Carlos Acosta

This classic fairy tale depicts the struggle between good and evil, and love's quest to conquer all. The magic of the lakes, forests and palaces is breathed into life through the splendid setting by John Macfarlane and the perfect score by Tchaikovsky. The Royal Ballet's magnificent production of Swan Lake returns to the stage of the Royal Opera House after its 2020 revival was interrupted by the theater's closure amid the pandemic. This classic of the repertoire is a testament to the late choreographer Liam Scarlett's enduring love of classical music and innate musicality, which are also evident in this productionv

Don Quixote and his servant Sancho Panza set out to have a chivalrous adventure. They meet Kitri and Basilio, a young couple who cannot marry because Kitri's father is determined to marry her off to the wealthy Gamache. Don Quixote decides to intervene. It was on stage 15 February—4 April 2019 as part of the Winter 2018/19 season.

Don Quixote and his servant Sancho Panza set out to have a chivalrous adventure. They meet Kitri and Basilio, a young couple who cannot marry because Kitri's father is determined to marry her off to the wealthy Gamache. Don Quixote decides to intervene. It was on stage 15 February—4 April 2019 as part of the Winter 2018/19 season.

The Letter tells the true story of 11-year-old Andrè and his inspiration to pursue a ballet career.

어린 시절 율리는 가난하고 버려진 아바나의 거리에서 배회한다. 그러나 그의 아버지는 아들이 춤에 천부적인 재능을 가지고 있다는 것을 알고 그를 쿠바 국립 발레 학교에 보낸다. 어린 나이부터 실력을 쌓아 가장 유명한 발레단에 캐스팅되며 최초의 흑인 댄서가 된다.

옥스포드 교수 페리(이완 맥그리거)와 아내 게일(나오미 해리스)은 모로코의 휴양지로 여행을 떠난다. 그곳에서 우연히 만난 러시아 부호 디마(스텔란 스카스가드)와 친분을 쌓게 되고 파티에도 초대된다. 페리부부가 영국으로 떠나기 하루 전 의문의 메모리 카드를 건네며 영국 비밀정보국 MI6에 전해달라는 디마. 그는 러시안 마피아의 자금을 관리하는 돈세탁업자지만 새로운 보스가 된 프린스가 자신과 그의 가족을 해치려 한다며 도움을 청한다. 어린 딸들을 가진 디마의 부탁을 거절할 수 없었던 페리는 메모리카드를 공항 내에 반입하려다 들키고 만다. 영국 비밀정보국은 메모리 카드에 담겨있는 정보가 심상치 않음을 간파하고 페리에게 또 다른 거래를 제안하는데...

60-minute film in which ballet star Darcey Bussell undertakes a very personal journey to meet the heroes and dancers who transformed male ballet.

Carlos Acosta's first venture directing one of ballet's 19th century classics was eagerly anticipated, as was his own starring role in the production (as Basilio), opposite the Argentinian Royal Ballet principal Marianella Nuñez (Kitri). Still built on Petipa's original choreography, Acosta's clear dramatic structure and vivid stage action gave the ‘boy gets girl despite her father’ story a more convincing air than usual, with Don Quixote's parallel obsession with Dulcinea-Kitri coherently woven into the plot.

Carlos Acosta's first venture directing one of ballet's 19th century classics was eagerly anticipated, as was his own starring role in the production (as Basilio), opposite the Argentinian Royal Ballet principal Marianella Nuñez (Kitri). Still built on Petipa's original choreography, Acosta's clear dramatic structure and vivid stage action gave the ‘boy gets girl despite her father’ story a more convincing air than usual, with Don Quixote's parallel obsession with Dulcinea-Kitri coherently woven into the plot.

The peasant girl Giselle discovers the true identity of her lover Albrecht – and that he is promised to another. This is one of The Royal Ballet’s most loved and admired productions, faithful to the spirit of the 1841 original yet always fresh at each revival. This performance features former Bolshoi star and now Royal Ballet Principal Natalia Osipova in a breath-taking interpretation of the title role.

Two young, strong-willed Scottish sisters, one a left-wing activist, the other a most-popular-girl-in-school type, take their late father's ashes to Cuba, the site of many family legends of his services to the Revolution. Arriving in Havana, the two women promptly lose the ashes and go through a series of misadventrues - both romantic and dangerous - to try to retrieve them. A colourful and wryly humourous tale of cross-cultural misunderstandings and lost illusions.

Marius Petipa’s exotic ballet set in legendary India is a story of love, death and vengeful judgement. Natalia Makarova’s sumptuous recreation of Petipa’s choreography, with atmospheric sets by Pier Luigi Samaritini and beautiful costumes by Yolanda Sonnabend, stars Tamara Rojo as the Bayadère (temple dancer) Nikiya, Carlos Acosta as Solor, and Marianela Nuñez as Gamzatti, whose alluring presence challenges Solor’s love for Nikiya. Live performance recorded in 2009.

"MacMillan's vision has been vital in shaping The Royal Ballet's style and repertory, and what better way to appreciate his art than with this rare chance to experience three contrasting works in a single performance. Abstract, dramatic, humorous - this programme gives a wonderfully varied introduction not just to MacMillan's work but to the beauty and dramatic power of ballet itself. Concerto, to Shostakovich's Second Piano Concerto, contrasts moments of exuberance and elegiac reflection. The Judas Tree places a single woman among 13 men to enact a harrowing event that is recognizably contemporary but with biblical overtones. Elite Syncopations completes the programme with a sparkling evocation of a dance hall that brings ragtime rhythms to the dance, and a ragtime band to the stage.

당신은 어떤 사랑을 꿈꾸고 있습니까? 영원히 잠들지 않는 도시, 사랑을 품고 사는 도시 뉴욕… 그곳에서 지금 세상에서 가장 달콤한 러브스토리가 시작된다.

Internationally acclaimed as the greatest male dancer of his generation, Carlos Acosta stars as the rebel slave in the most spectacular of Soviet ballets. Filmed in Paris after triumphant performances in Moscow and London, the Bolshoi's classic production presents the Cuban star at the height of his physical and dramatic powers -- as the greatest Spartacus of our time.

The Royal Ballet performs a production of Manon, starring Tamara Rojo in the title role with the world-famous dancer Carlos Acosta as her lover Des Grieux. In decadent 18th century Paris, the young, beautiful and naive Manon is torn between a life of privilege and luxury with the wealthy Monsieur GM or love with the poor student Des Grieux. Manon has become one the Royal Ballet's signature works since its creation by choreographer Kenneth MacMillan in 1974. This typically sumptuous production is designed by Nicholas Georgiadis and staged by Monica Mason and Monica Parker.

Carlos Acosta dances as one of the two star-crossed lovers in Shakespeare's timeless tragedy, presented with the classic Kenneth MacMillan choreography and beautifully staged by The Royal Ballet. In this perennial favourite, Carlos Acosta dances alongside Tamara Rojo in a celebrated stage partnership. The drama of the doomed lovers is set against the ravishing sets and costumes designs of Nicholas Georgiadis.

Ever since its triumphant premiere in 1960, Frederick Ashton's La Fille mal gardee has been treasured as one of his happiest creations - his artistic tribute to nature, and an expression of his feelings for his beloved Suffolk countryside. Marianela Nunez and Carlos Acosta perfectly portray the young lovers Lise and Colas, determined to thwart the plans of Widow Simone to marry off her wayward daughter to Alain, the simple son of wealthy Farmer Thomas. Osbert Lancaster's colourful, picture-book designs, along with Ferdinand Herold's tuneful score, arranged by John Lanchbery, provide the perfect setting for Ashton's blissfully bucolic ballet, complete with haywain, pony, maypole and ribbons, a cockrel and his chickens and, of course, the famous clog dance, here wonderfully led by William Tuckett as the irascible but lovable Widow Simone.

Coppélia, a mechanical doll made by the toy-maker Dr. Coppelius, is so life-like that some believe she is his daughter. The mistake leads to intrigue and jealousy in love. Directed by Ross MacGibbon, with Leanne Benjamin and Carlos Acosta.

In a new production created especially for Birmingham Royal Ballet, Don Quixote introduces us to Cervantes’ famous knight himself, lovers Kitri and Basilio, and a host of supporting characters. As the Don sets out on a quest to track down his true love, with his loyal friend and servant Sancho Panza at his side, he finds himself embroiled in an unlikely adventure of love and dreams.