Danielle Arbid
출생 : 1970-04-26, Beyrouth, Liban
약력
From Wikipedia, the free encyclopedia Danielle Arbid, born 26 April 1970 in Beirut, is a Lebanese film director. She left her country at the age of 17 to study literature in Paris. In 1997 she started making films. Interested in different narrative forms, her work alternates between fiction, first person documentaries and video essays; and sometimes she experiments with mixing different genres. Selected by a number of festivals in France and around the world, her films like Alone with war or On borders and the serie Living room conversations have received both critical and public acclaim as well as several awards including the golden leopard and silver leopard at the Locarno film festival as well as the Albert Londres prize and a grant from the Villa Medicis. Her two feature films In the Battlefields and A lost man have successively been selected for the Quinzaine des réalisateurs at the Cannes film festival and many others. Her work has been the focus of several retrospective screenings, notably the Bastia festival in 2006, Paris Cinéma in 2007, and the 2007 Gijon festival, and at the La Rochelle festival in 2008. Description above from the Wikipedia article Danielle Arbid, licensed under CC-BY-SA, full list of contributors on Wikipedia.
Director
A photo intended for a lover and never sent
Scenario Writer
영혼마저 잠식한 열병 같은 사랑에 빠져버린 엘렌, 통제되지 않는 자신의 욕망 그리고 육체적 탐닉을 마주할수록 점점 혼란에 빠지고, 일상이 조금씩 흔들리기 시작한다. 2022년 노벨문학상 수상! 아니 에르노의 베스트셀러 원작! 그의 뜨거운 고백을 스크린에서 만나다!
Director
영혼마저 잠식한 열병 같은 사랑에 빠져버린 엘렌, 통제되지 않는 자신의 욕망 그리고 육체적 탐닉을 마주할수록 점점 혼란에 빠지고, 일상이 조금씩 흔들리기 시작한다. 2022년 노벨문학상 수상! 아니 에르노의 베스트셀러 원작! 그의 뜨거운 고백을 스크린에서 만나다!
Director
During the first lockdown of the Covid-19 pandemic, filmmaker Danielle Arbid becomes obsessed with a mysterious girl she sees from the window of her apartment in Paris. Shot from her cellphone, better watched vertically, Outiside is the gripping short film that tells the story of what happened next.
Director
Self
Franck Landron follows photographer Antoine d'Agata wherever he goes, to the edges of the world, in a discreet presence, camera in hand. He has been doing hours and hours of rushes, patiently, without hurrying or rushing, he wants this film as fair, as honest, and as long as it takes: it lasted six years.
Writer
By a miracle, on an autumn day at the 104-Cenquatre Paris, ten dancers came to show what they could do at the event "Fous de danse" initiated by Le Musée de la danse and Boris Charmatz. They looked exalted, unswervingly optimistic, fifteen years old and full of the sophisticated references of Street dance.
Director
By a miracle, on an autumn day at the 104-Cenquatre Paris, ten dancers came to show what they could do at the event "Fous de danse" initiated by Le Musée de la danse and Boris Charmatz. They looked exalted, unswervingly optimistic, fifteen years old and full of the sophisticated references of Street dance.
It all starts at daybreak, three young surfers on the raging seas. A few hours later, on the way home, an accident occurs. Now entirely hooked up to life-support in a hospital in Le Havre, Simon’s existence is little more than an illusion. Meanwhile, in Paris, a woman awaits the organ transplant that will give her a new lease on life.
Screenplay
The new film from Lebanese director Danielle Arbid follows a young Arab immigrant in Paris, whose encounters with three men reveal different facets of her new country, and of herself.
Director
The new film from Lebanese director Danielle Arbid follows a young Arab immigrant in Paris, whose encounters with three men reveal different facets of her new country, and of herself.
Writer
One evening, a married young singer Zoha meets the French lawyer Mathieu in a night club in Beirut. Mathieu will become suspected of spying, while Zoha is trying to flee from her husband. Despite these problems, the two will witness a love story for few days mixed with violence and fear.
Director
One evening, a married young singer Zoha meets the French lawyer Mathieu in a night club in Beirut. Mathieu will become suspected of spying, while Zoha is trying to flee from her husband. Despite these problems, the two will witness a love story for few days mixed with violence and fear.
Cinematography
Archival footage of prim young girls alternates with darkened shots of men and women discussing their formative experiences and their fantasies. Their words and the visual representations create a highly poetic erotic tension.
Writer
Archival footage of prim young girls alternates with darkened shots of men and women discussing their formative experiences and their fantasies. Their words and the visual representations create a highly poetic erotic tension.
Director
Archival footage of prim young girls alternates with darkened shots of men and women discussing their formative experiences and their fantasies. Their words and the visual representations create a highly poetic erotic tension.
Director
Inspired by the photographic travels of Antione d'Agata, Danielle Arbid's worldly drama follows a French photographer who travels the globe to seek out the most extreme experiences imaginable. Thomas is a fearless shutterbug who's always willing to put his life on the line for the sake of a good shot. Upon falling under the spell of an enigmatic old man named Fouad Saleh, the photographer travels to the Far East in hopes of uncovering the secrets of the man who can no longer recall his own past. As the photographer soon finds out, it's often the most innocent endeavors that yield the most profound and transformative results.
Writer
Lina, a young girl in war-torn Beirut, finds an ally and friend in Sihan, her domineering aunt's maid. Sihan shows Lina what her life could be like, but tests the girl's limits when she asks her to help plot her escape from the city.
Director
Lina, a young girl in war-torn Beirut, finds an ally and friend in Sihan, her domineering aunt's maid. Sihan shows Lina what her life could be like, but tests the girl's limits when she asks her to help plot her escape from the city.
Director
In this documentary road movie, filmmaker Danielle Arbid tries to conjure up an image of the country that is called Israel or Palestine.
Director
Beirut is a wonderful town. It's like you're at the center of everything. In Beirut, between 1975 and 1990, there was a civil war, everybody wanted to exterminate everybody. Today, war is over. It stopped a day, like that, after having corrupted our lives. I wanted to shoot the void it had left. Its ghostly presence. That wound...
Writer
Beirut is a wonderful town. It's like you're at the center of everything. In Beirut, between 1975 and 1990, there was a civil war, everybody wanted to exterminate everybody. Today, war is over. It stopped a day, like that, after having corrupted our lives. I wanted to shoot the void it had left. Its ghostly presence. That wound...
Director
Ibrahim, a Kurdish refugee, is hired by a French health care mutual which repatriates the bodies of dead Africans to their countries of origin. The day following his employment, he attends his first body recovery in a Paris-area apartment. All of a sudden Ibrahim is plunged into a baffling universe that will make him a modern Charon, the ferryman who,in Greek mythology, carried the souls of the newly deceased to the world of the dead.
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Screenplay
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