Omar Guzmán

일곱 살 솔은 할아버지 댁에서 아버지를 위한 깜짝파티 준비를 도우며 하루를 보낸다. 시간이 지날수록 점차 혼돈이 찾아오고, 가족의 기반에는 금이 가기 시작한다. 솔은 놓아주는 것이 곧 존재의 해방이라는 사실을 받아들이게 된다.

일곱 살 솔은 할아버지 댁에서 아버지를 위한 깜짝파티 준비를 도우며 하루를 보낸다. 시간이 지날수록 점차 혼돈이 찾아오고, 가족의 기반에는 금이 가기 시작한다. 솔은 놓아주는 것이 곧 존재의 해방이라는 사실을 받아들이게 된다.

At a remote location in the mountains of Mexico lives Artemio, a farmer who is watching the desolate plot of land on which he works and his life itself slip from his fingers. When he receives shocking news, he decides to set off for the city in search of deliverance, but finds himself having to deal with a brutal world that is completely unknown to him.

An essay film that aims to reconstruct the project left by Sergei Eisenstein in the form of a journal, about taking Karl Marx’s major work to the screen.

A world in lock-down. As a global pandemic unfolds, 13 international filmmakers pen cinematic letters from their places of isolation, whether home or far from home. A work of accidental science-fiction from the Bistrik7 collective, graduates of Béla Tarr's Sarajevo film.factory.

Fedor is a young locksmith in Murmansk, a frozen city in the obscurity of the Russian Arctic. Client after client, he roams through the alleys of concrete animated by a fantasy that isolates him from the city and its population. His dreams corrode his relation to reality and open the door to a phantasmagoric universe; a second sun is rising above the Russian Arctic.

Sisyphus is a journey through the rehabilitation of addictions in Mexico. In the absence of a public infrastructure to combat this problem, the annexes are the alternative that addicts themselves have created. The annexes are unofficial rehabilitation centers in which a method of rehabilitation thought apart from medicine or professional therapy is offered.

이브는 멕시코시티 최고급 호텔의 메이드다. 영화는 손님이 떠난 방을 청소하고 침대를 정돈하고 욕실용품을 구비하는 그녀의 업무를 현미경으로 바라보듯 관찰한다. 종종 손님들이 두고 간 물건을 발견하기도 하고 또 어떤 손님들의 특별한 부탁을 들어주기도 하지만, 그녀의 일상은 익명의 손님들과 호텔 방 사이에서 무미건조하게 채워진다. 호텔은 마치 현대 멕시코 사회를 축소해놓은 듯한 공간 같다. 릴라 아빌레스의 데뷔작 는 호텔이라는 계급사회 가장 밑바닥에 있는 이브를 호텔의 다른 직원 그리고 손님들과 병치시키면서 그녀의 사회적, 계급적 위치를 끊임없이 환기시킨다. 한편 카메라는 이브가 일하는 모습을 숭고함이 느껴질 정도로 집요하고 정교하게 포착하면서, 관객들로 하여금 그녀의 노동을 또 다른 관점에서 바라보게끔 한다. 승진 하나만을 바라보고 묵묵히 성실하게 일해 오던 이브가 호텔 바깥으로 나오는 영화의 마지막은 오늘날 여성 노동자의 현실에 대해 영화가 던지는 어떤 강력한 코멘트처럼 다가온다. (박진형/2018년 제23회 부산국제영화제)

After the murder of Cintia, 19, her mother and older sister begin to explore their own lives marked by abusive relationships with their partners, trying to find an explanation for the crime and a new meaning to their lives.

Chilo and Omar seem to be the only two men on earth. They live on a solitary beach and their constant activity is fishing to survive. Their friendship, surrounded by sensuality, becomes a kind of a love story. Through their conversations and their relationship, the film explores and portraits human condition.

The film tells the embarrassing event that breaks out when the protagonist of a pornographic film fails to fulfill during the filming, his commitment to maintain an indispensable erection in front of the cameras. His impossibility has hilarious consequences, culminating in the arrival of a mysterious character who claims to be a specialist in pornographic videos.

A story about persons with different disabilities in present-day Mexico City. In urban scenery, these persons interact with each other, forming four groups according to their specific condition. Each of these groups becomes then a living organism, a blend through which individuals are supplemented through the capacities of others, developing thus, as a multiplicity, new strengths and possibilities.

Portrays the universe of an eternal being that exists within a lifecycle filled with disappointments and hopelessness. It's the chronicle about the search for love and the fight against oblivion.

Portrays the universe of an eternal being that exists within a lifecycle filled with disappointments and hopelessness. It's the chronicle about the search for love and the fight against oblivion.

Echo of the Mountain takes a look at the life and work of Santos de la Torre, a great Huichol artist who, like his people, lives in oblivion. Despite having made a great mural for the metro station Palais Royal – Musée du Louvre, Santos lives isolated and ignored in his country. This documentary follows his pilgrimage to Wirikuta, where he asks gods for permission to make a new mural; his journey across 385 miles of the Peyote Route, and Santos's creative process during the making of a new mural which aims to illustrate the history, mythology and religious traditions of the Huichol people.

A pair of macho private detectives pose as a gay couple to gain access into the world of a perverted wealthy widow, Doña Josefina, also known as “Mrs. Open Mind.” The widow’s summer home, it seems, is a legendary lightning rod for scandal because of mysterious and evil incidents that occur there.