Devika Rani

This film directed by CV Rajendran.

Hamari Baat is a Bollywood film. It was released in 1943.

Rural melodrama about Durga, an adolescent child of nature, living with her aged mother Heera. Unable to get the medicine required to prevent her mother's death, one misfortune after another befalls the heroine in spite of the sympathies of the newly arrived village doctor, Jawahar.

Nirmala (Devika Rani) is a modern girl - young, beautiful, dressed in the latest fashions, attends college, and is even the only female in an all-male class. She doesn't take second place to the men, besting all but one in the annual exams. She tied with Ramdas (Ashok Kumar). But, at the same time she is tied to the age-old culture, traditions and religion. She yearns for a husband and for motherhood. And this conflict forms the crux of the story.

Based in Central India, a story about struggle of a young man belonging to Bheel (an adivasi) tribe against the exploitation of his people by stronger Maratha tribe.

An "untouchable" girl and a Brahmin boy fall in love, but the strict caste system and the gossip of the villagers threaten to keep them apart.

Lata, daughter of a dancing girl, is brought up by social worker Mathuradas and is engaged to marry the rich Ranjit when the villain Chand arrives to blackmail her with her undisclosed ancestry. Lata is forced to disclose the truth to Ranjit and the assembled wedding guests. Ranjit disowns her but they are reunited when Ranjit, blinded by an explosion, is nursed back to health by a devoted woman who turns out to be his wife.

Lata, daughter of a dancing girl, is brought up by social worker Mathuradas and is engaged to marry the rich Ranjit when the villain Chand arrives to blackmail her with her undisclosed ancestry. Lata is forced to disclose the truth to Ranjit and the assembled wedding guests. Ranjit disowns her but they are reunited when Ranjit, blinded by an explosion, is nursed back to health by a devoted woman who turns out to be his wife.

A nationalist rural drama. The plot has Ajau and his girl friend Protima working on behalf of Indian villagers, incurring the enmity of the local zamindar and the villainous Sanatan. Ajay's relentless goodness eventually persuades the zamindar to bequeath his property to the hero, and general well-being reigns as class conflict is transmuted into class collaboration. The film includes the nationalist song 'Jai jai janani janmabhoomi' and other choruses with a similar thrust.

Kamala elopes on her wedding day with her childhood friend Ratanlal. Her father Manganlal chases the couple and catches them on a train. His furious exchanges with Ratanlal are interrupted by gunfire and in the mysterious gloom of the evening a body is thrown off the train. The suspects are Ratanlal, who cannot furnish an alibi, Kamala, who insists on being the murderess, ex-convict Sukhdev, who confesses to the murder claiming robbery to be the motive, and the lunatic Tarachand, who also admits his guilt.

Kamala elopes on her wedding day with her childhood friend Ratanlal. Her father Manganlal chases the couple and catches them on a train. His furious exchanges with Ratanlal are interrupted by gunfire and in the mysterious gloom of the evening a body is thrown off the train. The suspects are Ratanlal, who cannot furnish an alibi, Kamala, who insists on being the murderess, ex-convict Sukhdev, who confesses to the murder claiming robbery to be the motive, and the lunatic Tarachand, who also admits his guilt.

The simple plot has the maharani (Devika Rani) fall in love with the neighbouring prince (Rai) despite her father's disapproval. It is presented as an Orientalist fantasy with a, by Indian standards, scandalously prolonged kiss. It was described as 'a sort of American romance done against an Indian background'.

Living an indolent life in a luxurious palace, Prince Gautama (Rai) is insulated by his family from the harshness of the world outside. But he is destined to learn greater truths: shocked to discover the pain and suffering of so many in his kingdom, he abandons his privileged existence, and his wife Gopa (Seeta Devi), to become a wandering teacher, eventually finding enlightenment and founding Buddhism. Featuring superimposed images and deep-focus shots that were highly impressive for the time, Light of Asia astutely combines a deeply felt spirituality with the surefire attraction of Indian exotica, which helped make it a considerable success in Europe.