Juan Carlos Barreto

Regina, our young protagonist, always dreamed of getting married. And she did it - but the dream lasted much less than she thought and now she has to face life in a very funny way as a divorcee.

Fausto is destined to live the suicide of his beloved wife. After this tragic event, he’s inexplicably given the opportunity to travel back in time and change the faith of the woman who he loves.

Bewildered, Carlos awakens from a nightmare stalked by Death. The dream has a foreboding message, which is not entirely clear to him. Carlos decides to challenge his destiny and face the consequences, but his evil doing ends up shaping his own fate and that of those around him. Macabre by choice, Carlos attempts to tip the scales by changing the course of the plot designed by the gods. In this story,the unsettling city of Mexico is the backdropthat reveals psychological and human postures characteristic of a big city. It is a story where individuals who change their destiny with masks and opportunism manipulate morality, religion and reason for selfish personal gain.

Antonio (Ricky Mergold) is a 16 year old boy from a village in the Mexican province, living the awakening of consciousness with the intensity of the contradictions that surround him: a dogmatic religion, mediocre educational institutions, corrupt politicians an a society full of conformity. His life changes when a young teacher with a genuine desire to teach their students comes to the town, a guide that encourages them to live with dignity and to be critical of the world around them. This story is full of drama and misadventures, which Antonio lives without proper orientation and promiscuity.

One city. Three days, three social classes, three love songs, human beings who coexist without touching one another, joined by mirages and hopes. Their struggles to survive are individual and secret; there are no winners or losers. The seeming order is maintained and a weekend begins.

An astonishing fictional account of the unending series of murders of young women in Ciudad Juarez, Mexico, which began in 1996. Most of the victims are low-paid laborers who have been drawn to the town by the possibility of work at American-owned factories. In the film Mexican police officer Blanca Bravo is sent to Cuidad Juarez to investigate and comes to learn realities of these women's lives, as well as the truth about a police force and local power structure embodied by entrepreneur Mickey Santos that has ceased to care.

A series of murders leads Commander Trujillo to Santa Rosa de la Sal a town close to a salt mine, where he meets Victor Zepeda - a lonely teenager who works in his father's funeral home and spends his free time making crude animated horror films - who's strange behavior seems to point at him as the culprit of the crimes.

Eugenia is a former pop singer who is bedridden and dying of cancer. She is cared for by her daughter, Helena, who dreams of traveling the world and wishes she could be a glamorous pop star like her mother was. Helena’s younger brother Sebastian's dreams are simple and he merely wants to move to the beach. Helena is smart and pretty but she has no friends, male or female and is totally devoted to her mother's care and is also on the verge of initiating an incestuous relationship with Sebastian. Sebastian however, is falling in love with a boy at school named Juan who is the school roughneck and the son of a single father who owns a little bar. Juan is the nemesis of the school preppy named Ismael who comes from such a wealthy home that he has his own chauffeur and bodyguards. Ismael's ping-pong obsessed girlfriend Aurora rents a room at Helena and Sebastian's house where Ismael discovers he is also attracted to Sebastian.

Sandra and Deborah are two women trying to escape from a tragic recent event. They go for a vacation on a beach house but are then followed by an evil cult.