Self
존 콜트레인, 마일즈 데이비스, 허비 행콕, 웨인 쇼터, 루 도널드슨 등 레전드 뮤지션부터 노라 존스, 로버트 글래스퍼, 테라스 마틴 등 장르를 넘나드는 스타 뮤지션들까지! 재즈를 가장 재즈 답게, 시대와 감성을 레코드에 새긴 뮤직 레이블의 아이콘 ‘블루 노트 레코드’의 모든 것!
Mike Tillman
It's Halloween and this year's haunted house has a deadly new attraction. Sean Taylor, foreman at the haunted house, buys what he thinks is a fake corpse head in a cage. But when his girlfriend, Jill, sees it, she says it smells and wants it gone. Little do either of them suspect that this pungent, rotting zombie is very real, very undead and is about to change their lives forever. When the corpse begins to telepathically communicate with him, Sean begins his descent into madness and the world of the paranormal. He goes on a murderous rampage, doing the cadaver's bidding with a machete and a twisted grin. As the body count begins to rise, Jill discovers, with the help of a paranormal detective, that the caged ghoul has a nasty history as a serial killer and used to work at the very same haunted house.
Executive Producer
An exploration of the intersection between religion and homosexuality in the U.S. and how the religious right has used its interpretation of the Bible to stigmatize the gay community.
Roy
Bruce is a telephone lineman who accidentally overhears a murder plot. When 911 informs him that there is nothing that they can do about it, he takes matters into his own hands, and gets entangled in a world of sex and mystery.
Skeleton Crew Dancer
말콤X(덴젤 워싱턴)는 젊은 시절에는 말콤 리틀이라는 본명을 가진 그저 그런 뒷골목 흑인 건달이었다. 약물을 이용해 곱슬거리는 머리를 펴고 백인처럼 굴고 싶어하던 말콤은 돈을 위해 마약 밀매에 관여하다 경찰에 체포된다. 말콤은 감옥 안에서 비로소 이슬람교의 교리와 흑인 인권 사상을 접하고 스스로 이름을 말콤 X로 바꾼다. 흑인의 잃어버린 뿌리를 찾을 때까지 성을 'X'라고 정한 것이다. 마틴 루터 킹 목사와 달리 보다 급진적인 흑인 인권 운동을 주장하던 말콤 X는 차츰 적이 늘어나고 결국 연단에서 암살당한다.
Faust (tenor)
This live recording was made at the Royal Albert Hall during one of Londons famous Promenade Concert seasons. Sir Georg Solti conducts the Chicago Symphony Orchestra and Chorus in a magnificent performance of Berliozs concert cantata. This feast of Berlioz launched Soltis farewell tour with the orchestra he had directed for twenty years and was described by The Times as the unsurpassable culmination of two decades of music-making...one that summarised all that has been most admirable about Soltis long reign in Chicago. Like reading the book by flashes of lightning was how one writer described the relationship of Berlioz to Goethe in this Dramatic Legend, his way of shaping twenty scenes selected from the story into a narrative in four parts. Though it has sometimes been staged, the works drama is to be found within the music itself, which illuminates the incidents with what the conductor Sir Thomas Beecham once called a bunch of the loveliest tunes in existence.
