Bastián Bodenhöfer

Brutal torturers of Pinochet's dictatorship are serving sentence in a luxury prison at the foot of the Andes. Fearing of transferring to a regular jail, the officers will go to great lengths to stay fury and violence in the mountains.

알레한드로 호도로프스키의 자전 드라마 3부작의 두 번째 작품. 전작인"현실의 춤"에 이어 청년기 알레한드리토의 예술적 의지와 고뇌, 동료 예술가들과의 조우, 그리고 그 중심에 자리잡은 아버지와의 관계가 현실과 환상을 넘나드는 호도로프스키 특유의 화법으로 펼쳐진다. (2016년 제21회 부산국제영화제)

One day before her 18th birthday, Laura Hellmer finds out by chance that her mother Katharina, a renowned political journalist, has lied to her for years: Laura's father was not a Spanish war photographer who died before she was born, but probably lives and is in Chile. Without further ado, Laura sets off for South America to find her true father. While she is in Santiago following in the footsteps of her mother, who once reported on the victims of the Pinochet dictatorship, Katharina travels to her daughter.

84세의 나이에 선보인 신작 은 동명의 자서전을 원작으로 칠레에서 보낸 그의 유년기를 보여준다. 현실은 우리의 상상력이 빚어낸 춤과 같다는 그의 생각이 은유, 신화, 시로 점철된 그의 일대기와 함께 영화 속에서 펼쳐진다. 조도로프스키 특유의 마법과 같은 이미지와 사운드가 독특한 서사 안에서 한 편의 시와 같은 감동을 준다. (2013년 17회 부천국제판타스틱영화제)

Manena is the headstrong adolescent daughter of Pancho, a rich Chilean landowner who devotes his vacation to one thing : the invasion of his artificial lagoon by carps. While he employs increasingly radical methods, Manena has her first romantic experiences and hearbreak - and discovers a silent world in the shadow of her own : that of the Mapuche Indians who demand access to the land and clash with her father.

Radio Corazón recreates Chile's most successful radio show of all time. Composed of 3 fun, sexy and romantic short films based on true stories as told by the show's listeners to "Rumpy", an unparalleled radio host.

Three apartments in an old converted loft building set up the stage for three bizarre love triangles.

After 20 years of exile, Aron returns to Chile to find out who he is. He asks questions, not only of those who stayed behind but also of himself, examining his relationship with his past and his own memory. The people who stayed lived through 20 years of dictatorship. They were either victims or executioners. Amidst this wreckage, Aron wonders what name his brother is using now, where his father is... Can he, in Isol's arms and through her love, find his way again ? What future awaits him? Like Mola the torturer, he has returned from an impossible journey, and Aron knows that each man is his own executioner. Shipwreck and resurrection are the two facets of a complex truth.

Sussi comes to the big city to find love and success.

In the late 1980s, a politically neutral photographer in Pinochet's Chile is still struggling to come to terms with the "disappearance" of his activist brother in the Villa Grimaldi torture centre back in 1975.