David Čálek

Tomáš Etzler worked for seven years as a foreign correspondent in China. He came to know a country that was developing at an admirably fast pace, was swayed by its energy, and for a moment believed that modernity could bring about political change as well. Before long, it dawned on him that many people would continue to be severely punished, and the regime would still keep most of the nation in a state of indecision and ignorance. Without neglecting that face of China today, Etzler chose to tell a story of hope in his personal documentary. Using the example of an orphanage for disabled children, he shows that the answer to collectivist brutality and ruthlessness can be mutual assistance, tolerance and empathy.

Happiness is often found unexpectedly, so what? A lesbian couple raise their two children in perfect harmony when a man from the past intervenes. Violent psychopath demands the custody of his daughter, while his ex-wife suffers his terror. Two teenagers simply run away and a devout man does not have the strength to protect his love.

The budget for the program to colonize Mars was so drastically cut back that settlements never appeared on the faraway planet. Now the only reminder of the ambitious plan is an abandoned base inhabited by a very lonely robot. The silence and tranquility of the red planet is eventually disturbed, however, by a privately-funded Czech crew, whose members have taken on the mission for very different reasons...

An epic exploration of the Czechoslovak New Wave cinema of the 1960s and 70s, structured around a series of conversations with one of its most acclaimed exponents - Closely Observed Trains director Jiří Menzel.

A doc presenting portraits of four people unafraid to reveal their particular lifelong penchant for sadomasochistic practices: Altair, whose orientation links him to the world of horses, latex lover Fronéma, the provocative Lenka, and government employee Terezie.

A doc presenting portraits of four people unafraid to reveal their particular lifelong penchant for sadomasochistic practices: Altair, whose orientation links him to the world of horses, latex lover Fronéma, the provocative Lenka, and government employee Terezie.

A doc presenting portraits of four people unafraid to reveal their particular lifelong penchant for sadomasochistic practices: Altair, whose orientation links him to the world of horses, latex lover Fronéma, the provocative Lenka, and government employee Terezie.

A doc presenting portraits of four people unafraid to reveal their particular lifelong penchant for sadomasochistic practices: Altair, whose orientation links him to the world of horses, latex lover Fronéma, the provocative Lenka, and government employee Terezie.

Chytilová ran for Senate in 2006 as a Rovnost Šancí (The Equal Chance Party) candidate. The film is a collection of monologues by female party members from across the nation.

Documentary about crisis in Czech TV during 2000/2001.

Documentary about crisis in Czech TV during 2000/2001.

Ester Krumbachová - a costume designer, screenwriter, director; one of the boldest personalities of the Czech New Wave. She worked in theatre, she was a writer and an illustrator. She co-created films such as O slavnosti a hostech (1966), Sedmikrásky (1966), Vsichni dobrí rodáci (1969), Pension pro svobodné pány (1968), Valerie a týden divu (1970), Slamený klobouk (1972) and many others. In the 1960s, she was a 'pivot' of the art scene in Prague, attracting artists who were on the threshold of their career, just setting out to find their own form of self-realization. Those who underwent her tutelage remember her forever. Director Vera Chytilová talks to those who knew Ester Krumbachová, who worked with her, befriended her, loved her. She sets off on a search that is to end by answering the question: Who was Ester?