Yulene Olaizola
출생 : 1983-06-13, Mexico City, Mexico
약력
YULENE OLAIZOLA. (Mexico City, 1983) Her first film, the documentary “Shakespeare & Victor Hugo´s Intimacies” received more than 30 awards, including San Sebastian, BAFICI, IDFA & La Habana, it was also awarded with the Ariel for best Mexican first film. Her second film “Artificial Paradises” was supported by the Tribeca Film Institute and the Hubert Bals Fund, it was premiered at Rotterdam IFFR in 2010. “Fogo" her third film, was presented at the Director ́s Fortnight in Cannes in 2012. In 2015, she premiered “Epitaph” a co-direction with Ruben Imaz. Her fifth film “Tragic Jungle “ is currently in post-production.
Editor
고대 마야 왕국의 전설이 살아있는 멕시코의 정글 속 고무 농장에서 일하는 노동자들은 우연히 신비스러운 여성을 구출하게 된다. 아그네스는 백인 농장주와의 결혼을 피해 도망쳤지만 시간이 흐를수록 그녀를 바라보는 노동자들의 눈에는 열기와 욕망이 차오르고, 무법지대 정글 속에서 그들을 기다리고 있는 것은 구원이 아닌 약탈일 뿐이다.
Producer
고대 마야 왕국의 전설이 살아있는 멕시코의 정글 속 고무 농장에서 일하는 노동자들은 우연히 신비스러운 여성을 구출하게 된다. 아그네스는 백인 농장주와의 결혼을 피해 도망쳤지만 시간이 흐를수록 그녀를 바라보는 노동자들의 눈에는 열기와 욕망이 차오르고, 무법지대 정글 속에서 그들을 기다리고 있는 것은 구원이 아닌 약탈일 뿐이다.
Screenplay
고대 마야 왕국의 전설이 살아있는 멕시코의 정글 속 고무 농장에서 일하는 노동자들은 우연히 신비스러운 여성을 구출하게 된다. 아그네스는 백인 농장주와의 결혼을 피해 도망쳤지만 시간이 흐를수록 그녀를 바라보는 노동자들의 눈에는 열기와 욕망이 차오르고, 무법지대 정글 속에서 그들을 기다리고 있는 것은 구원이 아닌 약탈일 뿐이다.
Director
고대 마야 왕국의 전설이 살아있는 멕시코의 정글 속 고무 농장에서 일하는 노동자들은 우연히 신비스러운 여성을 구출하게 된다. 아그네스는 백인 농장주와의 결혼을 피해 도망쳤지만 시간이 흐를수록 그녀를 바라보는 노동자들의 눈에는 열기와 욕망이 차오르고, 무법지대 정글 속에서 그들을 기다리고 있는 것은 구원이 아닌 약탈일 뿐이다.
Director
Three Spanish conquistadors, Captain Diego de Ordaz, Gonzalo and Pedro, march to the summit of the great volcano Popocatepetl.
Post Production Supervisor
Three Spanish conquistadors, Captain Diego de Ordaz, Gonzalo and Pedro, march to the summit of the great volcano Popocatepetl.
Editor
Three Spanish conquistadors, Captain Diego de Ordaz, Gonzalo and Pedro, march to the summit of the great volcano Popocatepetl.
Producer
Three Spanish conquistadors, Captain Diego de Ordaz, Gonzalo and Pedro, march to the summit of the great volcano Popocatepetl.
Screenplay
Three Spanish conquistadors, Captain Diego de Ordaz, Gonzalo and Pedro, march to the summit of the great volcano Popocatepetl.
Thanks
In the eyes of a foreigner practically any street of Mexico City’s Centro Histórico holds potential for a film. Life on the street deserves more than just the natural condition of observer anyone could have, it demands an extra attention. In a 100-meter radius, the sociological exuberance of the events going on is simply impossible to ignore. The street is a mise en scène in itself.
Producer
The deterioration of a small community in Fogo Island is forcing its inhabitants to leave and resettle. Places once occupied by humans are now becoming part of the tundra landscape. In spite of a condemn future, there are some residents who decide to remain, holding on to their memories and grieving for the past, when life in Fogo was different.
Screenplay
The deterioration of a small community in Fogo Island is forcing its inhabitants to leave and resettle. Places once occupied by humans are now becoming part of the tundra landscape. In spite of a condemn future, there are some residents who decide to remain, holding on to their memories and grieving for the past, when life in Fogo was different.
Director
The deterioration of a small community in Fogo Island is forcing its inhabitants to leave and resettle. Places once occupied by humans are now becoming part of the tundra landscape. In spite of a condemn future, there are some residents who decide to remain, holding on to their memories and grieving for the past, when life in Fogo was different.
Writer
Luisa, a 25-year-old woman addicted to chiva (heroin), travels to a beach in the coastal State of Veracruz with the idea of quitting the drug once she gets there. Luisa eventually grows ties with the locals and in particular with Salomon, a 65-years-old peasant in whom she thinks to have found the aid she needs to fulfill her goal.
Director
Luisa, a 25-year-old woman addicted to chiva (heroin), travels to a beach in the coastal State of Veracruz with the idea of quitting the drug once she gets there. Luisa eventually grows ties with the locals and in particular with Salomon, a 65-years-old peasant in whom she thinks to have found the aid she needs to fulfill her goal.
Editor
Documentary about a lodging house, owned by Rosa Carbajal, at the corner of Shakespare and Víctor Hugo streets.
Producer
Documentary about a lodging house, owned by Rosa Carbajal, at the corner of Shakespare and Víctor Hugo streets.
Cinematography
Documentary about a lodging house, owned by Rosa Carbajal, at the corner of Shakespare and Víctor Hugo streets.
Screenplay
Documentary about a lodging house, owned by Rosa Carbajal, at the corner of Shakespare and Víctor Hugo streets.
Director
Documentary about a lodging house, owned by Rosa Carbajal, at the corner of Shakespare and Víctor Hugo streets.
