Mikhail Kaufman

The film "All the Vertovs" tells about the Kaufman brothers-David, Mikhail and Boris. All three are world-class filmmakers. Each of them managed to achieve the highest level of proficiency in the profession, each had their own vision of the world and the gift to embody it on the screen in a unique, deeply individual manner.

A popular science film about the exploration of one of the planets of the solar system - Mars.

A story about the optical halo effect, which appears as a secondary glow around a light source. The scientific approach to the halo is opposed to superstition and outdated ideas.

Short Soviet film: 'a memorial of the epoch.'

Short Soviet film: 'a memorial of the epoch.'

A short film showing the big Soviet factory 'Sharikopodshipnik.'

Made during the rapid industrialisation and collectivisation of Stalin’s Five-Year Plan. Kaufman countered the poverty of the villages with the geometrical rhythm of mechanised factories; militarisation is shown as the next step of the ‘unprecedented campaign’. "The proletariat, having become master of one sixth of the globe, frees the rural working people from the kulak oppression…THE PROLETARIAT…engages the peasantry in a joint campaign for Socialism. This is what the film speaks about".

Made during the rapid industrialisation and collectivisation of Stalin’s Five-Year Plan. Kaufman countered the poverty of the villages with the geometrical rhythm of mechanised factories; militarisation is shown as the next step of the ‘unprecedented campaign’. "The proletariat, having become master of one sixth of the globe, frees the rural working people from the kulak oppression…THE PROLETARIAT…engages the peasantry in a joint campaign for Socialism. This is what the film speaks about".

Made during the rapid industrialisation and collectivisation of Stalin’s Five-Year Plan. Kaufman countered the poverty of the villages with the geometrical rhythm of mechanised factories; militarisation is shown as the next step of the ‘unprecedented campaign’. "The proletariat, having become master of one sixth of the globe, frees the rural working people from the kulak oppression…THE PROLETARIAT…engages the peasantry in a joint campaign for Socialism. This is what the film speaks about".

In Spring is a masterpiece of the Ukrainian film avant-garde, a non-fiction film created by Mykhail Kaufman. In it, the now almost unknown Kyiv of 1929 appears. Shots of the awakening of the city, renewal of its life, echo with lyrical pictures of the revival of nature. Kaufman's attentive camera stops for a long time on the smiling faces of the children, painting a lyrical picture of a confession of love for Kyiv.

In Spring is a masterpiece of the Ukrainian film avant-garde, a non-fiction film created by Mykhail Kaufman. In it, the now almost unknown Kyiv of 1929 appears. Shots of the awakening of the city, renewal of its life, echo with lyrical pictures of the revival of nature. Kaufman's attentive camera stops for a long time on the smiling faces of the children, painting a lyrical picture of a confession of love for Kyiv.

In Spring is a masterpiece of the Ukrainian film avant-garde, a non-fiction film created by Mykhail Kaufman. In it, the now almost unknown Kyiv of 1929 appears. Shots of the awakening of the city, renewal of its life, echo with lyrical pictures of the revival of nature. Kaufman's attentive camera stops for a long time on the smiling faces of the children, painting a lyrical picture of a confession of love for Kyiv.

어깨에 카메라를 짊어지고 도시의 이곳저곳을 돌아다니며 사람들의 일상생활과 다양한 도시의 모습을 촬영하는 카메라맨의 이야기를 다룬 다큐멘터리이다. 지가 베르토프는 이 영화를 '자막·시나리오·세트·배우의 도움 없이 시각적 현상을 전달하는 실험'이라고 불렀다. 그는 이 영화에서 구성주의와 몽타주 편집기법을 결합시켜 사물을 입체적으로 보여주는 한편 혁명 이후 민중들의 삶을 활기차고 낙관적으로 묘사하였다.

어깨에 카메라를 짊어지고 도시의 이곳저곳을 돌아다니며 사람들의 일상생활과 다양한 도시의 모습을 촬영하는 카메라맨의 이야기를 다룬 다큐멘터리이다. 지가 베르토프는 이 영화를 '자막·시나리오·세트·배우의 도움 없이 시각적 현상을 전달하는 실험'이라고 불렀다. 그는 이 영화에서 구성주의와 몽타주 편집기법을 결합시켜 사물을 입체적으로 보여주는 한편 혁명 이후 민중들의 삶을 활기차고 낙관적으로 묘사하였다.

The film is dedicated to the achievements of the Ukrainian SSR for the eleventh anniversary of the October Revolution.

Documentary almanac directed by the great cinematographer Mikhail Kaufman about the life of the Soviet capital.

Through the travelogue format, it depicts the multitude of Soviet peoples in remote areas of USSR and details the entirety of the wealth of the Soviet land. Focusing on cultural and economic diversity, the film is in fact a call for unification in order to build a "complete socialist society".

Through the travelogue format, it depicts the multitude of Soviet peoples in remote areas of USSR and details the entirety of the wealth of the Soviet land. Focusing on cultural and economic diversity, the film is in fact a call for unification in order to build a "complete socialist society".

Through the travelogue format, it depicts the multitude of Soviet peoples in remote areas of USSR and details the entirety of the wealth of the Soviet land. Focusing on cultural and economic diversity, the film is in fact a call for unification in order to build a "complete socialist society".

Dziga Vertov-directed Soviet newsreel covering: A peasant buys a receiver at the radio shop / Instructions to attach an antenna / A broadcast-station is developed / A concert is broadcast. Though only a third of this final issue of Kino-Pravda seems to survive, there still exists Aleksandr Bushkin’s time-lapse animation and the sequence in which, as Yuri Tsivian describes, “a cross-section of a photographically correct izba (Russian peasant’s log hut) is penetrated by schematically charted radio waves”—a testament to the magical properties and propagandistic uses of radio in reaching out to Russia’s distant peasantry.

Dziga Vertov-directed Soviet newsreel covering: First anniversary of Lenin's death / Smycka of the city and the village: group of peasants visit Moscow / Lenin's effect on peasants and oppressed nations

Dziga Vertov-directed Soviet newsreel made to commemorate the first anniversary of the death of Vladimir Ilich Lenin (21st January 1924 - 1925) drawn from 'The Final Journey', a Pravda feuilleton written on the occasion of Lenin's funeral by the man who had introduced Vertov to cinema, Mikhail Koltsov. Contains: First anniversary of Lenin's death: 1. Assassination attempt on Lenin and Soviet Russia's progress under his leadership / 2. Lenin's illness, death and funeral / 3. The year after Lenin's death

Dziga Vertov-directed Soviet newsreel covering: Reports of the Pioneers: Excursion to the country, to the zoo etc.

This documentary promoting the joys of life in a Soviet village centers around the activities of the Young Pioneers. These children are constantly busy, pasting propaganda posters on walls, distributing hand bills, exhorting all to "buy from the cooperative" as opposed to the Public Sector, promoting temperance, and helping poor widows. Experimental portions of the film, projected in reverse, feature the un-slaughtering of a bull and the un-baking of bread.

Dziga Vertov-directed Soviet newsreel covering: Up the Eiffel Tower in Paris / Moscow / Auto race Petrograd – Moscow / Aspects of everyday Soviet life / Peasant from Jaroslavl' visiting Moscow / Ceremonial introduction of a newborn into a workers' collective

Dziga Vertov-directed Soviet newsreel covering: Hunger and harvest / Alliance between city and country / Agricultural and home industries exhibition: To the exhibition, construction work and preparations, exhibits, map of the exhibition, visitors

Dziga Vertov-directed Soviet newsreel covering: Against war / Against Gods / Education / Agitation / Sports and gymnastics / Danger of war.

Dziga Vertov-directed Soviet newsreel covering: A bet is placed on the outcome of the Trial of the Socialist Revolutionaries / The verdict / People in streetcars and on the street / A crashed aircraft / Reconstruction of streetcar line 13 / Peacetime use of tanks – airport construction work.

Dziga Vertov-directed Soviet newsreel covering: Streetcar collision / Arms manufacturing plant resumes operation / Assembling an automobile / Bicycle and motorcycle races / A parade of Red Army armored units and an attack exercise.