María Ucedo

Joaco's infidelity breaks up the couple with Vanesa. Trying to maintain a friendly relationship is a possibility that Vanesa accepts because she cannot think without him. The acceptance of the separation will be a painful path but one of personal growth.

2005년 교황 요한 바오로 2세의 죽음으로 가톨릭 추기경들은 콘클라베를 위해 바티칸으로 모인다. 세번의 투표 끝에 보수적인 입장에서 가톨릭 신앙을 추구하는 강경파 라칭거가 교황 직위를 얻게 된다. 하지만 재임 기간 중 성직자들이 재단 소년들을 괴롭히고 바티칸의 기밀 유서가 유출되는 등 전무후무한 교회 스캔들에 휩싸인 라칭거는 자진해서 교황직을 내려놓고자 한다. 비슷한 시기, 스스로가 가진 마음의 짐 때문에 추기경직을 사퇴하려는 베르고글리오가 라칭거를 찾는다.

After a long period of absence, Rina returns to her island deep in the Tigre river Delta. There she spent a large part of her life and raised her son. Now she wants to recover her home and return there with Facundo, who also left the island. Both, mother and son, will learn that nothing is like it was. Machines on the river are about to destroy everything. A girl is lost in the forest. The water is rising.

Carla arrives after years of absence to accompany Martina. Relations between them are cold; there's something unspoken between them. Martina slips away for secret meetings with Diego, a man twice her age. The two are involved in a hardcore sex game that's out of control. When Carla discovers the relationship she confronts Diego.

In the heat of summer, Fabrizio is desperate to find the right time and place to make out with Nadia, his longtime girlfriend. With frustration building because his best laid plans are constantly getting interrupted, he comes up with a novel solution — but it will take more than just one teen boy to make it happen.

Celina works at a remote tollbooth on a desert road, few days before Christmas, her father dies and Celina becomes a door-to-door encyclopedia saleswoman so she can earn enough money to travel to Italy and find her mom.

Two women meet for a job interview that spills over into an intimate dialogue that encompasses their secret loves, fears, and dreams. Filmed entirely in a single shot and over the course of a single conversation, this one-of-a-kind indie won Best Argentine Film and Best Argentine Director at the 2013 Mar del Plata Film Festival.

Ana and Álvaro have been trying to become parents for years and that circumstance has broken the relationship and worn down the bond. Ana then begins to travel on the edge of anguish and Álvaro decides to use a resource that he had not imagined before: traveling to the North of Argentina and adopting a child, beyond the law.

Helena and Ernesto's marriage is in problems when Helena's cousin arrives to complete his rehab at his isolated mountain home. His arrival releases repressed emotions and desires and puts them in contact with each other.

Nuri is 15 years old. Her mother survives as she can between her daily work, her frustrated dreams and the difficult task of raising a teenager. The teenager, without any vocation of Lolita, opens a dangerous door to situations that could be beyond his stature, his life is crossed with that of a man of 35 years, Javi professional athlete who faces the crisis of his retirement from the courts of volleyball.

The earthquake in the city of San Juan, in January 1944, is the origin of the love story between Juan Domingo Perón (Osmar Nunez) and Eva Duarte (Julieta Diaz). He was a colonel in the Army and she was a popular radio actress. Eva collaborates with other artists in the collection organized by Peron, from the Secretary of Workr, to raise funds for earthquake victims. Neither then imagine what the future holds them.

Ezequiel is a film music composer that can't find the inspiration he needs to compose a new score and Paula is a pregnant woman recently abandoned by her boyfriend whose mother has just came from Spain to meet her husband. Together they will try to solve their problems.

Camilo is a 10-year-old boy who has a conscience that is too awake, serene and transcendent for his age. He lives in the midst of amusing and dangerous chaos, of a family of characters deeply affected by the tremendous impossibility of developing normally in the world, in our current society. Through their eyes we will see how each one, consciously or unconsciously, inevitably constructing their own destiny.

Buenos Aires. It rains. Alma is in her car, stuck in Buenos Aires' traffic. She has recently broken-up with her boyfriend, and she has been living in her little car since then. Suddenly, Roberto gets into the car. He's wet and hurt, he's tired of the rain, of broken dreams. He has come back after thirty years abroad. In this new city he has nothing and nobody, just a father in coma, whom he has no relationship. He promises to leave the car as soon as the rain ceases. Alma, not knowing exactly why lets him in. That night will be different. And the next few days too. There's something new to find in the depth of their hearts.

평범한 사업가로 늘 평범한 출장을 다니는 후안 데우소사는 평소와 다를 것 없는 출장 길에서, 옆 좌석 남자가 갑자기 죽은 것을 발견한다. 이로서 출장은 이전과는 다른 여행길이 된다. 죽은 남자의 신원을 사용해 새로운 직업, 새로운 집, 새로운 삶을 가지게 된 것이다. 이제 후안은 자신이 누구인지, 자신에게 주어진 이 시간에 무엇을 할 것인지 찾아가기 시작하며, 바로 이것이 감독 로테르의 작품에 새겨진 각인과도 같은 주제이다. 진정 새롭게 다시 시작할 수 있는 기회를 맞은 후안은 이제 자신의 예전 삶으로 돌아갈 지를 결정해야 하는 상황에 놓인다. (제12회 부산국제영화제) “그 누구도 우리를 알아보지 못한다. 왜냐하면 아무도 우리를 모르고, 우리 역시 그 무엇도, 그 누구도 모르기 때문이다. 그렇다면 이렇게 자유로운 선택의 여지가 열려 있는 마당에 자신의 정체성이라는 짐을 굳이 져야 할 이유가 있을까? ‘나’라는 특정 개인에 따른 모든 사항을 벗어 버리고 다른 어떤 사람이라도 될 수 있는, 더 나은 길이 있는데 말이다.” – 아리엘 로테르