Takeo Kimura

Nursing home "Yuyoso". Many lonely old people live there, including botanist Taro Makiso, a physicist, an actor, a bar mom, and a chef. Maki has spent most of his life studying botany, and has lived without regard for entertainment, drinking, women, or everything else in the world. Then came my 80th birthday. He and a young staff member go digging for wild yam and find a mysterious golden flower. It was the flower of immortality, the "Golden Flower", which was said to bloom beside the Himalayan Virgin, which he had been looking for for many years. From that day onwards, fragments of memories from his youth, which he had intentionally sealed off in order to immerse himself in botany, surged into Maki in a whirlpool.

Nursing home "Yuyoso". Many lonely old people live there, including botanist Taro Makiso, a physicist, an actor, a bar mom, and a chef. Maki has spent most of his life studying botany, and has lived without regard for entertainment, drinking, women, or everything else in the world. Then came my 80th birthday. He and a young staff member go digging for wild yam and find a mysterious golden flower. It was the flower of immortality, the "Golden Flower", which was said to bloom beside the Himalayan Virgin, which he had been looking for for many years. From that day onwards, fragments of memories from his youth, which he had intentionally sealed off in order to immerse himself in botany, surged into Maki in a whirlpool.

Arata Furuta plays a disgruntled saleryman fed up with being stepped on at home and at work, decides to get revenge on those who do bad things by killing them, only to gain a group of followers.

Kohei Takahara, an astronaut who dies in the line of duty, is legally resurrected as a clone: however, contrary to the scientists’ expectations, he reverts to his childhood memories when his twin brother drowned sacrificing his life for Kohei. Kohei’s clone discovers the body of his former self mistakenly believing that it is his deceased twin. Reliving his tragic past, he sets off carrying his corpse body to the beautiful hometown where he lived with his now dead mother.

Recently appointed dean at a film school, Kimuro Hajime develops a special concern for one of his students, Daisuke. The brash, headstrong young man is fixated on with the Second World War. He feels a sense of frustration at the irrational sacrifice of young people's lives during the war six decades earlier. Daisuke finds that he can vent his frustrations to Kimuro, who experienced the war firsthand. Kimuro's wife, Emiko, is also troubled by memories of the war. She lost a loved one in the war and has never gotten over it. And Kimuro himself also has something from the past that he has yet to face. He believes that the burden of his unresolved past will eventually be the death of him. When Daisuke's neurosis causes him to quit school, life changes for all three of them.

Recently appointed dean at a film school, Kimuro Hajime develops a special concern for one of his students, Daisuke. The brash, headstrong young man is fixated on with the Second World War. He feels a sense of frustration at the irrational sacrifice of young people's lives during the war six decades earlier. Daisuke finds that he can vent his frustrations to Kimuro, who experienced the war firsthand. Kimuro's wife, Emiko, is also troubled by memories of the war. She lost a loved one in the war and has never gotten over it. And Kimuro himself also has something from the past that he has yet to face. He believes that the burden of his unresolved past will eventually be the death of him. When Daisuke's neurosis causes him to quit school, life changes for all three of them.

미루메는 19세의 대학생으로, 거의 40세의 그의 대학의 미술 선생님인 유리와 사랑에 빠진다. 유리는 특이한 유머 감각과 예측할 수 없는 성격을 가진 전형적인 대학 교수가 아니다. 유리가 자신의 스튜디오로 무루메를 초대했을 때, 그녀는 여전히 순진한 19살 학생을 장난스럽게 유혹한다. 미루메는 유리가 훨씬 나이 많은 남자와 결혼했다는 것을 알게 되면서 상황은 더욱 복잡해진다.

미루메는 19세의 대학생으로, 거의 40세의 그의 대학의 미술 선생님인 유리와 사랑에 빠진다. 유리는 특이한 유머 감각과 예측할 수 없는 성격을 가진 전형적인 대학 교수가 아니다. 유리가 자신의 스튜디오로 무루메를 초대했을 때, 그녀는 여전히 순진한 19살 학생을 장난스럽게 유혹한다. 미루메는 유리가 훨씬 나이 많은 남자와 결혼했다는 것을 알게 되면서 상황은 더욱 복잡해진다.

A baby, John, who was abandoned in the church with a horse-headed koto on his side. His grandfather was once a Morin Khuur player and died in the atomic bombing of Nagasaki. The brilliantly colored images have an avant-garde charm while hiding the sadness of the war, and will grab the viewer's heart.

A baby, John, who was abandoned in the church with a horse-headed koto on his side. His grandfather was once a Morin Khuur player and died in the atomic bombing of Nagasaki. The brilliantly colored images have an avant-garde charm while hiding the sadness of the war, and will grab the viewer's heart.

In Kagoshima, in the final days of World War II, an offer of marriage comes to Etsuko Kamiya, who lives with her brother and his wife. The offer comes from Nagayo, but Etsuko is attracted to his friend, Akashi.

Made for in 2005, this video interview features director Seijun Suzuki and production designer Takeo Kimura. These longtime collaborators discuss the making of GATE OF FLESH.

히로시마의 도서관에 근무하는 미츠에는 아버지 다케조를 원폭으로 잃고, 혼자 살아남았다는 죄책감 속에서 살아간다. 그러던 어느 날 우연히 도서관에서 기노시타를 만나고, 두 사람은 서로 좋아하게 되지만 미츠에는 자신이 행복해져서는 안된다는 생각 때문에 기노시타의 마음을 받아들이지 않는다. 이를 보다 못한 아버지의 유령이 나타나 미츠에의 마음을 돌리려 노력하는데...

A young man is on an inner journey as he searches for meaning in love, eroticism and marriage. He boards a train, and all the clocks are mirrored from then on, as if looking at them from the inside. He travels to a homey village, meets a potential fiancée, then a more sensuous and mysterious stripper.

O-Shin is a young brothel worker who, one night, helps a young samurai escape from his pursuers. Against the warnings of her fellow workers, particularly Kikuno and the brothel's owner, O-Shin falls in love with the samurai.

In the sixties, director and screenwriter Seijun Suzuki (1923-2017) was the great innovator of Japanese cinema. Extremely creative and eccentric, his narrative world is strongly influenced by Kabuki theater. His testimony crosses with that of his collaborator and close friend, artistic director and screenwriter Takeo Kimura (1918–2010). Between the two of them, they remember how they made their great masterpieces about the Yakuza underworld for the Nikkatsu film company.

암살자 조직의 삼인자인 ‘들고양이’ 미유키는 조직으로부터 암살 지령을 받지만, 암살 대상이 조직의 일인자와 이인자로 밝혀지면서 곤경에 처한다. 시각적 표현의 과잉, 영화 문법의 파괴 등 스즈키 세이준 스타일의 정수를 보여준다. 을 직접 리메이크한 작품이다.

A middle-aged salaryman with a typical family, living quietly in a provincial city (Matsumoto, Nagano Prefecture), wakes up one morning in the summer of 1994 to find himself the prime suspect in the biggest mass-murder case of the decade.

Mitsu works in a factory and has a crush on Tsutomu, a young man she met on the Tokyo streets. One day the two go out, and after some deception, Tsutomu manages to have his way with her. Coming from a broken home, he is frightened by love, so he cruelly allows her to wake up alone. A month passes and a more grown-up Tsutomu returns. The lovers joyously reunite and move in together. All is blissful until both notice a strange sore on Mitsu's arm. The doctors diagnose it as leprosy. Without telling Tsutomu, Mitsu checks into a leper sanitarium. Hanging out with society's pariahs gives her much insight. She discovers the old lepers to be wonderful people. In turn, Mitsu becomes their source of joy and renewed hope. Still, she misses her Tsutomu. One day, the doctors inform her that they erred and that the sore is not leprosy. Happily she heads back to her true love until she realizes with a guilty pang that to return to him would mean unhappiness for her newfound friends

연속적인 명화 도난 사건이 세상을 떠들석하게 만들고 있었다. '캣츠아이'라고 자칭하는 범인은 범행 예고대로, 많은 사람들이 보고 있음에도 자정 12시에 대담한 범행을 반복하고 있었다. 단서는 전혀 없다. '캣츠아이'의 정체란… 아름다 세 자매인 '루이', '히토미', '아이'. 그녀들의 범행 동기란 실종된 화가인 아버지의 그림을 되찾고 그 소식을 확인하기 위해서였다. 그러나 거기에는 국제적 신디케이트 ‘홍룡단’의 그림자가 있다. '캣츠아이'에 최대의 위기가 다가오고 있다…!

When a hooded stranger appears in private eye 'Mike' Hama's office with the cryptic challenge "I want you to look for me," Hama is drawn into a string of bizarre serial murders that have Yokohama's police baffled and the city terrified.

Three brothers, their father missing and tensions boiling, gather at their rural summer house; soon enough, they're unexpectedly joined by a female cousin.

Haida, once a famous private detective, is now down and out and running out of reasons to live. One day, while engaging in a group volunteer project to clean up a river, he loses what's left of his will to live and lets the water carry him away. He ends up rescuing a drowning man who alters his view of life totally. Soon he gets a job investigating the mysterious disappearance of a student who sent her mother a cryptic letter, "Wait a bit, Mother. I'm sending my breath. It will arrive soon."

A group of Japanese tourists try to forget their pasts and find themselves in India.

Broke, his vintage Nash convertible repossessed, private eye Mike Hama is reduced to combing the mean streets of the Yokohama waterfront on a borrowed bicycle. But when Lily, a beautiful stripper from out of Hama's past, returns to town, the fuse is lit on a criminal powder keg set to blow the lid off the Yokohama underworld.

Maiku Hama is a private detective working in Yokohama. Hama comes to the aid of a Taiwanese waiter named Yang and agrees to track down his missing brother. Through a series of double-crosses Hama gets embroiled in a gang war and a revenge plot between the two brothers

Famed onnagata (a man who plays women's parts in Kabuki) Tamasaburo Bando follows up on the success of his directorial debut, Gekashitsu, with this soft-focused romance about love and obligation, based on a novel by Kafu Nagai. Set during the Meiji period (1868-1912), Kaede (Sayuri Yoshinaga) is the former mistress of a wealthy merchant. When he dies, she is forced out on the street and forced to give up her young daughter to the merchant's family. The film opens with her working in a high-class brothel abutting Tokyo Bay. Though she has passionate affection for a drug wholesaler, whom she loves as well, Kaede is swamped with not only debts to the bordello and family obligations -- she is expected to support her parents and her sister -- but also guilt over losing her child. This pain is only increased when Kaede learns that her daughter is being abused. She does the only thing she can: She buys back her child by signing on at the brothel for a longer stint.

Ammonites were a kind of snail-like precursor to today's mollusks, common in the seas of the Cretaceous period, many millions of years ago. They are among the most commonly found fossils, so they must have been extremely plentiful. In this meditative and largely unstructured first feature, a young geologist is traveling by train to visit his sister in the countryside after having received a disturbing and mysterious letter from her. As he travels, he remembers his childhood fixation with rocks, nurtured by his mother, and his very strong affection for his sister.

A headmaster and a novelist, looking for inspiration, regard a strange natural phenomenon before sharing stories of their own.

Toyoichi Otomo suffers from psychological and spiritual troubles after a horrific industrial accident. He lives with his elderly mother and wife near Mt. Aso in rural Kyushu. He seeks solace in a small religious group run by Buddhist nun Chishu-bo who claims to be the 68th descendant of famed 11th century poet Izumi Shikibu. The members of her sect regard her as a living saint. Yet instead of balming his soul, she riles his libido by playing a sexual cat-and-mouse game with the fragile Toyoichi. When she does bed him, it leads to a miracle healing -- followed by a terrible calamity.

하야시 가이조 감독의 세 번째 작품으로, 최초 컬러 작품이다. 에도 시대 초기를 무대로 검객, 여도적, 닌자군단이 뒤엉켜 '황금의 나라'를 둘러싸고 항쟁을 벌이는, 전기(傳寄)이야기의 제맛을 충분히 다룬 장대한 스케일의 칼싸움 영화이다. 그러나 시대극의 기량과 스타성 모자라는 배우나 스탭에 익숙하지 못해서 그런지 불만족스러운 결과로 끝나고 말았다.

1944년. 도쿄 공습을 피해 토야마富山 친척집에 혼자 피난 내려온 신지는, 시골 학교에서 낯선 생활에 적응해야 한다. 신지가 들어간 5학년 남자반은 다케시라는 급장이 확실하게 권력을 휘두르고 있다. 다른 아이들보다 머리 하나는 더 크고 힘쎈 다케시의 횡포에 아이들은 꼼짝 못하고, 신지는 그런 다케시에게 저항을 시도해 보지만 곧 눈물을 흘리며 다케시가 원하는 것을 뭐든지 해주는 처지에 빠진다.

Two brothers, Jinta and Wataru, are raised in a travelling circus. After an accident, Jinta decides to leave the circus and travels the countryside working as a con-man. After a run-in with a local gang of yakuza, he is invited to join their ranks, where he makes the mistake of falling for a boss's mistress. Wataru stays with the circus and works hard to regain its former glory

Years after the death of legendary tea master Rikyu, his disciple Honkakubo attempts to resolve the mystery of the master's death.

유메노 큐사쿠의 동명소설을 영화로 만든 작품. 쇼와 초기, 홀로 자신을 키우던 어머니를 살해했다는 의혹을 샀다가 이모 밑에서 자라나 사촌 여동생과 결혼하기로 되어 있던 젊은 청년 쿠레 이치로(吳一郞)[5]는 갑작스러운 정신발작을 일으켜 사촌 여동생을 목 졸라 살해하고 체포된다. 그리고 주인공인 '나'는 과거의 기억을 모두 잃은 채 정신병원에서 깨어나는데...

The reincarnation of a 10th century Japanese general haunts 1920's Tokyo.

Tokiko Enomoto finds out that her husband Kazuya, who mostly lives at an apartment near his work while she and their children live at home, has been having an affair with a live-in mistress, Ryōko, at his apartment. Tokiko tells her two sons, Tarō and Jirō, that she has decided to divorce their father. The children are shocked but understand their mother's position. Kazuya realizes the damage he has done and tries to remedy the situation.

Two interns and a nurse are interrogated by American MPs for their involvement in an atrocity during the war: the vivisections of a downed American air crew.

Heartbroken Ukiko takes refuge with a relative after a devastating breakup. While away, she makes a dangerous match with the husband of her frigid cousin.

한 패기 넘치는 탐정에게 자신의 유괴당한 딸을 찾아달라는 의뢰가 들어온다. 탐정과 그를 돕는 믿음직한 조수는 유괴범으로 추정되는 수수께끼 집단 ‘M. 파테 상회’를 찾아간다.

트럭운전수 고로와 그의 조수는 라면이야기를 하다 잠시 트럭을 세우고 라면집으로 들어간다. 그곳은 바로 담뽀뽀가 혼자 꾸려가는 라면집 '라이라이'다. 담뽀뽀는 물이 끓지도 않는데 면을 집어넣고 라면을 끓이고, 적당히 먹고 일어서려던 고로는 담뽀뽀를 연모하는 패거리들과 싸움이 붙는다. 그것이 인연이 되어 담뽀뽀는 고로에게 라면 스승이 되어달라고 간청하고 고로는 담뽀뽀를 도와주기로 한다. 이들은 아침마다 운동을 해 체력을 키우기도 하고, 라면집을 순회하며 미각을 강화시키는 것은 물론, 경영전략을 익히기도 한다. 면발을 연구하기 위해 쓰레기통을 뒤지고, 몰래 남의 라면 국물 비법을 훔쳐보기도 하는 등 갖은 노력끝에 담뽀뽀는 점점 자신만의 라면을 만들어 가는데...

평화롭던 시골 마을에 해양공원 건설이 계획되자 그 이권을 둘러싸고 마을이 동요하면서 벌목꾼들과 어부들의 대립은 점점 강도를 더해가기 시작하는데... 개발을 둘러싼 다툼을 그린 사회파 드라마에서 한 발짝 더 내딛어 자연과 종교에 대한 거대 담론까지를 품고 있는 문제작

Umiemon is a naniwa-bushi singer who travels with his wife to the United States in hopes of achieving fame and fortune.

Three people whose lives have taken a turn for the worse retreat into a world of erotic dreams made flesh in this drama from director Sai Yoichi. An executive with a large industrial corporation finds his job and his future is on the line when his firm is beset by labor troubles at the same time severe financial mismanagement has been discovered. As the executive looks for a way out of his situation, he becomes involved in a ménage à trois relationship with two fellow employees, a woman and another man. As real life becomes all the more unpleasant, the businessman and his lovers become deeply attached to one another as he explores sides of his sexual nature he's never been able to investigate in the past.

Japanese drama film.

사요는 남편과 함께 여행하는 BDSM 쇼를 운영하고 있는데, 그곳에서 그녀는 바닥을 치고 있고, 그녀의 삶에 점점 더 지루해진다. 교토에서 투어를 하는 동안, 그들은 결국 "진짜" 때문에 강요당할 것이라는 것을 모른 채, 개인적인 쇼를 요청하는 부유한 부부에 의해 주선된다. 카츠라 치호가 우지 에이조라는 필명을 사용하여 각본을 썼다.

The president of the Japanese National Railways is found dead during a period in which train service is plagued by numerous layoffs, strikes and shutdowns. The government says that the president was murdered; the police claim it was a suicide. A quizzical reporter follows the case for years, but the basic question remains unanswered: was the victim killed by members of the burgeoning Communist movement in Japan, or was the death stage-managed by the authorities in hopes of discrediting the Communists?

Second live action "Barefoot Gen" sequel.

‘다이쇼 로망스’ 3부작의 첫 번째 작품으로 우치다 핫켄의 소설을 원작으로 했다. 영화는 독일어 교수인 아오치의 여정을 따라가며 현실과 환상의 경계를 허문다. 내러티브보다는 스타일 자체에 집중하는 세이준 특유의 미학이 극명하게 드러나는 작품이다.

1977 Japanese film directed by Tengo Yamada.

First live action "Barefoot Gen" sequel.

Tateo, young and neurotic, wishes to leave the village his mother has raised him in.

A young journalist interviews an elderly woman about being forced into prostitution in Borneo at a brothel called Sandakan No. 8.

A delicate study of the relationship between two disillusioned young people, shot in atmospheric monochrome among Tokyo's decaying lumberyards and the inhospitable snowscapes of the north.

Patronized by a gang ruling the city, Mako delinquently plays around a night club every night with her bad company. One night, a guy Hideo gets closer to her for one-night stand, and they consequently fall in love. However, Hideo is killed by the gang. Mako swears vengeance on her beloved's murderer.

A real all-star cast turns out for this modern yakuza yarn.

The love story between a traveling guest and a geisha who inadvertently becomes the leader of her father's yakuza clan, after his death.

A professional hunter, Tetsuya, returns from Alaska to find that his hometown had become a lawless slum. He is shocked to learn that his younger sister had committed suicide after being raped by unknown men. One day, he rescues a girl from being attacked by some gang, and discovers that the same gang had driven his sister to death. Using his lethal hunting skills, Tetsuya begins to take revenge…

In 1943, critical developments in the Pacific War have placed Japan at a disadvantage, although the fiery breaths of war hadn't yet reached Okinawa Normal School for women. Nothing seemed the least bit out of the ordinary, as Kazuko and her friends enjoyed a day of sports. A year later the war takes a devastating turn, as US forces plan an amphibious attack known as "Operation Iceberg" on the Ryukyu island.

The early years of the Showa period were turbulent times for Japan. The country suffered financial crisis and famine, women worked under intolerable employment conditions, and political corruption was a major issue. Out of fear that the great nation would soon fall, a group of young patriotic men gathered to lay out plans to assassinate the crooked politicians. One of these young terrorists was Shinsuke Kusaka. He receives orders to kill the Prime Minister.

Goro (Tetsuya Watari) wants to put his dark past behind. He heads to Hirosaki City to offer his condolences to Yumeko and to reunite with Yukiko (Chieko Matsubara), but finds that Yumeko is fatally ill. Although Yukiko was taking care of her, she is pressed for money. Goro wants to help and knows that there is only one way to come up with fast money.

Goro had grown up in the yakuza world. As an active member of the Mizuhara family crime syndicate, he expressed his loyalty by always putting himself in the forefront of every battle. Violence never bothered him. However, after being sentenced to three years in prison for stabbing a rival gang’s hit man, he becomes disenchanted with the Yakuza life style. Goro is determined to start anew, but karma catches up. His two closest friends are murdered by his ex-boss. He is left with two options: to kill or be killed.

동경에서 상대편의 보스를 죽인 스기우라 고로는 고베로 도망치고, 그 곳에서 경비원으로 일하며 살아간다. 그러던 어느 날, 평소 알고 지내던 보석상인 고지마가 행방불명이 되자 고로는 고지마의 약혼녀인 게이코와 함께 그를 찾아 나서는데...

Kuroda (Jô Shishido) is a mob hitman who turns on his employers after being forced to execute his lover. Joining forces with his similarly wronged brothers, hot-headed Eiji (Tatsuya Fuji) and aspiring boxer Saburô (Jirô Okazaki), the trio escalate their mob retaliation to all-out turf war where no one will stop until one faction emerges victorious.

쌀밥 냄새에 성욕을 느끼는 야쿠자 세계의 삼인자 하나다는 새 암살 임무를 부여받는다. 하지만 미모의 여인 미사코를 만나면서 그의 임무는 꼬여만 간다. 스즈키 세이준의 이름을 장르영화의 혁신가로 자리매김하게 한 대표작. 이후 본인에 의해 로 리메이크되기도 했다.

1935년, 고등학생 기로쿠는 가톨릭계인 하숙집의 딸 미치코에게 푹 빠져있다. 그는 사내다움에 대한 콤플렉스를 극복하려고 동네건달에게 싸움을 배우고, 학내의 폭력서클에 가입하여 싸움연습에 전념한다. 태평양전쟁 직전의 일본사회를 사로잡은 파시즘의 문제를 코믹하게 다루는 작품.

와해된 야쿠자 조직의 일원인 테츠는 여전히 두목에게 여전히 충성을 다하고자 하지만, 새로운 인생을 시작해야 하는 갈림길에 서 있다. 그러던 중 라이벌 조직에 대항하는 싸움에 휘말리게 되는데…. 과 함께 60년대 스즈키 세이준 영화를 대표하는 걸작.

Like a girl runaway, Tsuyu moves to Osaka to work as a bar hostess. She meets the owner of a model school, Yoko, and seriously thinks about becoming a fashion model. Yoko tells her that she can move in to Yoko’s house to take lessons, while making a living at the same time.

‘Tattooed Life' begins with a parasol wielding Yakuza assassin attacking a rickshaw. It almost looks like feudal Japan until somebody pulls a gun and we're reminded that it's the 20th century. Post-shooting, the assassin delivers his bounty to his brother (to pay for his art school education) before getting ambushed in one of the few rickshaw-jacking incidents in film history, and being rescued by his art-student brother. In the aftermath, one brother is marked for death by the Yakuza, and the other brother won't go to art school with blood on his hands, so they decide the perfect way to deal with such hardships is to become fugitive construction workers in northern Japan . And why not?

우유 배달을 하는 주키치는 상급 학교에 진학하는 것이 꿈이다. 하지만 집에서는 도박 중독인 아버지 때문에, 학교에서는 강압적인 선도부 때문에 여러 가지 곤란을 겪는다. 강압적이고 폭력적인 기성 질서에 굴복하지 않는 스즈키 세이준 특유의 남성 주인공 상이 잘 드러나 있으며 액션, 코미디, 멜로 등 다양한 장르가 한데 섞인 점이 도드라진다. (2012 스타일의 혁신: 닛카츠 창립 100주년 스즈키 세이준 회고전)

중일전쟁이 벌어지던 1938년. 사랑하는 남자에게 버림받은 하루미는 종군 위안부가 되어 만주에 온다. 하루미는 병사 미카미를 사랑하게 되지만, 맹목적인 군인인 미카미는 그녀의 마음에 응하지 않는다. 게다가 하루미에게 집착하는 상관 나리타의 음모로 두 사람의 사랑은 비극으로 치닫는다.

Two brothers seek revenge on the yakuza responsible for the death of their father.

전후 도쿄의 변두리. 성폭행의 상처가 있는 마야는 성매매 여성으로 전락한다. 그녀는 총상을 입은 패전군인 이부키와 사랑에 빠지고, 둘은 함께 도주를 꿈꾼다. 다무라 다이지로의 동명 소설이 원작인 이 영화는 공개 당시 과감한 성 묘사로 논란이 되었다. ‘육체 3부작’의 첫 번째 작품.

전후 도쿄의 변두리. 성폭행의 상처가 있는 마야는 성매매 여성으로 전락한다. 그녀는 총상을 입은 패전군인 이부키와 사랑에 빠지고, 둘은 함께 도주를 꿈꾼다. 다무라 다이지로의 동명 소설이 원작인 이 영화는 공개 당시 과감한 성 묘사로 논란이 되었다. ‘육체 3부작’의 첫 번째 작품.

20세기 초의 혼란스러운 아사쿠사 거리. 무라타 건설회사와 후지노 건설회사는 계약을 둘러싸고 권력 다툼을 벌인다. 이들은 폭력을 동원해 준공식을 지연시키는 등 목숨을 건 싸움을 벌인다. 임신한 아내를 둔 무라타 건설회사의 오가타 역시 이 싸움에 휘말려 어쩔 수 없이 나쁜 임무를 수행해야 한다.

20세기 초의 혼란스러운 아사쿠사 거리. 무라타 건설회사와 후지노 건설회사는 계약을 둘러싸고 권력 다툼을 벌인다. 이들은 폭력을 동원해 준공식을 지연시키는 등 목숨을 건 싸움을 벌인다. 임신한 아내를 둔 무라타 건설회사의 오가타 역시 이 싸움에 휘말려 어쩔 수 없이 나쁜 임무를 수행해야 한다.

야쿠자 두목의 딸인 도키코는 단순한 호기심에 친구 하나코와 함께 도박장에 구경을 간다. 그러나 경쟁 조직의 조직원인 후유가 하나코에게 마음을 뺏기고 일은 점점 커지기 시작한다.

행실불량으로 학교에서 퇴학당한 도고는 다른 학교로 전학을 가고 그곳 교장 선생님의 집에 강제로 머문다. 이곳에서도 말썽을 피우며 악명을 떨치던 중 도고는 문학을 사랑하는 소녀 에미코를 만나 뜨거운 사랑에 빠진다.

Lt. Col. Senda resists the idea of sending Japanese fighter pilots on suicide missions. He believes that what is really necessary for Japan to regain momentum in the war is for the air force to gather its most brilliant pilots into an elite squadron and use the unit to pinpoint attacks on the Americans. Disrespected by the kamikaze pilots who think the "non-suicidal" pilots are afraid, the unit redeems itself by stunning victories. But success leads the military leaders to expect too much of the unit, and new orders portend disaster.

Joe Shishido is an ambitious bike racetrack tout who becomes inadvertently involved in a triangle with a vulnerable prostitute (Izumi Ashikawa) and her brutal yakuza pimp (George Ai).

A yakuza frames another yakuza who goes to jail for 5 years. When he is released he goes to seek revenge only to fall in love with the daughter of the man who framed him.

Nakata (Keiichiro Akagi) is a nihilistic young buck who is willing to do anything to get money in his pockets. As he knocks back a couple drinks that he knows he won't be able to afford, a former marksman-turned-bad, Ishioka approaches him. Ishioka is looking for an unaffiliated hit-man who is willing to handle some business. Nakata is just the right man for the job.

The lives of two brothers, Kunio and Akira Kasahara, are changed forever when their father is murdered. Kunio sets out on a manhunt to avenge his father and will stop at nothing until he finds the killer. Setsuko, Kunio's fiancée, is unable to keep up with the lunacy that Kunio stirs up and finds comfort with another man - his brother, Akira.

A sailor is stuck in harbor due to an engine failure in his boat, and he learns that a friend of his has died, reportedly from suicide. He begins to investigate the matter himself, and finds there may be more to the story...

An airplane loaded with 50 million yen for the reconstruction of Amami Oshima crashes en route from Kagoshima, Kyushu, but neither the money nor the remains of the pilot can be found.

The monologue and mysterious death of a man who survived and returned from Iwo Jima. A newspaper reporter writes an article about "The Man from Iwo Jima" asking the people who were close to him about his character and the painful memories off all those involved.

An action drama similar to Wyler's "The Desperate Hours", adapted by Seiji Hoshikawa of "Tasogare no Tokyo Tower" based on Shinji Fujiwara's original work. Jiro, who had been unable to rehabilitate because of the stigma of having criminal record, stopped by at his favorite bar. There, Shimamoto was waiting for him, and Jiro was offered a job to carry certain things. Jiro was attracted by the large amount of reward and finally accepted the task. The car driven by Jiro was investigated by a police officer on the way, but Shimamoto shooted the police officer and orders to help Jiro escape at full speed...

The young Takako Kuramoto has come to Tokyo to study and starts working for the rich Tashiro family as tutor of the daughter, Kumiko, while she receives attention from her two older brothers, Yukichi and Shinji. Meanwhile, the exact parentage of Shinji comes to light.

Kawai Midori's father left the family a long time ago and since her mother passed away, she has taken care of her younger siblings by herself by working with a group of itinerant camellia oil peddlers. While she is In Izu selling camellia oil, she meets a young student, Katō Yutaka, who asks her to let him take her picture. The peddlers also meet a jazz band, and when Midori sings a song, teased by the band's star singer Nanjō Haruo, the band members are enraptured by her beautiful voice. She eventually joins the band and quickly becomes a popular jazz singer.

From runaway brides to a typhoon, the continued adventures of Ushikata police station.

Nobuko is a widow who lives with her daughter-in-law Tamiko and her brother Junjiro. The family's gatekeeper, Komatsu, is attracted to Tamiko, but she is encouraged to marry a doctor and he is afraid to tell her his feelings.

Lending money, job hunting for civilians and babysitting. All these things are usually not listed on a policeman's job description. But for the officers of this local police station, it‘s part of their daily routine. One day, patrolman Yoshii (Hisaya Morishige) finds an abandoned baby and a six year old girl standing in front of the station. When he's declined by the welfare office, orphanage and local health clinic to take them in, he decides to take care of them himself.

도심에 자리한 어느 큰 절, 이곳에는 어떤 사정으로 인해 절에서 오랫동안 자란 치즈루, 아야코 세츠코 세 자매가 있다. 서로 다른 개성을 가진 세 자매는 절의 일을 돕거나 자신의 미래를 준비하며 성실히 생활하고, 그러는 동안 절을 방문하는 사람들과 다양한 만남을 가진다. 오즈 야스지로 감독이 각본에 참여했다.

A reporter Takuo, who is sleeping in the newspaper room of the Maichō newspaper company, receives a sudden report from a reporter that the missing Akiyama JNR president was found dead.

A young woman, who must support her father as a middle-aged man's mistress, finds herself falling in love with a student closer to her age.