Lucio Allocca

Alessandro has a very sick father and runs a business that is on the verge of legality. The meeting with a client will rebalance the now worn relationship with his father.

Sergio driving a taxi in a white Naples overflowing sadness and garbage. Pouring rain leads her clients through the city trying to process the death of his brother, who started ten years earlier for Tibet and never returned. A pop singer, a recycler of fragments of life, a radio announcer, an old uncle, alternate seats on its bearing, each in its own way, a trace of his brother loved. Stubborn not to go over and get lost in an endless race, Sergio is overwhelmed by memories and the music produced in pairs with Alfredo, which in Buddhism and in its foundations had found the strength to cope with the disease. Those notes that he believed buried and laid to always return overbearing and demanding a soundboard that resonate and express his being sound. Putting his hand on the piano, Sergio Alfredo feel again, giving the past with the present and realizing itself in the feeling.

마지막 만찬 후에 겟세마니 동산에 올라간 예수는 그 곳에서 사탄의 유혹을 물리친다. 그러나 그 곳에서 예수 그리스도는 유다에게 배신 당해 체포되어 예루살렘으로 끌려온다. 바리새인들은 예수 그리스도를 신성모독죄로 단죄하고, 재판에서 사형을 선고한다. 팔레스타인의 로마 제독, 빌라도는 바리새인들의 주장을 들으며 그의 앞에 끌려온 예수 그리스도를 어떻게 처리할지 고민한다. 자신이 정치적 위기에 직면해 있음을 깨달은 빌라도는 이 문제를 헤롯왕에게 의논한다. 헤롯왕은 빌라도에게 예수 그리스도를 돌려보낸다. 이에 빌라도가 군중들에게 그리스도와 죄수 바라바 중 누구를 석방할지 결정하도록 하자, 군중들은 바라바에게 자유를 예수 그리스도에게 처형을 주장한다. 로마 병사들로부터 처참하게 채찍질을 당한 그리스도는 빌라도 앞에 다시 끌려오게 된다. 빌라도는 만신창이가 된 예수 그리스도를 군중에게 보이며, ‘이 정도면 충분하지 않은가?’라고 묻지만 피에 굶주린 군중들은 만족하지 못한다. 딜레마에 빠진 빌라도는 군중들이 원하는 대로 처리하도록 부하들에게 명령한다. 그리하여 예수 그리스도는 예루살렘 거리를 지나 골고다 언덕까지 십자가를 메고 가도록 명령을 받는다. 골고다 언덕 위에서 예수 그리스도는 십자가에 못 박히게 되고 그 곳에서 마지막 유혹에 직면한다. 그의 아버지가 그를 버렸을 지도 모른다는 두려움 때문이었다. 하지만 예수 그리스도는 두려움을 극복하고 어머니인 마리아를 바라보며 그녀만이 완전히 이해할 수 있는 마지막 한 마디를 하고 죽는다. “다 이루었도다.”“내 영혼을 아버지 손에 맡기나이다.”...

After his father's death, elementary school teacher Leopoldo discovers he has to share the inheritance with a half-brother he didn't know existed: hustler and small-time crook Melchiorre, currently in jail.

The film is a biography of Giuseppe Tomasi (Bouquet), the prince of Lampedusa, who is the author of Il gattopardo, one of the most influential Italian novel of XX century and is adapted on screen by Visconti, THE LEOPARD (1963, 8/10). Directed by Roberto Andò, a native from Palermo, stars two French cinema icons Bouquet and Moreau (as the princess Licy).

Professor Lipari teaches in a public school and is in a full-on existential crisis. He has no faith in himself and in the possibility of changing the world for the better. At school, a former student of his who is also a teacher will change his attitude.

A seducer finds himself in crisis when his woman makes him believe he has a lover. The search for the suspect rival has the upper hand, with unexpected results.

Depressed magistrate Damiano Fortezza relocates from Milan to a small town in Campania, where the three Fontana sisters, owners of a chain of incinerators, dominate. The youngest, Eugenia, is about to marry a well-known crook Fortezza has to prosecute. However, he ends up falling in love with Eugenia and questioning the priorities of his job.

Naples, 1959. Pure Mathematics professor Renato Caccioppoli, Bakunin's grandson, is a tortured soul. Recently discharged from the psychiatric hospital, left by his wife, and increasingly disillusioned with academia and the Communist Party, he lives his last days with painful detachment.

Cesare Botero, an ambitious and corrupt young minister, hires a new spokesman, honest and polite high school professor Luciano Sandulli.

In Naples, Professor Bellavista is a retired man, passionate about the philosophy and thought of Ancient Greece. Every day, in his luxurious apartment, he teaches his lessons of life to the poor-nothing (his friends), who are dazzled by his reasoning. One day, however, the quiet life of the building of Bellavista will be disturbed by the arrival of a director of Milan. Between Naples and Milan there contrast, because the Neapolitans are accustomed to enjoy a quiet life, always based on the "philosophy of pleasure and delay", while the northern Italians are very strict and punctual.

A love story between two women in the Naples outskirts, a universe so far away from the glare of modernity, turbid, rural, completely naked in its ugliness and sorrow, where "people are talking".