Iria Gómez Concheiro

참여 작품

Before Oblivion
Screenplay
The life of Fermín goes by, divided between his work as a diablero and the confinement he lives in within his house. Like him, other families live in a vecindad in the heart of Mexico City. One day, a company colluded with the government threatens to evict the vecindad tenants in order to build a mall. Facing the threat of an eviction, the tenants join in solidarity to come out of their self-absorption and fight for a common cause.
Before Oblivion
Director
The life of Fermín goes by, divided between his work as a diablero and the confinement he lives in within his house. Like him, other families live in a vecindad in the heart of Mexico City. One day, a company colluded with the government threatens to evict the vecindad tenants in order to build a mall. Facing the threat of an eviction, the tenants join in solidarity to come out of their self-absorption and fight for a common cause.
A Separate Wind
Editor
Omar (15) and Karina's (12) mother has a stroke during the family holidays. The siblings, drifting apart, will start a long journey through Mexico towards their grandmother's house. On the road they will face a broken and divided country. Where mistrust, resentment and violence are everywhere. Diverse characters -strangers on their own land- will lead them, in labyrinthic stages, until their final destiny.
Lopez Street
Thanks
In the eyes of a foreigner practically any street of Mexico City’s Centro Histórico holds potential for a film. Life on the street deserves more than just the natural condition of observer anyone could have, it demands an extra attention. In a 100-meter radius, the sociological exuberance of the events going on is simply impossible to ignore. The street is a mise en scène in itself.
The Cinema Hold Up
Producer
The story of four teenagers: Negus, Chale, Sapo and Chata. Childhood friends living in public housing in a rundown area of Mexico City, search to trump idleness. They toy with the idea of robbing a movie theatre. Afflicted by their past and present stance, each find the motivation to complete the deed. The adventure pushes them to face their own realities and jeopardizes the only valuable possession: friendship
The Cinema Hold Up
Screenplay
The story of four teenagers: Negus, Chale, Sapo and Chata. Childhood friends living in public housing in a rundown area of Mexico City, search to trump idleness. They toy with the idea of robbing a movie theatre. Afflicted by their past and present stance, each find the motivation to complete the deed. The adventure pushes them to face their own realities and jeopardizes the only valuable possession: friendship
The Cinema Hold Up
Director
The story of four teenagers: Negus, Chale, Sapo and Chata. Childhood friends living in public housing in a rundown area of Mexico City, search to trump idleness. They toy with the idea of robbing a movie theatre. Afflicted by their past and present stance, each find the motivation to complete the deed. The adventure pushes them to face their own realities and jeopardizes the only valuable possession: friendship