Volker Koepp

Meetings with readers, acquaintances and contemporaries of writer Uwe Johnson at the places where he lived. Volker Koepp, who is also from Pomerania, looks for Johnson’s sophisticated literary voice in the landscapes of the region they both stem from.

Meetings with readers, acquaintances and contemporaries of writer Uwe Johnson at the places where he lived. Volker Koepp, who is also from Pomerania, looks for Johnson’s sophisticated literary voice in the landscapes of the region they both stem from.

Following Landstück (2016), Volker Koepp's documentary Seestück is about the magical, natural setting of the Baltic Sea, its coasts and its people – including fishermen, seamen, scientists and young people on both the Baltic and Scandinavian shores. Conversations meander from Caspar David Friedrich to Copernicus, Rousseau and Kant, or simply life itself. Present concerns address the sea's threatened ecosystem and political frictions among the neighbouring countries. One universal truth applies for the small Baltic Sea too: The landscape is a window to the world.

Following Landstück (2016), Volker Koepp's documentary Seestück is about the magical, natural setting of the Baltic Sea, its coasts and its people – including fishermen, seamen, scientists and young people on both the Baltic and Scandinavian shores. Conversations meander from Caspar David Friedrich to Copernicus, Rousseau and Kant, or simply life itself. Present concerns address the sea's threatened ecosystem and political frictions among the neighbouring countries. One universal truth applies for the small Baltic Sea too: The landscape is a window to the world.

Following Landstück (2016), Volker Koepp's documentary Seestück is about the magical, natural setting of the Baltic Sea, its coasts and its people – including fishermen, seamen, scientists and young people on both the Baltic and Scandinavian shores. Conversations meander from Caspar David Friedrich to Copernicus, Rousseau and Kant, or simply life itself. Present concerns address the sea's threatened ecosystem and political frictions among the neighbouring countries. One universal truth applies for the small Baltic Sea too: The landscape is a window to the world.

Documentary by Volker Koepp.

Documentary by Volker Koepp.

The end moraines of the Uckermark have kept Volker Koepp busy for decades. Following the socio-historical "Uckermark", he devotes himself in "Landstück" even more intensively to conveying the sensory experience of this sparsely populated, ecologically fascinating region between Berlin and the Baltic Sea.

The end moraines of the Uckermark have kept Volker Koepp busy for decades. Following the socio-historical "Uckermark", he devotes himself in "Landstück" even more intensively to conveying the sensory experience of this sparsely populated, ecologically fascinating region between Berlin and the Baltic Sea.

Volker Koepp revisits locations and people from his earlier documentaries in the wide Eastern European region of Sarmatia.

Volker Koepp revisits locations and people from his earlier documentaries in the wide Eastern European region of Sarmatia.

Documentary by Volker Koepp.

Documentary by Volker Koepp.

In his film "Berlin-Stettin", well-known documentary film director Volker Koepp embarks on a journey to the places of his own past: Born in 1944 in Stettin (now the Polish city of Szczecin) and grown up in Berlin-Karlshorst, Koepp has again and again met people and found places located between the two cities that he turned into the protagonists of his films – in Brandenburg, in Mecklenburg, and in Pomerania. Now, he once again returns to these places and finds out that his own biography overlaps with the biographies of his found again protagonists as well as with the history of this region. During his search for traces, Koepp at the same time finds new people, new regions, and new themes that are also worth becoming a part of Koepp′s narration.

In his film "Berlin-Stettin", well-known documentary film director Volker Koepp embarks on a journey to the places of his own past: Born in 1944 in Stettin (now the Polish city of Szczecin) and grown up in Berlin-Karlshorst, Koepp has again and again met people and found places located between the two cities that he turned into the protagonists of his films – in Brandenburg, in Mecklenburg, and in Pomerania. Now, he once again returns to these places and finds out that his own biography overlaps with the biographies of his found again protagonists as well as with the history of this region. During his search for traces, Koepp at the same time finds new people, new regions, and new themes that are also worth becoming a part of Koepp′s narration.

Documentary about the region next to the river Memel.

Documentary about the region next to the river Memel.

The film tells the story of the East Prussian landscape and its inhabitants. At one time Germans, Poles, Lithuanians and Jews lived here alongside and with one another. After World War II and the expulsion of Germans by Stalin, the Prussian province turned into a Russian enclave. Volker Koepp’s fourth film about the Kaliningrad region is dedicated to the generation, born in the '90s, and familiar with the Soviet Union and East Prussia only from school books. Parents and grandparents who were forcefully resettled to where they are now have never really felt at home. In the meantime they have hopelessly succumbed to unemployment and alcohol. Their children can only rely on themselves. Older siblings look after the younger ones, they play with what lies around, and the girl Ljuda can’t wait to finally turn eighteen, to be able to take her brothers home from the orphanage. The film has much confidence in the children. But what will become of them?

The film tells the story of the East Prussian landscape and its inhabitants. At one time Germans, Poles, Lithuanians and Jews lived here alongside and with one another. After World War II and the expulsion of Germans by Stalin, the Prussian province turned into a Russian enclave. Volker Koepp’s fourth film about the Kaliningrad region is dedicated to the generation, born in the '90s, and familiar with the Soviet Union and East Prussia only from school books. Parents and grandparents who were forcefully resettled to where they are now have never really felt at home. In the meantime they have hopelessly succumbed to unemployment and alcohol. Their children can only rely on themselves. Older siblings look after the younger ones, they play with what lies around, and the girl Ljuda can’t wait to finally turn eighteen, to be able to take her brothers home from the orphanage. The film has much confidence in the children. But what will become of them?

The film tells the story of the East Prussian landscape and its inhabitants. At one time Germans, Poles, Lithuanians and Jews lived here alongside and with one another. After World War II and the expulsion of Germans by Stalin, the Prussian province turned into a Russian enclave. Volker Koepp’s fourth film about the Kaliningrad region is dedicated to the generation, born in the '90s, and familiar with the Soviet Union and East Prussia only from school books. Parents and grandparents who were forcefully resettled to where they are now have never really felt at home. In the meantime they have hopelessly succumbed to unemployment and alcohol. Their children can only rely on themselves. Older siblings look after the younger ones, they play with what lies around, and the girl Ljuda can’t wait to finally turn eighteen, to be able to take her brothers home from the orphanage. The film has much confidence in the children. But what will become of them?

The film tells the story of the East Prussian landscape and its inhabitants. At one time Germans, Poles, Lithuanians and Jews lived here alongside and with one another. After World War II and the expulsion of Germans by Stalin, the Prussian province turned into a Russian enclave. Volker Koepp’s fourth film about the Kaliningrad region is dedicated to the generation, born in the '90s, and familiar with the Soviet Union and East Prussia only from school books. Parents and grandparents who were forcefully resettled to where they are now have never really felt at home. In the meantime they have hopelessly succumbed to unemployment and alcohol. Their children can only rely on themselves. Older siblings look after the younger ones, they play with what lies around, and the girl Ljuda can’t wait to finally turn eighteen, to be able to take her brothers home from the orphanage. The film has much confidence in the children. But what will become of them?

Documentary by Volker Koepp.

Documentary by Volker Koepp.

A documentary about Masuria, a province in the northeast of Poland, which is probably the most renowned part of former East-Prussia. Albeit a recent boom in tourism, the sparsely populated region still remains one of the poorest regions in Europe. The impressively photographed film reflects upon the eventful history of this land: It portrays farmers, who struggle to work the barren land; fishermen, who fight for their existence, and Ukrainians, who were once forced to relocate and now return to their old home in the East.

A documentary about Masuria, a province in the northeast of Poland, which is probably the most renowned part of former East-Prussia. Albeit a recent boom in tourism, the sparsely populated region still remains one of the poorest regions in Europe. The impressively photographed film reflects upon the eventful history of this land: It portrays farmers, who struggle to work the barren land; fishermen, who fight for their existence, and Ukrainians, who were once forced to relocate and now return to their old home in the East.

In his documentary film, Volker Koepp portrays the picturesque Polish region of Pomerania. But although the region appears to be idyllic, its inhabitants are struggling with big problems. The villages and cities of Pomerania that traditionally live from agriculture are hit by unemployment rates of up to 75% after the meltdown of the state farms. While most of the young people leave the region, some of them take their chances and start fresh – for instance, a young couple that tries to rebuild an agricultural farm with the help of EU funding. Furthermore, older inhabitants, including a spry 90-year old retiree from the Uckermark region who grew up in Pomerania, tell stories about the region′s eventful past.

In his documentary film, Volker Koepp portrays the picturesque Polish region of Pomerania. But although the region appears to be idyllic, its inhabitants are struggling with big problems. The villages and cities of Pomerania that traditionally live from agriculture are hit by unemployment rates of up to 75% after the meltdown of the state farms. While most of the young people leave the region, some of them take their chances and start fresh – for instance, a young couple that tries to rebuild an agricultural farm with the help of EU funding. Furthermore, older inhabitants, including a spry 90-year old retiree from the Uckermark region who grew up in Pomerania, tell stories about the region′s eventful past.

Czernowitz, an out-of-the-way city in the middle of Europe. It was once part of the Austro-Hungarian monarchy as the capital of the crown province of Bukowina. People of many different nationalities, languages, and cultures lived here together: Ukrainians, Romanians, Germans, Poles, Huzulians. Almost half of the population of Czernowitz, once amounting to 150,000 inhabitants, were Jews. The southern part of Bukowina is now part of Romania, the north, with Czernowitz/Chernivtsi, belongs to the Ukraine. Six years ago Volker Koepp made his film Herr Zwilling und Frau Zuckermann there. Dieses Jahr in Czernowitz returns there with emigrants and their descendants.

Czernowitz, an out-of-the-way city in the middle of Europe. It was once part of the Austro-Hungarian monarchy as the capital of the crown province of Bukowina. People of many different nationalities, languages, and cultures lived here together: Ukrainians, Romanians, Germans, Poles, Huzulians. Almost half of the population of Czernowitz, once amounting to 150,000 inhabitants, were Jews. The southern part of Bukowina is now part of Romania, the north, with Czernowitz/Chernivtsi, belongs to the Ukraine. Six years ago Volker Koepp made his film Herr Zwilling und Frau Zuckermann there. Dieses Jahr in Czernowitz returns there with emigrants and their descendants.

Volker Koepp returns to the Brandenburg Marches, where many of his films were made. Uckermark describes the coexistence of the various eras using the stories and lives of the local people. They are farmers and returning noblemen, men and women hoping that short-term job-creation schemes will lead to meaningful work, a theatre director whom the Uckermark reminds of the past.

Volker Koepp returns to the Brandenburg Marches, where many of his films were made. Uckermark describes the coexistence of the various eras using the stories and lives of the local people. They are farmers and returning noblemen, men and women hoping that short-term job-creation schemes will lead to meaningful work, a theatre director whom the Uckermark reminds of the past.

The "Curonian Spit" is a 98 kilometre long sand dune peninsula that separates the Curonian Lagoon from the Baltic Sea. The width of the spit between the lagoon′s beach and the beach of the Baltic Sea often amounts to no more than several hundred metres. In this film, documentary filmmaker Volker Koepp portrays this unique region that in its history was again and again subjected to shifting borders and the resulting social upheavals due to its geographical location between Germany and Russia.

The "Curonian Spit" is a 98 kilometre long sand dune peninsula that separates the Curonian Lagoon from the Baltic Sea. The width of the spit between the lagoon′s beach and the beach of the Baltic Sea often amounts to no more than several hundred metres. In this film, documentary filmmaker Volker Koepp portrays this unique region that in its history was again and again subjected to shifting borders and the resulting social upheavals due to its geographical location between Germany and Russia.

In the west of Ukraine, not far from the border to Romania, there is a faraway European city: Czernowitz. It was once the centre of Jewish culture in the Bukowina, a border area characterized over centuries by a multi-cultural mixture of peoples. Here, Ukrainians, Poles, Romanians, Germans and Jews lived side by side. Volker Koepp’s film focuses on Mr. Zwilling and Mrs. Zuckermann, two of the last few Jews born in the old Czernowitz. They share a friendship but also their love for the German language. Mr. Zwilling visits 90-year-old Mrs. Zuckermann daily in the early hours of the evening. They talk about old times, about shared events, about politics and literature and the worries of everyday life.

In the west of Ukraine, not far from the border to Romania, there is a faraway European city: Czernowitz. It was once the centre of Jewish culture in the Bukowina, a border area characterized over centuries by a multi-cultural mixture of peoples. Here, Ukrainians, Poles, Romanians, Germans and Jews lived side by side. Volker Koepp’s film focuses on Mr. Zwilling and Mrs. Zuckermann, two of the last few Jews born in the old Czernowitz. They share a friendship but also their love for the German language. Mr. Zwilling visits 90-year-old Mrs. Zuckermann daily in the early hours of the evening. They talk about old times, about shared events, about politics and literature and the worries of everyday life.

Seventh and last Wittstock film.

Seventh and last Wittstock film.

In this documentary Volker Koepp shows part of the history of Prussia. He begins 700 years ago with the land of the Pruzzen situated between the rivers Weichsel and Memel and proceeds the development of the state.

In this documentary Volker Koepp shows part of the history of Prussia. He begins 700 years ago with the land of the Pruzzen situated between the rivers Weichsel and Memel and proceeds the development of the state.

Documentary about the impact of uranium mining in East Germany.

Documentary about the impact of uranium mining in East Germany.

Sixth Wittstock film.

Sixth Wittstock film.

In late 1990 times are changing in Zehdenick, Brandenburg: Russian troops are leaving, the German Reunification brings euphoria and new hope, but unemployment rises steadily.

In late 1990 times are changing in Zehdenick, Brandenburg: Russian troops are leaving, the German Reunification brings euphoria and new hope, but unemployment rises steadily.

Volker Koepp revisits Zehdenick and Grüneberg, East Germany. People are struggling with the new political and economical conditions shortly before the German Reunification.

Volker Koepp revisits Zehdenick and Grüneberg, East Germany. People are struggling with the new political and economical conditions shortly before the German Reunification.

Documentary filmmaker Volker Koepp visits a brick factory in Zehdenick, East Germany.

Documentary filmmaker Volker Koepp visits a brick factory in Zehdenick, East Germany.

Volker Koepp documents life in the Dorotheenstadt in Berlin-Mitte, which was called "Feuerland" in the 19th century.

Volker Koepp documents life in the Dorotheenstadt in Berlin-Mitte, which was called "Feuerland" in the 19th century.

A documentary portrait of the city of Memleben in Saxony-Anhalt, counterpointing ancient medieval history and contemporary industrial reality.

A documentary portrait of the city of Memleben in Saxony-Anhalt, counterpointing ancient medieval history and contemporary industrial reality.

In December 1979, the Soviet Union invaded Afghanistan. Four years later—the Islamic calendar's year 1362—, director Volker Koepp visited Kabul and neighboring provinces. Koepp met a cross-section of people, such as soldiers, intellectuals, kids, and nomads, and with sensitive intensity told stories of their daily lives in the turmoil of an “undeclared war.” This travelogue, which was undertaken with the GDR’s consent, took a political risk because it expresses Koepp’s doubt that conflicts can be solved through military invention.

Wittstock an der Dosse is located in the German state Mark Brandenburg, apx. 90 kilometers from Berlin. Since 1974 Volker Koepp visited the town several times to examine life of the female workers in the textile industry. He interviewed them about their work, spare-time, thoughts and feelings. Three of them were questioned repeatedly for a long-time overview. This is the outcome of 10 years of Koepp's work. Written by Tom Zoerner

Wittstock an der Dosse is located in the German state Mark Brandenburg, apx. 90 kilometers from Berlin. Since 1974 Volker Koepp visited the town several times to examine life of the female workers in the textile industry. He interviewed them about their work, spare-time, thoughts and feelings. Three of them were questioned repeatedly for a long-time overview. This is the outcome of 10 years of Koepp's work. Written by Tom Zoerner

Documentary about the small city of Rheinsberg, once the summer residence of Prussian princes. Average working class people comment on the history of this special place.

Documentary about the small city of Rheinsberg, once the summer residence of Prussian princes. Average working class people comment on the history of this special place.

Fourth Wittstock film.

Fourth Wittstock film.

Agricultural scientist and mother Isolde struggles with the dicrepancies between her personal convictions and the political realities in East Germany.

Agricultural scientist and mother Isolde struggles with the dicrepancies between her personal convictions and the political realities in East Germany.

36 year old welder Karin works at an agricultural factory in Mecklenburg, Germany.

36 year old welder Karin works at an agricultural factory in Mecklenburg, Germany.

A documentary about the village Kienitz at the river Oder, about the people, their life, their history.

A documentary about the village Kienitz at the river Oder, about the people, their life, their history.

Documentary about the sisters Lene and Berta who live in a village in Thuringia.

Documentary about the sisters Lene and Berta who live in a village in Thuringia.

Social, cultural, and historical changes in a village, the first film of Koepp's “landscape” series.

Social, cultural, and historical changes in a village, the first film of Koepp's “landscape” series.

Volker Koepp's second Wittstock film.

Volker Koepp's second Wittstock film.

Wittstock an der Dosse is located in the German state Mark Brandenburg, apx. 90 kilometers from Berlin. Volker Koepp came into the town in 1974 to interview women and girls about their work in the textile industry, their spare-time occupations, about their thoughts and feelings.

Wittstock an der Dosse is located in the German state Mark Brandenburg, apx. 90 kilometers from Berlin. Volker Koepp came into the town in 1974 to interview women and girls about their work in the textile industry, their spare-time occupations, about their thoughts and feelings.

Documentary about the German poet Erich Weinert.

Documentary about the German poet Erich Weinert.

Film by Bernhard Stephan.

A biographical documentary about the Bulgarian born film director Slatan Dudow (1903–1963).

A biographical documentary about the Bulgarian born film director Slatan Dudow (1903–1963).

Portrait of 80 year old Gustav J., born in Lithuania, who became a blacksmith and whose paths of life led him to East Prussia, Russia and finally to Germany.

Portrait of 80 year old Gustav J., born in Lithuania, who became a blacksmith and whose paths of life led him to East Prussia, Russia and finally to Germany.

Volker Koepp's video essay honoring the German poet Johannes Bobrowski (1917–1965).

Volker Koepp's video essay honoring the German poet Johannes Bobrowski (1917–1965).

A documentary about young people just starting their higher education and their professional life.

A documentary about young people just starting their higher education and their professional life.

A short documentary about dealing with people in rent arrears.

A short documentary about dealing with people in rent arrears.

Documentary by Jan Sebening and Daniel Sponsel.