something else and has moved away from her profession. As Paula struggles to assume her situation, she will get in touch with some past relations. Confronting them will put her back on the scene.
The White Devil
Screenplay
A camping trip for a group of friends turns into an unexpected nightmare when one of them encounters a mysterious stranger.
The White Devil
Director
A camping trip for a group of friends turns into an unexpected nightmare when one of them encounters a mysterious stranger.
Great Are the Deserts
Theo tries to reunite with his family. He rearranges his apartment and leaves everything ready for the return of his mother, who will be free again.
Las Horas de los Minutos
Esteros
Matías
Childhood friends Matías and Jerónimo reach adolescence and experience sexual attraction to each other, before being separated by circumstances. Later, as young adults, they meet again, and the film follows themes of complicated relationships and sexual tensions, as well as issues of homophobia
Ciudad Remota: parte uno
Editor
Sara arrives in an empty apartment that she has to show a potential buyer. A voice disturbs her.
Ciudad Remota: parte uno
Writer
Sara arrives in an empty apartment that she has to show a potential buyer. A voice disturbs her.
Ciudad Remota: parte uno
Director
Sara arrives in an empty apartment that she has to show a potential buyer. A voice disturbs her.
Un video de diez años
Editor
An old video captures a teenager's vacation in the mountains.
Un video de diez años
Director
An old video captures a teenager's vacation in the mountains.
Un rayo
Writer
A calm day passes in the field, a storm approaches.
Un rayo
Director
A calm day passes in the field, a storm approaches.
The Film Critic
Leandro Arce
Víctor Tellez is an intellectual, world-weary film critic who prefers to think in French and eschew the clichés of romantic movies...until he finds himself living a sappy, feel-good love story of his own.
Ahora es nunca
A particular look at the love mismatch, the unrealized ties and the possible relationships that do not come ... and the window as a way to look into other lives that may end up being your own. A look at a generation of young people living in small universes contained in the urbanity of a Buenos Aires at the beginning of the 21st century.
El notificador
Another Silence
Pablito
Marie is a Toronto police officer. One evening, her husband Joshua and their son Nicky are brutally murdered in their car. Marie quickly links Pablo Molina, an Argentinian drug trafficker who she'd arrested a few months earlier, with the crime. In despair, Marie heads to Argentina on the tracks of the killer. A journey of revenge and a journey to come to terms with her loss.
El amor cambia
Marco, Patricio and Lucrecia form a peculiar loving relationship. For Patricio this does not seem to be a problem; it is shown as a person willing to a fickle love. But Marco plays the role of the neurotic: he does not feel a taste in this triad, he chases the girl, questions his friend, bothers the relationship and shows his disagreement. This could go through a triangle to use, one more in the history of cinema. But sometimes the geometry breaks.
The Intern
A bellhop and a young receptionist at a five-star hotel in Buenos Aires set out at night to investigate and unravel the secrets of the guests. However the guests do not reveal very much and the two go increasingly adrift through their curiosity.
Sightseeing
As laid-off factory worker Marcos pins his hopes for a new life on completing his long-unfinished one-man play, he contacts his estranged friend Martín, now a television writer, for help. But can their collaboration transcend an uneasy past? As the men come together in the creative process, they're offered a chance to rebuild their abandoned friendship.
Sábado uno
Editor
Everyone competes, except Gonzalo.
Sábado uno
Producer
Everyone competes, except Gonzalo.
Sábado uno
Writer
Everyone competes, except Gonzalo.
Sábado uno
Director
Everyone competes, except Gonzalo.
Te amo y morite
Dir. Jazmin Lopez 2009 / S16MM / 12 Min.
Entrevistas
Editor
A group of adults is interviewed about their past love relationships.
Entrevistas
Director
A group of adults is interviewed about their past love relationships.
(How) To Be Dead
A young man decides to self-examine. He escapes from school and meets two friends who do not know his plan. They spend the whole day wandering around the center of Buenos Aires. Finally, the young man leaves his friends in a train while they sleep. The young man, alone, wanders through the city through the night. Security cameras monitor the city, but the young man disappears.
About Buenos Aires
Eleven young film-makers got together to collaborate in this atypical project. Atypical not only because of its technical specs, but because of its narrative structure. There are several scenes with only the city in common, and more as a conceptual presence at that than as a precise geography. None of those scenes contains a single "story": Each one of them is part of a larger situation that we cannot see, as though the beginning and end of each "story" had to be filled in by the audience.
Como un avión estrellado
Nico
A young man becomes obsessed with a gardening student who is about to leave for Switzerland.