Gerd Conradt

영화 원제인 ‘Komm mit mir in das Cinema’(영화관으로 가자)는 사랑을 영화 속에서 찾을 수 있다고 썼던 엘제 라스커쉴러의 1937년도 시에서 가져온 것이다. 영화를 둘러싼 여러 담론과 관점에 있어서 전후 독일영화의 역사를 크게 확장시킨 에리카와 울리히 그레고어가 함께할 수 있었던 것은 바로 영화에 대한 사랑 덕분이었다.

Gerd Conradt sits with Frederic Rzewski to have a chat on music. This conversation takes place in Montiano, Italy on August 14th, 1999.

In VIDEO VERTOV, director Gerd Conradt tells his grandson stories from more than forty years of his eventful life - based on film and video documents. The film tells the life story of the video pioneer: love and revolution, red flag and meditation - expeditions to distant countries. For his grandson, Gerd Conradt spreads his film and video treasures on the big screen and leaves behind an "electronic" testament to his 50-year career as a film artist. The first love. Economic Miracle Berlin. Marriage and birth of daughter in Rome. Student at the dffb in Berlin. A life between adaptation and provocation. A life in search of knowledge, always interested in the extreme.

In VIDEO VERTOV, director Gerd Conradt tells his grandson stories from more than forty years of his eventful life - based on film and video documents. The film tells the life story of the video pioneer: love and revolution, red flag and meditation - expeditions to distant countries. For his grandson, Gerd Conradt spreads his film and video treasures on the big screen and leaves behind an "electronic" testament to his 50-year career as a film artist. The first love. Economic Miracle Berlin. Marriage and birth of daughter in Rome. Student at the dffb in Berlin. A life between adaptation and provocation. A life in search of knowledge, always interested in the extreme.

In VIDEO VERTOV, director Gerd Conradt tells his grandson stories from more than forty years of his eventful life - based on film and video documents. The film tells the life story of the video pioneer: love and revolution, red flag and meditation - expeditions to distant countries. For his grandson, Gerd Conradt spreads his film and video treasures on the big screen and leaves behind an "electronic" testament to his 50-year career as a film artist. The first love. Economic Miracle Berlin. Marriage and birth of daughter in Rome. Student at the dffb in Berlin. A life between adaptation and provocation. A life in search of knowledge, always interested in the extreme.

The capital Berlin is heavily in debt. Annually it takes 16 billion euros, but gives out 20 billion. The minus is covered by loans, which in turn attract interest.

The capital Berlin is heavily in debt. Annually it takes 16 billion euros, but gives out 20 billion. The minus is covered by loans, which in turn attract interest.

Twenty-five years after the death of Holger Meins, filmmaker and former student friend of the deceased, Gerd Conradt takes an in-depth look at the helmsman of the Baader-Meinhof gang. Who was Holger Meins? What led him into the underground? What circumstances resulted in his death, a death which made him the declared symbol of the radical opposition in Germany? What remains of his legacy?

Twenty-five years after the death of Holger Meins, filmmaker and former student friend of the deceased, Gerd Conradt takes an in-depth look at the helmsman of the Baader-Meinhof gang. Who was Holger Meins? What led him into the underground? What circumstances resulted in his death, a death which made him the declared symbol of the radical opposition in Germany? What remains of his legacy?

Released from prison a man wanders through a new reality

Documents a one-week meeting of radical leftist activists known as "Knastkamp" (Prison battle), which took place in July 1969 in Ebrach, Bamberg.

Documents a one-week meeting of radical leftist activists known as "Knastkamp" (Prison battle), which took place in July 1969 in Ebrach, Bamberg.

An austere treatise on the military-industrial complex that produces napalm.

Gerd Conradt films men carrying a red flag in a relay race through Berlin, to hoist it on the balcony of the current Mayor’s seat. A cinematic experiment based on Eadweard Muybridge, Andy Warhol and New American Cinema. A study in men, movements and a symbol. This is the 7th part of this series of film exercises. The other 6 parts were staged by Harun Farocki (Part 1), Carlos Bustamante (Part 2), Helke Sander (Part 3), Holger Meins (Part 4), Wolfgang Petersen (Part 5), Philip Werner Sauber (Part 6).

Gerd Conradt films men carrying a red flag in a relay race through Berlin, to hoist it on the balcony of the current Mayor’s seat. A cinematic experiment based on Eadweard Muybridge, Andy Warhol and New American Cinema. A study in men, movements and a symbol. This is the 7th part of this series of film exercises. The other 6 parts were staged by Harun Farocki (Part 1), Carlos Bustamante (Part 2), Helke Sander (Part 3), Holger Meins (Part 4), Wolfgang Petersen (Part 5), Philip Werner Sauber (Part 6).

Film announcing the November 4, 1968 demonstration and urging demonstrators to be prepared to fight.

A Soldier gets harrased by two young man and one old man.

The composer Frederic Rzewski ordered a film from Gerd Conradt for his piece “Selfportrait”. The film was supposed to be shown while he was playing his piece of music, he didn't want to be seen. The film shows Frederic Rzewski sitting down at the table in the Trattoria Carlone in the Trastevere district of Rome from a bird's eye view. He orders wine, salad and a portion of spaghetti. We watch as he eats, pays, gets up and walks out of the picture. All in one setting.

This film has no story - one could be born at any moment. His characters are the composition of the composition that, in the time they live in, is the composition of the time in which they live. The situations are exemplary, they come from the reality of dreams, a movement takes on several dimensions, gives the impression of simultaneity, the passage of time is not perceived.

Scenes from Berlin: Kids playing football, a man tries to light a fire in his stove, a film team sets up a shot in a park, students discuss politics.

Scenes from Berlin: Kids playing football, a man tries to light a fire in his stove, a film team sets up a shot in a park, students discuss politics.

A concise blast of feminist film making, Sander's first film is a tense yet playful four minute short that dissects a typical urban scene at a bus stop on a busy street in Berlin.

Twelve short scenes of the life of an elderly homeless person, Oskar Langenfeld, in Berlin.

Short thriller about an older woman and an escaped convict.

The Afro-Berliner DJane Sweety, the Italian karate teacher Gino and his German half-brother Ninja are in deep trouble. They fight for survival: Against a powerful mobster and two nasty real estate sharks who demand a lot of money from them. They only have one week left.