Jean Pélégri

출생 : 1920-06-20, Rovigo, French Algeria

사망 : 2003-09-24

약력

Jean Pélégri (June 20, 1920 – September 24, 2003) was a writer and professor of literature. Of French descent, he was born in Algeria, but left as part of the diaspora of French colonists referred to as pied-noirs following the Algerian War. He was friends with many Algerian writers (such as Mohammed Dib and Kateb Yacine) and, like Jean Sénac, Pélégri considered himself to be one of them; he always saw himself as an "Algerian at heart". He supplemented his novels' prefaces with artwork from his painter friends Baya, Abdallah Benanteur, Mohammed Khadda and Jean de Maisonseul. Pélégri also assisted on the film adaptation of his novel Les Oliviers de la justice as screenwriter, dialogue writer and actor. The movie won the Cinema and Television Writers Award at the 1962 Cannes Film Festival.

참여 작품

Coming to Terms with the Dead
le vieil homme du métro
It’s summer, on the beach of this little town in Brittany, a man is building a sand castle. A few people watch him. We will be told the story of three of them: a boy, Jumbo, aged 9; François and his sister Zaza. All of them had to deal with the death of somebody they cherished.
Frequent Death
Dr. Pastor
Jeanne Quester is a psychologist-on-the-airwaves in a radio station. She got a raw deal when she was a child.
Thérèse
The father
The life of little St. Therese of Lisieux, depicted in minimalist vignettes. Therese and her sisters are all nuns in a Carmelite convent. Her devotion to Jesus and her concept of "the little way" to God are shown clearly, using plain modern language. A sense of angelic simplicity comes across without fancy lights, choirs, or showy miracles.
Les oliviers de la justice
Novel
The son of a French colonialist in Algeria returns to Algeria after learning that his father is ill. Memories from childhood return. He also must deal with some problems involving the Algerian fight for independence.
Les oliviers de la justice
Jean's Father
The son of a French colonialist in Algeria returns to Algeria after learning that his father is ill. Memories from childhood return. He also must deal with some problems involving the Algerian fight for independence.
소매치기
L'inspecteur principal
소매치기의 왕자 파링튼을 독파하며 우아한 소매치기를 꿈꾸던 주인공은 훗날 자유롭기 위해선 속박받아야한다는 사실을 깨닫고 사랑을 통한 진정한 우아함을 성취한다. 신의 심판이 있을까 갸우뚱하던 그는 감옥에 투옥된 후 비로소 신의 속박과 진정한 자유에 대해 깨닫게 되는데... 소매치기 미셸을 통해 인물의 심리 대신 행동에 주목하는 행동주의를 그린 작품.