Poet (voice)
In a sophisticated near perfect society, citizens live with paper bags on heads to dissolve differences. Tensions rise when the whispers of a mythical land without the bags start to float and a fresh council member sparks an accidental revolution.
Writer
Ethically conflicted police lieutenant Hermes Papauran continues his struggle to find resolution to a 15-year-old case around a volcanic ash laden landscape and an impenetrable lake. A prequel to When the Waves Are Gone.
Editor
Ethically conflicted police lieutenant Hermes Papauran continues his struggle to find resolution to a 15-year-old case around a volcanic ash laden landscape and an impenetrable lake. A prequel to When the Waves Are Gone.
Cinematography
Ethically conflicted police lieutenant Hermes Papauran continues his struggle to find resolution to a 15-year-old case around a volcanic ash laden landscape and an impenetrable lake. A prequel to When the Waves Are Gone.
Screenplay
Ethically conflicted police lieutenant Hermes Papauran continues his struggle to find resolution to a 15-year-old case around a volcanic ash laden landscape and an impenetrable lake. A prequel to When the Waves Are Gone.
Director
Ethically conflicted police lieutenant Hermes Papauran continues his struggle to find resolution to a 15-year-old case around a volcanic ash laden landscape and an impenetrable lake. A prequel to When the Waves Are Gone.
Priest
The Devil of Comparisons (original title: El Demonio de las Comparaciones), was a 30-hour black & white silent film from 1929 by Narding Salome Exelsio (1883-1949). It explores the cyclical lives, deaths, and rebirths of Jose Rizal and his characters (played by hitherto unidentified actors) in a wasteland ruled by demons.
Production Design
미제사건을 해결하는 유능한 경관인 에르메스는 마약과의 전쟁이 시작되자 직업에서의 모순을 느끼게 된다. 하루에도 여러번 길거리에서 처단된 소위 “마약 범죄자”의 시신을 목도하며 스트레스성 피부염에 시달린다. 게다가 자주 집을 비운 사이 바람을 피게 된 아내와 자신의 동료 경찰을 폭행하기에 이른다. 또다른 남자 프리모는 복역중 뒷배를 봐주는 윗선에 의해 조기출소한다. 조울증과 분노조절장애를 겪는 그는 자신만의 방식으로 과거를 청산하고자 하지만, 가장 자유를 만끽하는 순간에도 통제불능에 빠진다.
Writer
미제사건을 해결하는 유능한 경관인 에르메스는 마약과의 전쟁이 시작되자 직업에서의 모순을 느끼게 된다. 하루에도 여러번 길거리에서 처단된 소위 “마약 범죄자”의 시신을 목도하며 스트레스성 피부염에 시달린다. 게다가 자주 집을 비운 사이 바람을 피게 된 아내와 자신의 동료 경찰을 폭행하기에 이른다. 또다른 남자 프리모는 복역중 뒷배를 봐주는 윗선에 의해 조기출소한다. 조울증과 분노조절장애를 겪는 그는 자신만의 방식으로 과거를 청산하고자 하지만, 가장 자유를 만끽하는 순간에도 통제불능에 빠진다.
Director
미제사건을 해결하는 유능한 경관인 에르메스는 마약과의 전쟁이 시작되자 직업에서의 모순을 느끼게 된다. 하루에도 여러번 길거리에서 처단된 소위 “마약 범죄자”의 시신을 목도하며 스트레스성 피부염에 시달린다. 게다가 자주 집을 비운 사이 바람을 피게 된 아내와 자신의 동료 경찰을 폭행하기에 이른다. 또다른 남자 프리모는 복역중 뒷배를 봐주는 윗선에 의해 조기출소한다. 조울증과 분노조절장애를 겪는 그는 자신만의 방식으로 과거를 청산하고자 하지만, 가장 자유를 만끽하는 순간에도 통제불능에 빠진다.
Editor
With the imminent death of his autocratic grandfather, coinciding with the burgeoning oppressive regime of Ferdinand Marcos, Servando Monzon III agonizes on becoming the new feudal lord and capitulating with Marcos’ designs to control the Philippines. He is aware of his clan’s long history of violence; he knows the very violent history of his country; and he foresees a very violent future with the Marcos dictatorship.
Production Design
With the imminent death of his autocratic grandfather, coinciding with the burgeoning oppressive regime of Ferdinand Marcos, Servando Monzon III agonizes on becoming the new feudal lord and capitulating with Marcos’ designs to control the Philippines. He is aware of his clan’s long history of violence; he knows the very violent history of his country; and he foresees a very violent future with the Marcos dictatorship.
Screenplay
With the imminent death of his autocratic grandfather, coinciding with the burgeoning oppressive regime of Ferdinand Marcos, Servando Monzon III agonizes on becoming the new feudal lord and capitulating with Marcos’ designs to control the Philippines. He is aware of his clan’s long history of violence; he knows the very violent history of his country; and he foresees a very violent future with the Marcos dictatorship.
Director
With the imminent death of his autocratic grandfather, coinciding with the burgeoning oppressive regime of Ferdinand Marcos, Servando Monzon III agonizes on becoming the new feudal lord and capitulating with Marcos’ designs to control the Philippines. He is aware of his clan’s long history of violence; he knows the very violent history of his country; and he foresees a very violent future with the Marcos dictatorship.
Director
Production Design
1957년, 필리핀의 보드빌계 스타이자 사회주의 간부 출신인 헤르난도 알라마다는 유람선 메이플라워호에서 열리는 순회공연 마지막 일정을 소화한다. (제23회 전주국제영화제)
Editor
1957년, 필리핀의 보드빌계 스타이자 사회주의 간부 출신인 헤르난도 알라마다는 유람선 메이플라워호에서 열리는 순회공연 마지막 일정을 소화한다. (제23회 전주국제영화제)
Director of Photography
1957년, 필리핀의 보드빌계 스타이자 사회주의 간부 출신인 헤르난도 알라마다는 유람선 메이플라워호에서 열리는 순회공연 마지막 일정을 소화한다. (제23회 전주국제영화제)
Writer
1957년, 필리핀의 보드빌계 스타이자 사회주의 간부 출신인 헤르난도 알라마다는 유람선 메이플라워호에서 열리는 순회공연 마지막 일정을 소화한다. (제23회 전주국제영화제)
Director
1957년, 필리핀의 보드빌계 스타이자 사회주의 간부 출신인 헤르난도 알라마다는 유람선 메이플라워호에서 열리는 순회공연 마지막 일정을 소화한다. (제23회 전주국제영화제)
Lav Diaz
A dreamer with a calm and minstrel attitude lays on the grass, recites a poem and makes an offer to a tree. Is he dreaming, or is he a part of a dream? A contemporary peasant dress in a nostalgic revolution’s uniform, goes with his work routine in the countryside, takes care of the cows and thinks about the meaning of death and dream. The real documents and fiction blends into the path of the characters in a rural area in Cuba, and becomes a metaphor of an island inside another island or a dream inside another dream.
Himself
"Life in 24 Frames a Second" is a film about hardship, misfortune, perseverance and triumph. The personal stories of John Woo (The Killer), Anurag Kashyap (Sacred Games), Rithy Panh (The Missing Picture) and Lav Diaz (The Woman Who Left), who survived extreme poverty, disease, sexual abuse, genocide and civil war to go on to become maestros of world cinema. 'Survivors' united by their abiding love of the movies.
Director of Photography
광부 세 명이 불법 채광장에서 수개월간의 지옥 같은 시간을 보낸 뒤 고향 섬으로 돌아가는 여정을 떠난다. 힘들게 번 돈을 챙겨 바다와 산, 숲속을 가로지르다 목적지에 도착한다. 그들의 종착지는 어쩌면 저주받은 장소인 건 아닐까?
Editor
광부 세 명이 불법 채광장에서 수개월간의 지옥 같은 시간을 보낸 뒤 고향 섬으로 돌아가는 여정을 떠난다. 힘들게 번 돈을 챙겨 바다와 산, 숲속을 가로지르다 목적지에 도착한다. 그들의 종착지는 어쩌면 저주받은 장소인 건 아닐까?
Writer
광부 세 명이 불법 채광장에서 수개월간의 지옥 같은 시간을 보낸 뒤 고향 섬으로 돌아가는 여정을 떠난다. 힘들게 번 돈을 챙겨 바다와 산, 숲속을 가로지르다 목적지에 도착한다. 그들의 종착지는 어쩌면 저주받은 장소인 건 아닐까?
Director
광부 세 명이 불법 채광장에서 수개월간의 지옥 같은 시간을 보낸 뒤 고향 섬으로 돌아가는 여정을 떠난다. 힘들게 번 돈을 챙겨 바다와 산, 숲속을 가로지르다 목적지에 도착한다. 그들의 종착지는 어쩌면 저주받은 장소인 건 아닐까?
Director of Photography
A FICUNAM commission for four directors, Liminal seeks to play with poetic affinities between film and music. Moving across aesthetic and generational differences, the film-makers explore this relationship through four distinct stories as to context and imaginary.
Director
A FICUNAM commission for four directors, Liminal seeks to play with poetic affinities between film and music. Moving across aesthetic and generational differences, the film-makers explore this relationship through four distinct stories as to context and imaginary.
Director
To this day, Ishmael Bernal's movie Himala is still in our town, in our world. This will be reflected in the broader perspective of the majority, of the surrounding events. Beliefs still lie in the truth. Consciousness is still dominant at the level of illusion. The naive, savage, cruel, and selfish politics still prevail.
Sound Recordist
In a village of Cuba devastated after trying to imitate the north american suburb model, a sound recorder tries to tape sounds for an incoming blockbuster about a giant monster that destroys a whole town.
Director of Photography
In a village of Cuba devastated after trying to imitate the north american suburb model, a sound recorder tries to tape sounds for an incoming blockbuster about a giant monster that destroys a whole town.
Sound Recorder
In a village of Cuba devastated after trying to imitate the north american suburb model, a sound recorder tries to tape sounds for an incoming blockbuster about a giant monster that destroys a whole town.
Writer
An ex-military sniper who was honorably discharged accepts a mission that will indefinitely change her life in the attempts to make ends meet. It is a quiet character study of when your life’s purpose is stripped away, but you still pursue it, only to realise that it could kill you.
Himself
A one-of-a-kind legacy project produced by TBA Studios, Habambuhay is a homage to the centennial anniversary of Philippine cinema–an insightfully entertaining documentary series, revisiting the personal experiences of those who work in front of or behind the cameras, those who have shaped the film industry of the Philippines for the longest time.
Music
Having Cuba as a background, decadent and in crisis, in a black-and-white lacerated by the Caraibic swinging rain, Alex and Edith, a couple in their 30s, live their love story made of small daily gestures, stories from the past, nostalgia, and a deep intimacy.
Executive Producer
Having Cuba as a background, decadent and in crisis, in a black-and-white lacerated by the Caraibic swinging rain, Alex and Edith, a couple in their 30s, live their love story made of small daily gestures, stories from the past, nostalgia, and a deep intimacy.
Director
For the 30th anniversaire of FIDMarseille about thirty directors have done us the honor of offering us some very beautiful short films.
Director of Photography
2034년 마닐라. 3년 전 셀레베스 섬에서 일어난 화산폭발로 인해 동남아시 아는 ‘영원한’ 어둠에 갇혔다. 미친 독재자의 군부가 통치하는 동남아시아에 는 수만 대의 감시용 드론이 날아다니며 이미 전염병으로 수백 만 명이 목숨 을 잃었다. 암흑의 디스토피아에서 살아가는 사람들의 이야기.
Production Design
2034년 마닐라. 3년 전 셀레베스 섬에서 일어난 화산폭발로 인해 동남아시 아는 ‘영원한’ 어둠에 갇혔다. 미친 독재자의 군부가 통치하는 동남아시아에 는 수만 대의 감시용 드론이 날아다니며 이미 전염병으로 수백 만 명이 목숨 을 잃었다. 암흑의 디스토피아에서 살아가는 사람들의 이야기.
Editor
2034년 마닐라. 3년 전 셀레베스 섬에서 일어난 화산폭발로 인해 동남아시 아는 ‘영원한’ 어둠에 갇혔다. 미친 독재자의 군부가 통치하는 동남아시아에 는 수만 대의 감시용 드론이 날아다니며 이미 전염병으로 수백 만 명이 목숨 을 잃었다. 암흑의 디스토피아에서 살아가는 사람들의 이야기.
Writer
2034년 마닐라. 3년 전 셀레베스 섬에서 일어난 화산폭발로 인해 동남아시 아는 ‘영원한’ 어둠에 갇혔다. 미친 독재자의 군부가 통치하는 동남아시아에 는 수만 대의 감시용 드론이 날아다니며 이미 전염병으로 수백 만 명이 목숨 을 잃었다. 암흑의 디스토피아에서 살아가는 사람들의 이야기.
Director
2034년 마닐라. 3년 전 셀레베스 섬에서 일어난 화산폭발로 인해 동남아시 아는 ‘영원한’ 어둠에 갇혔다. 미친 독재자의 군부가 통치하는 동남아시아에 는 수만 대의 감시용 드론이 날아다니며 이미 전염병으로 수백 만 명이 목숨 을 잃었다. 암흑의 디스토피아에서 살아가는 사람들의 이야기.
Director
This is a Filipino omnibus film about three different journeys.
Director
The boy has something to do in his life, he trains himself and makes plans. Then there is a knock on the door and something pulls away and he literally stays in the rain. Lightning and thunder patter the water, devouring everything. Incredulous, the boy looks up to heaven - is this his destiny?
Editor
In the late 70s, a gang of militias under the control of the military, terrorizes a remote village in the Philippines. The poet/teacher/activist, Hugo Haniway, decides to find out the truth about the disappearance of his wife. A love story set in the darkest period of Philippine history, the Marcos Dictatorship. Based on real events and real characters.
Music
In the late 70s, a gang of militias under the control of the military, terrorizes a remote village in the Philippines. The poet/teacher/activist, Hugo Haniway, decides to find out the truth about the disappearance of his wife. A love story set in the darkest period of Philippine history, the Marcos Dictatorship. Based on real events and real characters.
Writer
In the late 70s, a gang of militias under the control of the military, terrorizes a remote village in the Philippines. The poet/teacher/activist, Hugo Haniway, decides to find out the truth about the disappearance of his wife. A love story set in the darkest period of Philippine history, the Marcos Dictatorship. Based on real events and real characters.
Director
In the late 70s, a gang of militias under the control of the military, terrorizes a remote village in the Philippines. The poet/teacher/activist, Hugo Haniway, decides to find out the truth about the disappearance of his wife. A love story set in the darkest period of Philippine history, the Marcos Dictatorship. Based on real events and real characters.
Drunk Man
Stories abound in Cebu about a woman rumored to be a murderous monster, but behind the myth is a mother seeking justice.
Co-Producer
호레시아는 지난 30년을 여성 교화시설에서 보냈다. 다른 수감자가 실제로 범죄를 저질렀다는 것을 고백하게 되면서, 호레시아는 석방된다. 이제 그녀는 잃어버린 아들 주니어를 찾아다니면서 그녀는 자신의 고향, 즉 1990년대 말의 필리핀을 다시 발견하게 된다. 그리고 이곳의 원주민들이 부정부패와 만연한 납치로 인해 공포에 떨고 있다는 것을 깨닫게 된다. 이제 그녀의 인정 많던 성격은 복수라는 감정으로 물들게 된다.
Cinematography
호레시아는 지난 30년을 여성 교화시설에서 보냈다. 다른 수감자가 실제로 범죄를 저질렀다는 것을 고백하게 되면서, 호레시아는 석방된다. 이제 그녀는 잃어버린 아들 주니어를 찾아다니면서 그녀는 자신의 고향, 즉 1990년대 말의 필리핀을 다시 발견하게 된다. 그리고 이곳의 원주민들이 부정부패와 만연한 납치로 인해 공포에 떨고 있다는 것을 깨닫게 된다. 이제 그녀의 인정 많던 성격은 복수라는 감정으로 물들게 된다.
Editor
호레시아는 지난 30년을 여성 교화시설에서 보냈다. 다른 수감자가 실제로 범죄를 저질렀다는 것을 고백하게 되면서, 호레시아는 석방된다. 이제 그녀는 잃어버린 아들 주니어를 찾아다니면서 그녀는 자신의 고향, 즉 1990년대 말의 필리핀을 다시 발견하게 된다. 그리고 이곳의 원주민들이 부정부패와 만연한 납치로 인해 공포에 떨고 있다는 것을 깨닫게 된다. 이제 그녀의 인정 많던 성격은 복수라는 감정으로 물들게 된다.
Screenplay
호레시아는 지난 30년을 여성 교화시설에서 보냈다. 다른 수감자가 실제로 범죄를 저질렀다는 것을 고백하게 되면서, 호레시아는 석방된다. 이제 그녀는 잃어버린 아들 주니어를 찾아다니면서 그녀는 자신의 고향, 즉 1990년대 말의 필리핀을 다시 발견하게 된다. 그리고 이곳의 원주민들이 부정부패와 만연한 납치로 인해 공포에 떨고 있다는 것을 깨닫게 된다. 이제 그녀의 인정 많던 성격은 복수라는 감정으로 물들게 된다.
Director
호레시아는 지난 30년을 여성 교화시설에서 보냈다. 다른 수감자가 실제로 범죄를 저질렀다는 것을 고백하게 되면서, 호레시아는 석방된다. 이제 그녀는 잃어버린 아들 주니어를 찾아다니면서 그녀는 자신의 고향, 즉 1990년대 말의 필리핀을 다시 발견하게 된다. 그리고 이곳의 원주민들이 부정부패와 만연한 납치로 인해 공포에 떨고 있다는 것을 깨닫게 된다. 이제 그녀의 인정 많던 성격은 복수라는 감정으로 물들게 된다.
Paul
Pepe, a 68-year-old impersonator of a Filipino rock legend, lives alone on the borders of reality, imagination and mysticism. One day, he is finally given the chance to open for the rock legend’s concert but he must do something neither of them has done before – write a love song.
Writer
In the year 2050, the Philippines braces for the coming of the fiercest storm ever to hit the country. And as the wind and waters start to rage, poets wander the streets.
Director
In the year 2050, the Philippines braces for the coming of the fiercest storm ever to hit the country. And as the wind and waters start to rage, poets wander the streets.
Screenplay
Andrés Bonifacio is celebrated as the father of the Philippines Revolution against Spanish colonial rule. This eight-hour epic examines this myth, undertaking an expedition into history through various interwoven narrative threads, held together by an exploration of the individual’s role in history.
Editor
Andrés Bonifacio is celebrated as the father of the Philippines Revolution against Spanish colonial rule. This eight-hour epic examines this myth, undertaking an expedition into history through various interwoven narrative threads, held together by an exploration of the individual’s role in history.
Producer
Andrés Bonifacio is celebrated as the father of the Philippines Revolution against Spanish colonial rule. This eight-hour epic examines this myth, undertaking an expedition into history through various interwoven narrative threads, held together by an exploration of the individual’s role in history.
Director
Andrés Bonifacio is celebrated as the father of the Philippines Revolution against Spanish colonial rule. This eight-hour epic examines this myth, undertaking an expedition into history through various interwoven narrative threads, held together by an exploration of the individual’s role in history.
Nilalang
A news team investigating rumors of aswang killings in a remote barrio are attacked by a group of soldiers, forcing them to run for their lives in the deeps of the forest, where more mystery and danger lay in wait.
Himself
An intimate and often heartbreaking portrait of one of the Philippines' most beloved screen icons.
Music
First begun in 2006, WAKE (SUBIC) completes the documentary diptych, FOR EXAMPLE, THE PHILIPPINES, the first part of which, VAPOR TRAIL (CLARK) was released in 2010. Collectively this nine-hour essay explores circumstances of toxic contamination around the former US military bases in the Philippines as the locus for a meditation on historical amnesia, colonial privilege, and the consequences of unchecked militarism. Interweaving both cinéma-vérité and interview footage of Filipino victims and their families, environmental spokespersons, and community activists, along with early photographic material pertaining to the Philippine-American War, partisan songs, historical texts, and landscape photography, both films are an attempt to construct a work capable of rendering some measure of this human and environmental tragedy and the complexities of its remedy.
Writer
Fragment is an omnibus film celebrating the strength and diversity of South-East Asian independent cinema. Made up of a collage of ten stories, each story distinctively embraces the other's subjectivities through the collective sentiments of vulnerability and fortitude. This film is commissioned by the Asian Film Archive (AFA) for its tenth anniversary celebrations.
Director
Fragment is an omnibus film celebrating the strength and diversity of South-East Asian independent cinema. Made up of a collage of ten stories, each story distinctively embraces the other's subjectivities through the collective sentiments of vulnerability and fortitude. This film is commissioned by the Asian Film Archive (AFA) for its tenth anniversary celebrations.
Himself
The documentary serves as a tribute to National Artist for Cinema Gerardo de Leon in celebration of his Centennial Year. “Salamat sa Alaala.” is inspired by the music composed by the late film director when he was a teenager playing background music for silent movies in Manila theatres. The video opens up with a capsulated history of the birth of the Filipino movies followed by a series of shots of veteran actresses, the academe and the young generation of filmmakers affirming his unique qualities as a world-class film figure. Then we unravel his private life as a family man. The documentary is one way of thanking him for his lasting legacy in the art form he left behind.
Lorna is sixty year old woman who is constantly searching for the right man, having failed at so many relationships. Having lived close to a lifetime alone, she decides to take another stab at moving on and more importantly, love.
Editor
The Philippines is visited by an average of 20~28 strong typhoons and storms every year. It is the most storm-battered country in the world. Last year, Typhoon Yolanda (Haiyan), considered the strongest storm in history, struck the Philipines, leaving in its path apocalyptic devastation.
Cinematography
The Philippines is visited by an average of 20~28 strong typhoons and storms every year. It is the most storm-battered country in the world. Last year, Typhoon Yolanda (Haiyan), considered the strongest storm in history, struck the Philipines, leaving in its path apocalyptic devastation.
Director
The Philippines is visited by an average of 20~28 strong typhoons and storms every year. It is the most storm-battered country in the world. Last year, Typhoon Yolanda (Haiyan), considered the strongest storm in history, struck the Philipines, leaving in its path apocalyptic devastation.
Writer
1972년 필리핀, 한 외딴 지역에서 이상한 일들이 벌어진다. 숲에서는 울음소리가 들려오고, 난도질되어 죽어가며 소와 교차로에서 피를 흘린 채 죽어가는 사람들이 발견된다. 페르디난드 E. 마르쿠스는 필리핀 전역에 법령을 선포한다. 2014년 로카르노 영화제 황금표범상 수상작. (2015년 한국영상자료원 - 2015 사사로운 영화리스트 Part 2)
Editor
1972년 필리핀, 한 외딴 지역에서 이상한 일들이 벌어진다. 숲에서는 울음소리가 들려오고, 난도질되어 죽어가며 소와 교차로에서 피를 흘린 채 죽어가는 사람들이 발견된다. 페르디난드 E. 마르쿠스는 필리핀 전역에 법령을 선포한다. 2014년 로카르노 영화제 황금표범상 수상작. (2015년 한국영상자료원 - 2015 사사로운 영화리스트 Part 2)
Cinematography
1972년 필리핀, 한 외딴 지역에서 이상한 일들이 벌어진다. 숲에서는 울음소리가 들려오고, 난도질되어 죽어가며 소와 교차로에서 피를 흘린 채 죽어가는 사람들이 발견된다. 페르디난드 E. 마르쿠스는 필리핀 전역에 법령을 선포한다. 2014년 로카르노 영화제 황금표범상 수상작. (2015년 한국영상자료원 - 2015 사사로운 영화리스트 Part 2)
Director
1972년 필리핀, 한 외딴 지역에서 이상한 일들이 벌어진다. 숲에서는 울음소리가 들려오고, 난도질되어 죽어가며 소와 교차로에서 피를 흘린 채 죽어가는 사람들이 발견된다. 페르디난드 E. 마르쿠스는 필리핀 전역에 법령을 선포한다. 2014년 로카르노 영화제 황금표범상 수상작. (2015년 한국영상자료원 - 2015 사사로운 영화리스트 Part 2)
An industry veteran is given a chance to produce and star in his own movie. But he quickly finds movie production isn't quite as glamorous as it seems.
Screenplay
A journalist investigates a woman with the name of China Doll. Soon, he discovers his knowledge of her turns out to be dangerous.
Editor
Andrés Bonifacio, the freedom fighter known as the father of the Philippine revolution, was executed by rival revolutionaries in 1897. His wife, Gregoria de Jesus, searched for his body in the mountains for 30 days. It was never found.
Director of Photography
Andrés Bonifacio, the freedom fighter known as the father of the Philippine revolution, was executed by rival revolutionaries in 1897. His wife, Gregoria de Jesus, searched for his body in the mountains for 30 days. It was never found.
Writer
Andrés Bonifacio, the freedom fighter known as the father of the Philippine revolution, was executed by rival revolutionaries in 1897. His wife, Gregoria de Jesus, searched for his body in the mountains for 30 days. It was never found.
Director
Andrés Bonifacio, the freedom fighter known as the father of the Philippine revolution, was executed by rival revolutionaries in 1897. His wife, Gregoria de Jesus, searched for his body in the mountains for 30 days. It was never found.
Editor
한 남자가 살인죄로 수감된다. 하지만 정작 살인을 저지른 사람은 유유자적 자유롭게 돌아다니고 있다. 이 살인자는 조국의 끊임없는 무관심에 절망한 지식인이다. 반면 누명을 쓰고 수감된 남자는 서서히 감옥에서의 삶을 받아들이기 시작한다. 그리고 이상한 일들이 일어나기 시작한다.
Screenplay
한 남자가 살인죄로 수감된다. 하지만 정작 살인을 저지른 사람은 유유자적 자유롭게 돌아다니고 있다. 이 살인자는 조국의 끊임없는 무관심에 절망한 지식인이다. 반면 누명을 쓰고 수감된 남자는 서서히 감옥에서의 삶을 받아들이기 시작한다. 그리고 이상한 일들이 일어나기 시작한다.
Director
한 남자가 살인죄로 수감된다. 하지만 정작 살인을 저지른 사람은 유유자적 자유롭게 돌아다니고 있다. 이 살인자는 조국의 끊임없는 무관심에 절망한 지식인이다. 반면 누명을 쓰고 수감된 남자는 서서히 감옥에서의 삶을 받아들이기 시작한다. 그리고 이상한 일들이 일어나기 시작한다.
Director of Photography
A short film made for "Venezia 70 - Future Reloaded."
Writer
A short film made for "Venezia 70 - Future Reloaded."
Director
A short film made for "Venezia 70 - Future Reloaded."
Director
베니스영화제 70주년을 맞아 세계 각국의 감독들이 만든 2분 내외의 짧은 단편들로 구성한 옴니버스 영화. 한국에서는 김기덕, 홍상수 감독이 참여했으며 그 외에도 지아장커, 클레어 드니, 왕빙, 압바스 키아로스타미 등 70명의 감독들이 참여했다.
Shaman
Colossal explores the complexities of grief and the process of grieving as understood through the myth of a Man as he ventures through shifting landscapes ruminating.
Writer
Erwin Romulo, the late Alexis Tioseco’s best friend, recalls the events after the critic and his girlfriend’s untimely death in their home in Quezon City. Diaz makes use of one long take to allow Romulo an uninterrupted narration of the events. The pain of recalling is palpable.
Cinematography
Erwin Romulo, the late Alexis Tioseco’s best friend, recalls the events after the critic and his girlfriend’s untimely death in their home in Quezon City. Diaz makes use of one long take to allow Romulo an uninterrupted narration of the events. The pain of recalling is palpable.
Editor
Erwin Romulo, the late Alexis Tioseco’s best friend, recalls the events after the critic and his girlfriend’s untimely death in their home in Quezon City. Diaz makes use of one long take to allow Romulo an uninterrupted narration of the events. The pain of recalling is palpable.
Director
Erwin Romulo, the late Alexis Tioseco’s best friend, recalls the events after the critic and his girlfriend’s untimely death in their home in Quezon City. Diaz makes use of one long take to allow Romulo an uninterrupted narration of the events. The pain of recalling is palpable.
Jingle Chordbook Magazine, first published in 1970, promptly taught a generation of Filipinos to play the guitar. Its story also explores how a small independent publication survived the weight of its time – the dark Martial Law years – and how it inspired the Filipino youth to think for themselves and wield the guitar like a weapon. The documentary “Jingle Lang Ang Pahina” tells the story of Jingle, its ragtag crew, and its loyal fans in a rambling, multi-layered narrative told in different voices and perspectives by the writers, artists, fans, collectors, musicians, freaks.
Sound
In a rural area, a father forces his daughter into prostitution. Somewhere else, two men embark on a quest for a buried treasure.
Editor
In a rural area, a father forces his daughter into prostitution. Somewhere else, two men embark on a quest for a buried treasure.
Cinematography
In a rural area, a father forces his daughter into prostitution. Somewhere else, two men embark on a quest for a buried treasure.
Producer
In a rural area, a father forces his daughter into prostitution. Somewhere else, two men embark on a quest for a buried treasure.
Screenplay
In a rural area, a father forces his daughter into prostitution. Somewhere else, two men embark on a quest for a buried treasure.
Director
In a rural area, a father forces his daughter into prostitution. Somewhere else, two men embark on a quest for a buried treasure.
A group of friends, sharing a passion for cinema, assemble in Corregidor, a small island in Manila Bay that has preserved relics from the Pacific War as its foremost attractions. There, they explore the island and retire in a rustic mansion used once to make silent films. Outside the city, the woods and sea become a meeting place for more movie personalities and it all becomes a celebration of what was left behind.
Cinematography
An artist struggles to finish his work while a storyline about a cult plays in his head.
Editor
An artist struggles to finish his work while a storyline about a cult plays in his head.
Music
An artist struggles to finish his work while a storyline about a cult plays in his head.
Writer
An artist struggles to finish his work while a storyline about a cult plays in his head.
Director
An artist struggles to finish his work while a storyline about a cult plays in his head.
Director of Photography
Deliberately structured and less beholden to its narrative, the film is told in three parts, with each part pertaining to each of the three visits of the time-travelling visitor from when the country was fighting for independence from Spain.
Editor
Deliberately structured and less beholden to its narrative, the film is told in three parts, with each part pertaining to each of the three visits of the time-travelling visitor from when the country was fighting for independence from Spain.
Screenplay
Says Sister Angela, the woman of the wind: "I’m not just having sex, Father. Yes, there is lust. I'm not a hypocrite. But my main discourse is the purpose of this body. To be very blunt, Father, we only live once. I want to understand and feel the use of my breasts, my vagina, my mouth, and all parts of my body. In my view, I can only move to the next level, on the so-called spirituality, once I've addressed the issues of my physical being. In my view, there is a need to destroy that physical being, our animalistic nature, before we can achieve true spirituality. Let’s crush the animal in the man, Father. That’s fundamental to me."
Director
Says Sister Angela, the woman of the wind: "I’m not just having sex, Father. Yes, there is lust. I'm not a hypocrite. But my main discourse is the purpose of this body. To be very blunt, Father, we only live once. I want to understand and feel the use of my breasts, my vagina, my mouth, and all parts of my body. In my view, I can only move to the next level, on the so-called spirituality, once I've addressed the issues of my physical being. In my view, there is a need to destroy that physical being, our animalistic nature, before we can achieve true spirituality. Let’s crush the animal in the man, Father. That’s fundamental to me."
Screenplay
Deliberately structured and less beholden to its narrative, the film is told in three parts, with each part pertaining to each of the three visits of the time-travelling visitor from when the country was fighting for independence from Spain.
Director
Deliberately structured and less beholden to its narrative, the film is told in three parts, with each part pertaining to each of the three visits of the time-travelling visitor from when the country was fighting for independence from Spain.
himself
Documentary about the history of Philippine cinema.
Townspeople
Early 20th century Philippines. The sounds of war signal the arrival of the Americans. A mother and son flee to the mountains, hoping for a quiet life. One day, the son discovers a wounded woman in the middle of the forest, and decides to bring her home.
Himself
Documentary profiling the directors involved in the loose Philippine New Wave filmmaking movement.
Director
한국, 일본, 필리핀의 세 감독이 교수와 제자의 얽힌 애정에 대한 이야기 아버지의 심부름으로 찾게된 곳에서 만난 여인과의 이야기 , 마을에 온 옛친구를 납치할 계획을 세우며 벌어지는 이야기 의 디지털 옴니버스 영화. '첩첩산중'. 우연히 전주에 있는 친구 진영을 만나러 간 미숙(정유미 분)이 자신의 옛 애인이었던 상옥(문성근 분)과 진영이 애인 사이임을 알게 되면서 벌어지는 일상적인 이야기. '코마'. 할아버지의 유언을 전하기 위해 코마라는 마을을 방문한 한 남자가 그 곳에서 한 여자를 만나 겪게 되는 따뜻하고 감성적인 사랑이야기. '나비들에겐 기억이 없다'. 캐나다의 금광 회사가 철수하자 경제적인 어려움을 맞닥트린 필리핀 사람들과 어느 날 그 섬을 방문한 캐나다 여성의 이야기.
Inspired by a true news account, this is the astounding story of a lone deranged hijacker who has struggled to survive in the chaos of modern Philippine society.
Producer
Ferding, Santos and Willy only drink in despair. One day, a Canadian woman’s visit changes everything.
Writer
Ferding, Santos and Willy only drink in despair. One day, a Canadian woman’s visit changes everything.
Director of Photography
Ferding, Santos and Willy only drink in despair. One day, a Canadian woman’s visit changes everything.
Director
Ferding, Santos and Willy only drink in despair. One day, a Canadian woman’s visit changes everything.
Director
A tribute to filmmakers and National Artists Lino Brocka and Ishmael Bernal. In the "Day" segment, Piolo Pacual portrays the role of William, a drug addict who tries to rebuild his sense of self and reconnect with the people around him. For the "Night" segment, Pascual portrays the role of Philip, who works as a bodyguard for a mayor's son. The bodyguard believes that his boss considers him as part of the family but after a shooting incident, he realizes his real worth to his boss. As he struggles to hide, he is slowly consumed by the claws of darkness lurking the city.
Editor
A story about victims of summary executions. Three people start a strange therapy to escape their agonies.
Cinematography
A story about victims of summary executions. Three people start a strange therapy to escape their agonies.
Writer
A story about victims of summary executions. Three people start a strange therapy to escape their agonies.
Director
A story about victims of summary executions. Three people start a strange therapy to escape their agonies.
Writer
Performance piece by Lav Diaz.
Director
Performance piece by Lav Diaz.
Editor
A Filipino poet returns home after the typhoon.
Writer
A Filipino poet returns home after the typhoon.
Cinematography
A Filipino poet returns home after the typhoon.
Director
A Filipino poet returns home after the typhoon.
Writer
A wandering peddler separates from his fellow salesman and becomes involved with criminals in the jungle.
Editor
A wandering peddler separates from his fellow salesman and becomes involved with criminals in the jungle.
Director
A wandering peddler separates from his fellow salesman and becomes involved with criminals in the jungle.
Writer
Imahe Nasyon is a groundbreaking, conceptual omnibus film by 20 alternative filmmakers who were tasked to present their personal visions on national issues. Renowned line producers Jon and Carol Red hatched the idea of revisiting the 1986 EDSA revolution, challenging directors to answer the question "What happened after 1986?" with a short film not longer than five minutes each. Despite individual techniques, the same goal is shared: to depict a truthful image of the nation at present.
Director
Imahe Nasyon is a groundbreaking, conceptual omnibus film by 20 alternative filmmakers who were tasked to present their personal visions on national issues. Renowned line producers Jon and Carol Red hatched the idea of revisiting the 1986 EDSA revolution, challenging directors to answer the question "What happened after 1986?" with a short film not longer than five minutes each. Despite individual techniques, the same goal is shared: to depict a truthful image of the nation at present.
Himself
Basically an artist is also a terrorist, the protagonist thinks in an unguarded moment. And if he is a terrorist after all, then he might just as well be one. Not an instant product, but an experimental feature in which diary material is brought together to form an intriguing puzzle.
Editor
An intimate epic made with uncompromising and austere seriousness that patiently and methodically observes the collapse and hopeful revival of a poor farming clan.
Producer
An intimate epic made with uncompromising and austere seriousness that patiently and methodically observes the collapse and hopeful revival of a poor farming clan.
Story
An intimate epic made with uncompromising and austere seriousness that patiently and methodically observes the collapse and hopeful revival of a poor farming clan.
Screenplay
An intimate epic made with uncompromising and austere seriousness that patiently and methodically observes the collapse and hopeful revival of a poor farming clan.
Director
An intimate epic made with uncompromising and austere seriousness that patiently and methodically observes the collapse and hopeful revival of a poor farming clan.
The start of the film sets the tone. A tortured man looks as if he will castrate himself. Later he staggers aimlessly and bleeding heavily through the streets of a town that is just waking up. In parallel, the film shows the marital discussions of a couple, with the husband hiding behind the camera.
Writer
A man named Jesus takes on the ruling military junta.
Director
A man named Jesus takes on the ruling military junta.
Screenplay
A Filipino teenager is shot to death on the sidewalk of New Jersey, USA. An investigation starts into his death. His family members and friends are interviewed. Along the way, we find out not only more about him but about the community of Filipinos in America in general, including the destructive effect of the drug "shabu" on its youth. The detective who handles the case also has his own personal demons to settle with his violent past.
Director
A Filipino teenager is shot to death on the sidewalk of New Jersey, USA. An investigation starts into his death. His family members and friends are interviewed. Along the way, we find out not only more about him but about the community of Filipinos in America in general, including the destructive effect of the drug "shabu" on its youth. The detective who handles the case also has his own personal demons to settle with his violent past.
Screenplay
A young woman recalls how her father (a fallen priest), her mother (a woman with a secret past) and her teenage sister returned with her to live in their ancestral home after the family business failed. She was plagued with mysterious problems of sleepwalking and began a romance with a young man who tried to cure her.
Director
A young woman recalls how her father (a fallen priest), her mother (a woman with a secret past) and her teenage sister returned with her to live in their ancestral home after the family business failed. She was plagued with mysterious problems of sleepwalking and began a romance with a young man who tried to cure her.
Screenplay
A terribly cool, hip youth film that throws awareness to the winds of MTV rock and roll, and post Generation- X teenage wasteland fantasies.
Director
A terribly cool, hip youth film that throws awareness to the winds of MTV rock and roll, and post Generation- X teenage wasteland fantasies.
Screenplay
A lowly farmer whose wife is afflicted with a lingering illness gets involved in kidnapping that goes awry and culminates in tragedy. Years later, he turns to a crusading lady journalist to confess the details of the sensational crime that remains unsolved.
Director
A lowly farmer whose wife is afflicted with a lingering illness gets involved in kidnapping that goes awry and culminates in tragedy. Years later, he turns to a crusading lady journalist to confess the details of the sensational crime that remains unsolved.
Screenplay
It's the story of friendship and betrayal.
Screenplay
Historical drama in black and white. We follow the life of Beatrice Barbosa de Magallanes in contrast to the voyage of Ferdinand Magellan, her husband. Beatrice fights for her survival and that of her children, while the navigator tries to carry out an impossible maritime expedition. Beatrice will die young, in a world too old for her.
Director
Historical drama in black and white. We follow the life of Beatrice Barbosa de Magallanes in contrast to the voyage of Ferdinand Magellan, her husband. Beatrice fights for her survival and that of her children, while the navigator tries to carry out an impossible maritime expedition. Beatrice will die young, in a world too old for her.
Director
Writer
The film begins in Frankfurt, where Lailani, now 65, awaits a plane to Manila. She is returning home to the Philippines for the first time in 30 years. En route home, she delays her return by stopping over in Singapore. Her interactions with her fellow Filipinos help her reflect on the nature of her loss, the cycle of sacrifice and longing that marks them all. Gripped by the fear of returning home to a life she has left behind but is still intricately connected to, she finds moments of enchantment among other lost souls. They have created their ways of living with disenchantment through a Dreamtime that shelters them from the storms of trauma.
Director
The film begins in Frankfurt, where Lailani, now 65, awaits a plane to Manila. She is returning home to the Philippines for the first time in 30 years. En route home, she delays her return by stopping over in Singapore. Her interactions with her fellow Filipinos help her reflect on the nature of her loss, the cycle of sacrifice and longing that marks them all. Gripped by the fear of returning home to a life she has left behind but is still intricately connected to, she finds moments of enchantment among other lost souls. They have created their ways of living with disenchantment through a Dreamtime that shelters them from the storms of trauma.
Director
sequel to "Heremias Book One : The Legend of the Lizard Princess"
