Manfred Kirchheimer

Manfred Kirchheimer

출생 : 1931-01-01, Saarbrücken, Germany

약력

Manfred Kirchheimer is a documentary film maker and professor of film at the School of Visual Arts in New York City. He previously taught at NYIT. He was born in Saarbrücken, Germany, and his family moved to New York City in 1936 to escape Nazi Germany.

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Manfred Kirchheimer

참여 작품

Free Time
Director
Meticulously restored and constructed 16mm black-and-white footage shot in New York between 1958 and 1960. This lustrous evocation of a different rhythm of life captures the in-between moments—kids playing stickball, window washers, folks reading newspapers on their stoops—and the architectural beauty of urban spaces, set to the stirring sounds of Ravel, Bach, Eisler, and Count Basie.
Dream of a City
Director
Between 1958 and 1960 Walter Hess and Manny Kirchheimer shot black and white 16mm film from Wall Street to midtown New York to the Delaware River. They documented the activities at a huge construction site, street life in Hell’s Kitchen, New York harbor traffic, and rare glimpses of nature. Then the footage was left unedited. In 2017 Kirchheimer (DISCOVERY IN A PAINTING, TALL: THE AMERICAN SKYSCRAPER AND LOUIS SULLIVAN, STATIONS OF THE ELEVATED) took up the challenge of editing it. Once the picture was set he searched for music and sound effects that would mesh with the surrealism of the material. The result is a dynamic and compact symphony of a city.
My Coffee With Jewish Friends
Director
A humorous and illuminating series of coffee klatches with 20 friends that proves the old adage, “Where you have two Jews, you have three opinions.” Ranging in age from 18 to 85, and in experience from greenhorn to Pulitzer-Prize winner, the film’s subjects kibitz over all manner of concern, from Israel to tight pants, gay rights, and the place of women at the Wailing Wall.
Discovery in a Painting
Sound
Following his use of art, painting and sculpture, in his work of the previous decades, Hurwitz took on a project for the American Foundation of the Arts aimed at deepening and enriching, for art students, the way in which we see. Working with his second wife, the editor Peggy Lawson, he made four short films comprising The Art of Seeing Series. The films, made without words, are beautiful poems to the pleasure of sight. This film came as a challenge that Hurwitz made for himself, to replicate in film his experience of seeing a work of art — in this case Césanne’s Still Life with Apples, 1895-98, that hangs in the Museum of Modern Art in New York. Although he finished the visual part of the film, he was stymied by the soundtrack in which he wanted no narration. About 45 years later, his colleague, Manfred Kirchheimer, created a sound track and produced the finished film.
Discovery in a Painting
Director of Photography
Following his use of art, painting and sculpture, in his work of the previous decades, Hurwitz took on a project for the American Foundation of the Arts aimed at deepening and enriching, for art students, the way in which we see. Working with his second wife, the editor Peggy Lawson, he made four short films comprising The Art of Seeing Series. The films, made without words, are beautiful poems to the pleasure of sight. This film came as a challenge that Hurwitz made for himself, to replicate in film his experience of seeing a work of art — in this case Césanne’s Still Life with Apples, 1895-98, that hangs in the Museum of Modern Art in New York. Although he finished the visual part of the film, he was stymied by the soundtrack in which he wanted no narration. About 45 years later, his colleague, Manfred Kirchheimer, created a sound track and produced the finished film.
Discovery in a Painting
Director
Following his use of art, painting and sculpture, in his work of the previous decades, Hurwitz took on a project for the American Foundation of the Arts aimed at deepening and enriching, for art students, the way in which we see. Working with his second wife, the editor Peggy Lawson, he made four short films comprising The Art of Seeing Series. The films, made without words, are beautiful poems to the pleasure of sight. This film came as a challenge that Hurwitz made for himself, to replicate in film his experience of seeing a work of art — in this case Césanne’s Still Life with Apples, 1895-98, that hangs in the Museum of Modern Art in New York. Although he finished the visual part of the film, he was stymied by the soundtrack in which he wanted no narration. About 45 years later, his colleague, Manfred Kirchheimer, created a sound track and produced the finished film.
Canners
Director
Rummaging through city trash for hours and miles, New York’s gleaners gather and recycle soda cans for a nickel apiece. The stories they tell are full of humor, violence, tragedy, and resilience. As Kirchheimer’s documentary reveals, however, their tireless labor is ignored or scorned, but for the occasional doorman or Good Samaritan who chooses to lend his hand rather than avert his gaze.
Art Is... The Permanent Revolution
Editor
The anger and outrage captured by graphic artists have defined revolutions through the centuries. Printmakers have depicted the human condition in all its glories and struggles so powerfully that perceptions, attitudes and politics have been dramatically influenced. And the value and impact of this art is even more important today. In the new documentary, ART IS... THE PERMANENT REVOLUTION, three contemporary American artists and a master printer help explain the dynamic sequences of social reality and protest. Among the wide range of 60 artists on display are Rembrandt, Goya, Daumier, Kollwitz, Dix, Masereel, Grosz, Gropper, and Picasso. While their stirring graphics sweep by, the making of an etching, a woodcut and a lithograph unfolds before our eyes, as the contemporary artists join their illustrious predecessors in creating art of social engagement.
Art Is... The Permanent Revolution
Producer
The anger and outrage captured by graphic artists have defined revolutions through the centuries. Printmakers have depicted the human condition in all its glories and struggles so powerfully that perceptions, attitudes and politics have been dramatically influenced. And the value and impact of this art is even more important today. In the new documentary, ART IS... THE PERMANENT REVOLUTION, three contemporary American artists and a master printer help explain the dynamic sequences of social reality and protest. Among the wide range of 60 artists on display are Rembrandt, Goya, Daumier, Kollwitz, Dix, Masereel, Grosz, Gropper, and Picasso. While their stirring graphics sweep by, the making of an etching, a woodcut and a lithograph unfolds before our eyes, as the contemporary artists join their illustrious predecessors in creating art of social engagement.
Art Is... The Permanent Revolution
Director
The anger and outrage captured by graphic artists have defined revolutions through the centuries. Printmakers have depicted the human condition in all its glories and struggles so powerfully that perceptions, attitudes and politics have been dramatically influenced. And the value and impact of this art is even more important today. In the new documentary, ART IS... THE PERMANENT REVOLUTION, three contemporary American artists and a master printer help explain the dynamic sequences of social reality and protest. Among the wide range of 60 artists on display are Rembrandt, Goya, Daumier, Kollwitz, Dix, Masereel, Grosz, Gropper, and Picasso. While their stirring graphics sweep by, the making of an etching, a woodcut and a lithograph unfolds before our eyes, as the contemporary artists join their illustrious predecessors in creating art of social engagement.
Spraymasters
Director
Documentary that follows four graffiti artists who trace the history of graffiti
Tall: The American Skyscraper and Louis Sullivan
Director of Photography
Documentary about New York skyscrapers.
Tall: The American Skyscraper and Louis Sullivan
Producer
Documentary about New York skyscrapers.
Tall: The American Skyscraper and Louis Sullivan
Editor
Documentary about New York skyscrapers.
Tall: The American Skyscraper and Louis Sullivan
Writer
Documentary about New York skyscrapers.
Tall: The American Skyscraper and Louis Sullivan
Director
Documentary about New York skyscrapers.
We Were So Beloved
Director
Filmmaker Manfred Kirchheimer gained the trust of holocaust survivors living in New York's Washington Heights who agreed to talk to his cameras. But what they told him went so far against the grain that it could only be described as controversial.
Stations of the Elevated
Director of Photography
Stations of the Elevated exposes viewers to an underground art scene- that is, one found exclusively on the sides of subways and train cars. A moving portrait of late-70's NYC, the film boasts a soundtrack by jazz legends Charles Mingus & Aretha Franklin.
Stations of the Elevated
Editor
Stations of the Elevated exposes viewers to an underground art scene- that is, one found exclusively on the sides of subways and train cars. A moving portrait of late-70's NYC, the film boasts a soundtrack by jazz legends Charles Mingus & Aretha Franklin.
Stations of the Elevated
Producer
Stations of the Elevated exposes viewers to an underground art scene- that is, one found exclusively on the sides of subways and train cars. A moving portrait of late-70's NYC, the film boasts a soundtrack by jazz legends Charles Mingus & Aretha Franklin.
Stations of the Elevated
Director
Stations of the Elevated exposes viewers to an underground art scene- that is, one found exclusively on the sides of subways and train cars. A moving portrait of late-70's NYC, the film boasts a soundtrack by jazz legends Charles Mingus & Aretha Franklin.
Bridge High
Director of Photography
Passage across a suspension bridge, moving from the country to the city, a half minute trip ­expanded. Choreographed cables, girders and arches.
Bridge High
Director
Passage across a suspension bridge, moving from the country to the city, a half minute trip ­expanded. Choreographed cables, girders and arches.
Short Circuit
Director of Photography
Manfred kirchheimer featurette
Short Circuit
Editor
Manfred kirchheimer featurette
Short Circuit
Writer
Manfred kirchheimer featurette
Short Circuit
Producer
Manfred kirchheimer featurette
Short Circuit
Director
Manfred kirchheimer featurette
This Island
Director of Photography
How the art in the Detroit Institute of Art connects to life's experiences and the neighborhood.
Claw: A Fable
Director of Photography
A poetic blend of documentary and experimental filmmaking, depicting the changes brought on by urban planning as seen in New York City and the large mechanical claw that demolishes the architecture seen in the film.
Claw: A Fable
Editor
A poetic blend of documentary and experimental filmmaking, depicting the changes brought on by urban planning as seen in New York City and the large mechanical claw that demolishes the architecture seen in the film.
Claw: A Fable
Writer
A poetic blend of documentary and experimental filmmaking, depicting the changes brought on by urban planning as seen in New York City and the large mechanical claw that demolishes the architecture seen in the film.
Claw: A Fable
Director
A poetic blend of documentary and experimental filmmaking, depicting the changes brought on by urban planning as seen in New York City and the large mechanical claw that demolishes the architecture seen in the film.
For Life, Against the War
Director
First shown on January 30, 1967, FOR LIFE AGAINST THE WAR was an open-call, collective statement from American independent filmmakers disparate in style and sensibility but united by their opposition to the Vietnam War. Part of the protest festival Week of the Angry Arts, the epic compilation film incorporated minute-long segments which were sent from many corners of the country, spliced together and projected. The original presentation of the works was more of an open forum with no curation or selection, and in 2000 Anthology Film Archives preserved a print featuring around 40 films from over 60 submissions.
In Search of Hart Crane
Director of Photography
Produced and directed by Hurwitz for National Educational Television (precursor of PBS), Hurwitz uses biographer and Columbia professor, John Unterecker, to help him look for the poet, Hart Crane, in his work and in the memories of many of his contemporaries. In Search of Hart Crane, 1966, is one of the very first interview-driven documentaries and is still a masterpiece of the literary documentary film.
Colossus on the river
Writer
A documentary of SS United States on New York port.
Colossus on the river
Editor
A documentary of SS United States on New York port.
Colossus on the river
Director of Photography
A documentary of SS United States on New York port.
Colossus on the river
Director
A documentary of SS United States on New York port.
Eisenstein’s Mexican Film: Episodes for Study
Assistant Director
"Eisenstein journeyed to Mexico in late 1930 to begin shooting a film. With backing provided by Upton and Mary Craig Sinclair, the great Soviet auteur planned to make an epoch-spanning pageant of Mexico’s political history and cultural iconography, moving from the pre-Columbian era through colonization and, finally, revolution ... with the project running over budget the film was shut down. Sinclair eventually deposited the film materials at MoMA in 1953, at which point the scholar Jay Leyda assembled and annotated the shots, ordering them according to the filmmaker’s plans and presenting the images just as they had been shot, unedited ... here one is given the opportunity to attend to Eisenstein in an entirely different way, and aspects that might otherwise be overshadowed come to the fore: the way he works with nonprofessional actors, for example, or the striking mise-en-scène." - MoMA
Up the Lazy River
Director
Crafted from the endless wealth of images filmed in 16mm on a Bolex by Kirchheimer and Walter Hess, Up the Lazy River is the conclusion of the triptych begun with Dream of a City and Free Time. Beginning with paired images of boulders planted in the middle of the urban landscape and outside the city, the connection between the beauty of the city and the natural world begins to form. There are modern skyscrapers above, and the horse-drawn carriages below. The film is filled with motifs that Kirchheimer has made his own: the camera traveling majestically through buildings, pointing skyward, light reflecting off glass, sweeping through the streets filming storefronts and daily life, always with an uncanny ability to capture small moments between neighbors, and the faces of a metropolis, culminating to the ecstatic sound of Louis Prima and the peaceful sounds of the river. Look close: you will even catch a glimpse of Manny himself.