Sé stesso
Story
The 1978 kidnapping and assassination of former Italian Prime Minister Aldo Moro by Red Brigades terrorists
Screenplay
The 1978 kidnapping and assassination of former Italian Prime Minister Aldo Moro by Red Brigades terrorists
Director
The 1978 kidnapping and assassination of former Italian Prime Minister Aldo Moro by Red Brigades terrorists
Himself
Screenplay
The 1978 kidnapping and assassination of former Italian Prime Minister Aldo Moro by Red Brigades terrorists
Story
The 1978 kidnapping and assassination of former Italian Prime Minister Aldo Moro by Red Brigades terrorists
Director
The 1978 kidnapping and assassination of former Italian Prime Minister Aldo Moro by Red Brigades terrorists
Self
<황야의 무법자>, <원스 어폰 어 타임 인 아메리카>, <미션>, <시네마 천국>, <헤이트풀8>…
전 세계가 사랑하는 거장 엔니오 모리꼬네
그가 직접 들려주는 명작 탄생 비하인드
그리고 세계적인 아티스트들이 이야기하는 그에 대한 모든 것
Self
Opera Prima is a tribute and a journey through the evolution that cinema has had in Italy. Tayu Vlietstra, a pupil of Bertolucci, carries out an investigation on the first work of six of the most authoritative and beloved Italian directors. The result is an unpublished and precious document that reveals the emotions and expectations of directors grappling with their cinematic debut. Mario Monicelli, Bernardo Bertolucci, Lina Wertmüller, Marco Bellocchio, Liliana Cavani and Francesca Archibugi offer a still current evolution on the needs and difficulties of making cinema in our country.
Self
한 가족의 풍경을 들여다보는 일은 동시에 그 사회와 시대를 살펴보는 작업이기도 하다. 은 마르코 벨로키오가 연출했던 작품과 그의 생각을 통해 60~70년대 이탈리아 사회의 풍경을 기억한다. 혁명, 공산주의, 산업화, 카톨릭, 무신론이 혼란스럽게 섞인 풍경 속에서 감독과 출연자들은 복잡한 기분에 사로잡힌다. 2021년 베니스영화제 비경쟁부문 상영.
Writer
Directed by Marco Bellocchio
Director
Directed by Marco Bellocchio
Writer
"Marx can wait" was something Camillo Bellocchio said to his twin Marco the last time they met before the former died at a young age in the heated days of 1968. This documentary is dedicated to his memory.
Self
"Marx can wait" was something Camillo Bellocchio said to his twin Marco the last time they met before the former died at a young age in the heated days of 1968. This documentary is dedicated to his memory.
Director
"Marx can wait" was something Camillo Bellocchio said to his twin Marco the last time they met before the former died at a young age in the heated days of 1968. This documentary is dedicated to his memory.
Self
A deep dive into Glauber Rocha's years exiled in Italy in the 70s. Through a collection of interviews and archives, the movie shows the making of his film Claro (1975) and his relation with European auteurs in their filmic and political views.
Self
Screenstory
1980년 초, 마약 공급권을 두고 이탈리아 마피아의 신구 패밀리 사이의 갈등이 고조되자 토마소 부세타는 조직생활을 청산하고 가족과 함께 브라질로 떠난다. 그러나 얼마 지나지 않아 그는 마피아의 신진세력인 콜레오네파가 자신의 동료들과 일가친척의 절반을 살해하고, 팔레르모에 두고 온 두 아들마저 실종됐다는 소식을 듣고 절망한다. 얼마 후, 토마소는 브라질 경찰에 마약 거래 혐의로 체포되고 이탈리아로 송환이 결정되자 이탈리아 사법기관에 마피아의 모든 것을 폭로하려는 위험한 결정을 하기에 이르는데.
Screenplay
1980년 초, 마약 공급권을 두고 이탈리아 마피아의 신구 패밀리 사이의 갈등이 고조되자 토마소 부세타는 조직생활을 청산하고 가족과 함께 브라질로 떠난다. 그러나 얼마 지나지 않아 그는 마피아의 신진세력인 콜레오네파가 자신의 동료들과 일가친척의 절반을 살해하고, 팔레르모에 두고 온 두 아들마저 실종됐다는 소식을 듣고 절망한다. 얼마 후, 토마소는 브라질 경찰에 마약 거래 혐의로 체포되고 이탈리아로 송환이 결정되자 이탈리아 사법기관에 마피아의 모든 것을 폭로하려는 위험한 결정을 하기에 이르는데.
Director
1980년 초, 마약 공급권을 두고 이탈리아 마피아의 신구 패밀리 사이의 갈등이 고조되자 토마소 부세타는 조직생활을 청산하고 가족과 함께 브라질로 떠난다. 그러나 얼마 지나지 않아 그는 마피아의 신진세력인 콜레오네파가 자신의 동료들과 일가친척의 절반을 살해하고, 팔레르모에 두고 온 두 아들마저 실종됐다는 소식을 듣고 절망한다. 얼마 후, 토마소는 브라질 경찰에 마약 거래 혐의로 체포되고 이탈리아로 송환이 결정되자 이탈리아 사법기관에 마피아의 모든 것을 폭로하려는 위험한 결정을 하기에 이르는데.
Director
It is a sunny day on the river Trebbia. In the distance a patrol of German soldiers is approaching : they are nazis, guns blazing. It seems like they are chasing somebody. Tonino is the fugitive, a partisan with nothing left to do but dive into the river. This river will bring him to his real life.
Screenplay
Elena has just turned 18 and this is her first day working in a coffee bar in Bobbio, a town in the north of Italy. It's summer and the coffee bar is very busy. The first day at work is a chance for Elena to meet lots of different people. Each person has a different story to tell - not just in words but also through simple gestures and actions. These characters can sometimes be quite odd and reflect the countless nuances of the human soul.
Director
Elena has just turned 18 and this is her first day working in a coffee bar in Bobbio, a town in the north of Italy. It's summer and the coffee bar is very busy. The first day at work is a chance for Elena to meet lots of different people. Each person has a different story to tell - not just in words but also through simple gestures and actions. These characters can sometimes be quite odd and reflect the countless nuances of the human soul.
Director
Andrea Chénier is a verismo opera in four acts by Umberto Giordano, set to an Italian libretto by Luigi Illica, and first performed on 28 March 1896 at La Scala, Milan. The story is based loosely on the life of the French poet André Chénier (1762–1794), who was executed during the French Revolution.
Screenplay
어머니의 수수께끼 같은 죽음으로 목가적이던 유년기가 산산조각 난 지 근 30년, 마시모는 부모님의 아파트를 처분하려 한다. 과거의 정신적 충격에서 헤어나지 못하는 그를 동정한 의사 엘리사는 그가 마음을 열고 유년기의 상처를 직면하도록 돕는다. 거장의 시네필적 감성이 충만한 영화.
Director
어머니의 수수께끼 같은 죽음으로 목가적이던 유년기가 산산조각 난 지 근 30년, 마시모는 부모님의 아파트를 처분하려 한다. 과거의 정신적 충격에서 헤어나지 못하는 그를 동정한 의사 엘리사는 그가 마음을 열고 유년기의 상처를 직면하도록 돕는다. 거장의 시네필적 감성이 충만한 영화.
Writer
In the theater of a small village, rehersals are taking place for a show based on the opera I Pagliacci. There is no orchestra, just a piano and the singers. Amongs the few people in the audience there is the mother of the singer, a rich local lady and financer of the project, the sister, and a few other people involved in the show. During a dinner party at this rich lady’s house, a hiposis session takes place, where rancor and pain emerge from the brother and sister towards their mother and their impossibility of overcoming them.
Director
In the theater of a small village, rehersals are taking place for a show based on the opera I Pagliacci. There is no orchestra, just a piano and the singers. Amongs the few people in the audience there is the mother of the singer, a rich local lady and financer of the project, the sister, and a few other people involved in the show. During a dinner party at this rich lady’s house, a hiposis session takes place, where rancor and pain emerge from the brother and sister towards their mother and their impossibility of overcoming them.
Screenplay
Northern Italy, 17th century. In a monastery, a nun accused of witchcraft tries to seduce a young confessor who refuses to yield to his searing temptation.
Director
Northern Italy, 17th century. In a monastery, a nun accused of witchcraft tries to seduce a young confessor who refuses to yield to his searing temptation.
Self
A documentary focused on film critic Lino Micciché, as seen from the point of view of his friends and his son Francesco.
Story
17년간 식물인간으로 살다가 죽음을 앞둔 엘루아나 엔글라로가 이탈리아를 혼란에 빠뜨린다. 안락사에 대한 법안투표를 앞두고 고심하는 상원의원, 코마에 빠진 딸을 둔 유명 여배우, 자살하려는 마약중독자 여성, 이렇게 세 이야기가 치밀하게 직조되면서 삶의 의미를 묻는다.
이탈리아 거장 마르코 벨로키오의 신작은 고전 동화 를 안락사라는 민감한 문제와 접목시켜 연출한 수작이다. 거장의 지휘하에 절묘한 리듬으로 편집되는 세 개의 독립된 이야기는 안락사에 대한 다양한 입장을 제시함으로써 우리의 성찰을 도모한다. 영화는 수수께끼 같은 측면이 있어 더욱 빛을 발한다. ‘잠자는 미녀’가 셋 등장하지만 감독이 선택한 한 명만이 잠에서 깨어나게 되는 것이다. 이런 의미에서 영화의 첫 숏은 조심스럽게 열쇠를 제시한다. 2008년 11월 실제 있었던 사건을 토대로 한 영화로, 이자벨 위페르, 토니 세르빌로, 알바 로바허 등 쟁쟁한 배우들의 연기 또한 볼 만하다. (이수원_2012년 제17회 부산국제영화제)
Screenplay
17년간 식물인간으로 살다가 죽음을 앞둔 엘루아나 엔글라로가 이탈리아를 혼란에 빠뜨린다. 안락사에 대한 법안투표를 앞두고 고심하는 상원의원, 코마에 빠진 딸을 둔 유명 여배우, 자살하려는 마약중독자 여성, 이렇게 세 이야기가 치밀하게 직조되면서 삶의 의미를 묻는다.
이탈리아 거장 마르코 벨로키오의 신작은 고전 동화 를 안락사라는 민감한 문제와 접목시켜 연출한 수작이다. 거장의 지휘하에 절묘한 리듬으로 편집되는 세 개의 독립된 이야기는 안락사에 대한 다양한 입장을 제시함으로써 우리의 성찰을 도모한다. 영화는 수수께끼 같은 측면이 있어 더욱 빛을 발한다. ‘잠자는 미녀’가 셋 등장하지만 감독이 선택한 한 명만이 잠에서 깨어나게 되는 것이다. 이런 의미에서 영화의 첫 숏은 조심스럽게 열쇠를 제시한다. 2008년 11월 실제 있었던 사건을 토대로 한 영화로, 이자벨 위페르, 토니 세르빌로, 알바 로바허 등 쟁쟁한 배우들의 연기 또한 볼 만하다. (이수원_2012년 제17회 부산국제영화제)
Director
17년간 식물인간으로 살다가 죽음을 앞둔 엘루아나 엔글라로가 이탈리아를 혼란에 빠뜨린다. 안락사에 대한 법안투표를 앞두고 고심하는 상원의원, 코마에 빠진 딸을 둔 유명 여배우, 자살하려는 마약중독자 여성, 이렇게 세 이야기가 치밀하게 직조되면서 삶의 의미를 묻는다.
이탈리아 거장 마르코 벨로키오의 신작은 고전 동화 를 안락사라는 민감한 문제와 접목시켜 연출한 수작이다. 거장의 지휘하에 절묘한 리듬으로 편집되는 세 개의 독립된 이야기는 안락사에 대한 다양한 입장을 제시함으로써 우리의 성찰을 도모한다. 영화는 수수께끼 같은 측면이 있어 더욱 빛을 발한다. ‘잠자는 미녀’가 셋 등장하지만 감독이 선택한 한 명만이 잠에서 깨어나게 되는 것이다. 이런 의미에서 영화의 첫 숏은 조심스럽게 열쇠를 제시한다. 2008년 11월 실제 있었던 사건을 토대로 한 영화로, 이자벨 위페르, 토니 세르빌로, 알바 로바허 등 쟁쟁한 배우들의 연기 또한 볼 만하다. (이수원_2012년 제17회 부산국제영화제)
Writer
A family story in the city of Bobbio between 1999 and 2008.
Director
A family story in the city of Bobbio between 1999 and 2008.
Director
The tragic story revolves around the licentious Duke of Mantua, his hunch-backed court jester Rigoletto, and Rigoletto's beautiful daughter Gilda. The opera's original title, La maledizione (The Curse), refers to a curse placed on both the Duke and Rigoletto by a courtier whose daughter the Duke has seduced with Rigoletto's encouragement. The curse comes to fruition when Gilda falls in love with the Duke and sacrifices her life to save him from assassins hired by her father.
Self
Until the 1970s, Italian cinema dominated the international scene, even competing with Hollywood. Then, in just a few years, came its rapid decline, the flight of our greatest producers, a crisis among the best writer-directors, the collapse of production. But what are the true causes and circumstances of this decline? In an attempt to provide an answer to this question, Di Me Cosa Ne Sai strives to depict this great cultural change. Begun as a loving examination of Italian cinema, the film transformed into a docu-drama that alternates between interviews with the great names of the past and fragments of cultural and political life of the last 30 years. It is a travel diary that shows Italy from north to south, through movie theatres; television-addicted kids; Berlusconi and Fellini; shopping centers; TV news editors; stories of impassioned film exhibitors and directors who fight for their films; and interviews with itinerant projectionists and great European directors.
Writer
무솔리니에게 첫눈에 반한 이다는 그가 발간하는 사회주의 일간지 ‘라반티’를 적극 지원한다. 우파로 돌변한 그가 파시스트당의 전신 ‘포폴로 디탈리아’를 창설하는데 전 재산을 쏟아 붓지만 자신이 낳은 아들이 인정받지 못하게 되면서 투쟁이 시작된다. 무솔리니의 내연관계를 처음 스크린에 담아 칸에서 화제가 됐던 거장 마르코 벨로키오의 신작.
Director
무솔리니에게 첫눈에 반한 이다는 그가 발간하는 사회주의 일간지 ‘라반티’를 적극 지원한다. 우파로 돌변한 그가 파시스트당의 전신 ‘포폴로 디탈리아’를 창설하는데 전 재산을 쏟아 붓지만 자신이 낳은 아들이 인정받지 못하게 되면서 투쟁이 시작된다. 무솔리니의 내연관계를 처음 스크린에 담아 칸에서 화제가 됐던 거장 마르코 벨로키오의 신작.
Writer
An early version of Marco Bellocchio's Sorelle Mai
Director
An early version of Marco Bellocchio's Sorelle Mai
Self
After shooting to fame with Federico Fellini’s “La Dolce Vita” (1960), actor Marcello Mastroianni (1924-1996) starred in more than 160 films in his nearly half-a-century career. Directors Mario Canale and Annarosa Morri look into the melancholic charm of one of the most famous Italian actors through interviews with his two daughters, Barbara and Chiara; directors Fellini and Luchino Visconti; actresses Claudia Cardinale and Anouk Aimee; and in archival footage of Mastroianni himself. The subject matter ranges from Mastroianni’s passion for kidney-bean pasta and his addiction to the telephone to his famous laziness, humility and talent. Shown in black-and-white, Mastroianni — elegantly holding a cigarette in between his fingers — is undeniably the dandy.
Writer
영화는 결혼식 장면으로 시작하지만 주인공은 그리 기쁘지 않다. 영화감독 프랑코 엘리카(세르지오 카스텔리토)는 그의 딸이 독실한 가톨릭 신자와 결혼한 후 실의에 빠진 것이다. 한편, 알레산드로 만조니의 를 리메이크 해달라는 의뢰가 들어오고 그는 거의 도망치는 듯한 기분으로 시칠리아로 날아간다. 그 마을에서 그는 다양한 사람들을 만나게 되는데, 결혼식 비디오 촬영을 업으로 하는 사람, 단지 유명해지기 위해서 자기가 죽은 것처럼 위장한 영화감독, 그리고 팔라골리나의 페르난도 그라비나 왕자 등이 그들이다. 그리고 그는 그들을 만나면서 최근 복잡한 심경을 해소하기 위해 시칠리아로 갔지만 여전히 만족스럽지 못한 기분을 느끼게 된다. 한편, 페르난도 왕자는 프랑코에게 자신의 아름다운 딸 보나(도나텔라 피노치아로)의 결혼식을 찍어달라고 부탁하는데, 그만 그는 보나를 보자마자 사랑에 빠지게 된다. 그리고는 급기야 정략결혼의 위기에 처한 보나를 구해내야겠다고 마음먹는다. 하지만 그는 그 작은 마을에 떨어진 이방인일 뿐이다. 그의 헛된 욕심은 결국 여러 사건들을 야기하게 된다. 마르코 벨로치오는 (1964)를 만든 베르나르도 베르톨루치와 더불어 60년대 이탈리아 영화의 혁신을 이끌었던 장본인이다. 두 젊은이는 앞서거니 뒤서거니 하며 60년대 정치영화의 수작들을 연이어 발표했는데 선배 격인 피에르 파올로 파졸리니, 마르코 페레리 등이 이데올로기적 주제가 강한 사회비판영화들을 발표하며 이탈리아 영화계의 좌파 전통을 계승하고 있을 때, 이 두 사람은 그런 전통을 계속 이어갈 인재들로 인식됐다. 베르톨루치와 달리 지금도 여전히 그러한 정신을 잊지 않고 있는 그는 전작인 (2003)을 만들 때까지도 변함없는 모습을 보여줬다. 그에 비하면 는 얼마간의 블랙 코미디적 요소를 엿볼 수 있는, 마르코 벨로치오의 변화를 느낄 수 있는 작품이다. 하지만 언제나 그의 영화에 등장했던, 그러니까 배타적인 관계 속에 갇혀 있는 인
Director
영화는 결혼식 장면으로 시작하지만 주인공은 그리 기쁘지 않다. 영화감독 프랑코 엘리카(세르지오 카스텔리토)는 그의 딸이 독실한 가톨릭 신자와 결혼한 후 실의에 빠진 것이다. 한편, 알레산드로 만조니의 를 리메이크 해달라는 의뢰가 들어오고 그는 거의 도망치는 듯한 기분으로 시칠리아로 날아간다. 그 마을에서 그는 다양한 사람들을 만나게 되는데, 결혼식 비디오 촬영을 업으로 하는 사람, 단지 유명해지기 위해서 자기가 죽은 것처럼 위장한 영화감독, 그리고 팔라골리나의 페르난도 그라비나 왕자 등이 그들이다. 그리고 그는 그들을 만나면서 최근 복잡한 심경을 해소하기 위해 시칠리아로 갔지만 여전히 만족스럽지 못한 기분을 느끼게 된다. 한편, 페르난도 왕자는 프랑코에게 자신의 아름다운 딸 보나(도나텔라 피노치아로)의 결혼식을 찍어달라고 부탁하는데, 그만 그는 보나를 보자마자 사랑에 빠지게 된다. 그리고는 급기야 정략결혼의 위기에 처한 보나를 구해내야겠다고 마음먹는다. 하지만 그는 그 작은 마을에 떨어진 이방인일 뿐이다. 그의 헛된 욕심은 결국 여러 사건들을 야기하게 된다. 마르코 벨로치오는 (1964)를 만든 베르나르도 베르톨루치와 더불어 60년대 이탈리아 영화의 혁신을 이끌었던 장본인이다. 두 젊은이는 앞서거니 뒤서거니 하며 60년대 정치영화의 수작들을 연이어 발표했는데 선배 격인 피에르 파올로 파졸리니, 마르코 페레리 등이 이데올로기적 주제가 강한 사회비판영화들을 발표하며 이탈리아 영화계의 좌파 전통을 계승하고 있을 때, 이 두 사람은 그런 전통을 계속 이어갈 인재들로 인식됐다. 베르톨루치와 달리 지금도 여전히 그러한 정신을 잊지 않고 있는 그는 전작인 (2003)을 만들 때까지도 변함없는 모습을 보여줬다. 그에 비하면 는 얼마간의 블랙 코미디적 요소를 엿볼 수 있는, 마르코 벨로치오의 변화를 느낄 수 있는 작품이다. 하지만 언제나 그의 영화에 등장했던, 그러니까 배타적인 관계 속에 갇혀 있는 인
Himself
How the cinema industry does not respect the author's work as it was conceived, how manipulates the motion pictures in order to make them easier to watch by an undemanding audience or even how mutilates them to adapt the original formats and runtimes to the restrictive frame of the television screen and the abusive requirements of advertising. (Followed by “Filmmakers in Action.”)
Interviews with directors Marco Bellocchio and Carlo Lizzani, assistant director Maurizio Ponzi, and editor Roberto Perpignani.
Writer
Three Italian soldiers volunteer to go to Kosovo after the war, where they risk their lives to help a young girl.
Self
Various generations of filmmakers talk about what cinema means for them.
Himself
A documentary about the making of "Buongiorno, notte" and the films and politics of director Marco Bellocchio.
Producer
The 1978 kidnapping and murder of Aldo Moro, president of the most important political party in Italy at the time, Democrazia Cristiana, as seen from the perspective of one of his assailants -- a conflicted young woman in the ranks of the Red Brigade.
Writer
The 1978 kidnapping and murder of Aldo Moro, president of the most important political party in Italy at the time, Democrazia Cristiana, as seen from the perspective of one of his assailants -- a conflicted young woman in the ranks of the Red Brigade.
Director
The 1978 kidnapping and murder of Aldo Moro, president of the most important political party in Italy at the time, Democrazia Cristiana, as seen from the perspective of one of his assailants -- a conflicted young woman in the ranks of the Red Brigade.
Self
Documentary about Italian film screenwriter Cesare Zavattini
Writer
A child in anaphylactic shock after an insect sting is brought by her father to a doctor, a foreigner who doesn't speak the language well and is looked at by the town with diffidence.
Director
A child in anaphylactic shock after an insect sting is brought by her father to a doctor, a foreigner who doesn't speak the language well and is looked at by the town with diffidence.
Producer
A celebrated painter receives a visit from a cardinal's assistant, who informs him that his mother could become a saint.
Screenplay
A celebrated painter receives a visit from a cardinal's assistant, who informs him that his mother could become a saint.
Director
A celebrated painter receives a visit from a cardinal's assistant, who informs him that his mother could become a saint.
Writer
An encounter between two women: Sonia confesses to Elena that she would like to escape her town and her friend promises to help her.
Director
An encounter between two women: Sonia confesses to Elena that she would like to escape her town and her friend promises to help her.
A strange encounter with an unknown man from a story a harpist tells to his friend during a recording session.
Director
Writer
A young maestro conducts rehearsals with a male chorus. He is frustrated and feels that a female voice is missing.
Director
A young maestro conducts rehearsals with a male chorus. He is frustrated and feels that a female voice is missing.
Writer
A short film.
Director
A short film.
Writer
Based on Anton Chekhov's play.
Director
Based on Anton Chekhov's play.
Director
A young man lives as a recluse in a monastery. In a sort of ecstasy, he begins to talk to nature and recite the gospels.
Director
Rome, early 20th century: a wealthy psychiatrist, who runs an asylum for women and lacks imagination in his practice, must find a wet nurse for his infant when his wife panics after childbirth. He brings a peasant, Annette, to Rome, forcing her to leave her own baby behind. To the consternation and increasing anger of the wife, the nanny immediately bonds with the couple's infant son - Annette's a natural. Against a backdrop of leftist demonstrations, Annette, who's lover is a teacher jailed for subversion, asks the doctor to teach her to read and write. Her nature and curiosity, the doctor's bland ideas, he and his wife's problems, and the two infants bring the story to a head.
Producer
The Prince of Homburg, disobeys orders and leads a cavalry charge in battle against the Swedes, which leads to victory. He is court martialled however for disobeying orders and sentenced to death. His love who is now to be betrothed to the King of Sweden, following his execution appeals to the Elector, her uncle, on his behalf, as do his comrades in battle. He must also contend with his own desire to live and conflicting sense of honour.
Screenplay
The Prince of Homburg, disobeys orders and leads a cavalry charge in battle against the Swedes, which leads to victory. He is court martialled however for disobeying orders and sentenced to death. His love who is now to be betrothed to the King of Sweden, following his execution appeals to the Elector, her uncle, on his behalf, as do his comrades in battle. He must also contend with his own desire to live and conflicting sense of honour.
Director
The Prince of Homburg, disobeys orders and leads a cavalry charge in battle against the Swedes, which leads to victory. He is court martialled however for disobeying orders and sentenced to death. His love who is now to be betrothed to the King of Sweden, following his execution appeals to the Elector, her uncle, on his behalf, as do his comrades in battle. He must also contend with his own desire to live and conflicting sense of honour.
Writer
A two year old girl, surprised and moved, watches her past materialize via amateur footage on the family TV set. She watches without regrets or nostalgia: it's normal. But it's her own story which began two years before. A short film by Marco Bellocchio.
Director
A two year old girl, surprised and moved, watches her past materialize via amateur footage on the family TV set. She watches without regrets or nostalgia: it's normal. But it's her own story which began two years before. A short film by Marco Bellocchio.
Director
This film project was made in 1996 to commemorate the 100th anniversary of the birth of the cinema.
Director
Producer
This European existential drama utilizes complex symbols inspired by abstract psychological theories to explore the effects and reasons behind a young classical actor's decision to stop talking. No one knows why Massimo has vowed to stop talking. Other than speaking dialog from classical plays, Massimo refuses to say a single word. His father, a classic-literature professor believes it reflects to a disappointing love affair. His new girlfriend thinks Massimo is rebelling against his mother, a poet. A director learns of Massimo and commissions his mother to write a play about him. Though Massimo plays himself in the play, and does speak, he returns to silence when the play is finished.
Director
This European existential drama utilizes complex symbols inspired by abstract psychological theories to explore the effects and reasons behind a young classical actor's decision to stop talking. No one knows why Massimo has vowed to stop talking. Other than speaking dialog from classical plays, Massimo refuses to say a single word. His father, a classic-literature professor believes it reflects to a disappointing love affair. His new girlfriend thinks Massimo is rebelling against his mother, a poet. A director learns of Massimo and commissions his mother to write a play about him. Though Massimo plays himself in the play, and does speak, he returns to silence when the play is finished.
Director
In a train station caffè, a man ill with cancer and an indifferent customer converse. Based on a play by Luigi Pirandello.
Screenplay
A girl and her art professor get trapped inside a castle-museum after it closes at night. After a little resistance she agrees to have sex with him, but then she sues the professor for rape. The professor will have to prove his innocence.
Director
A girl and her art professor get trapped inside a castle-museum after it closes at night. After a little resistance she agrees to have sex with him, but then she sues the professor for rape. The professor will have to prove his innocence.
Editor
The freshly graduated psychiatrist David shall deliver an opinion about young Maddalena, who's on trial for murdering a hunter. She claims she's a witch and acted on behalf of the devil.
Writer
The freshly graduated psychiatrist David shall deliver an opinion about young Maddalena, who's on trial for murdering a hunter. She claims she's a witch and acted on behalf of the devil.
Director
The freshly graduated psychiatrist David shall deliver an opinion about young Maddalena, who's on trial for murdering a hunter. She claims she's a witch and acted on behalf of the devil.
Writer
고등학생인 안드레아는 어느 날 창 너머로 아름다운 여인 줄리아를 발견하고 강하게 이끌린다. 곧바로 줄리아를 따라간 안드레아는 그녀가 유부녀란 사실을 알면서도 그녀와 가까워지고 곧 깊은 관계로 발전하지만 남들의 시선에 조금씩 부담을 느끼기 시작한다. 게다가 그녀의 남편은 지금 정치적 사건에 연루돼 감옥에 갇혀있는 중이다.
Story
고등학생인 안드레아는 어느 날 창 너머로 아름다운 여인 줄리아를 발견하고 강하게 이끌린다. 곧바로 줄리아를 따라간 안드레아는 그녀가 유부녀란 사실을 알면서도 그녀와 가까워지고 곧 깊은 관계로 발전하지만 남들의 시선에 조금씩 부담을 느끼기 시작한다. 게다가 그녀의 남편은 지금 정치적 사건에 연루돼 감옥에 갇혀있는 중이다.
Director
고등학생인 안드레아는 어느 날 창 너머로 아름다운 여인 줄리아를 발견하고 강하게 이끌린다. 곧바로 줄리아를 따라간 안드레아는 그녀가 유부녀란 사실을 알면서도 그녀와 가까워지고 곧 깊은 관계로 발전하지만 남들의 시선에 조금씩 부담을 느끼기 시작한다. 게다가 그녀의 남편은 지금 정치적 사건에 연루돼 감옥에 갇혀있는 중이다.
Screenplay
Deranged after a fall from a horse, a man has lived for twenty years in a castle laboring under the delusion that he is Holy Roman Emperor Henry IV. His psychiatrist concocts an elaborate scheme to shock him out of his medieval reverie.
Director
Deranged after a fall from a horse, a man has lived for twenty years in a castle laboring under the delusion that he is Holy Roman Emperor Henry IV. His psychiatrist concocts an elaborate scheme to shock him out of his medieval reverie.
Story
A rich Italian's shocking suicide means different things to his twin brother, mother and pregnant lover.
Screenplay
A rich Italian's shocking suicide means different things to his twin brother, mother and pregnant lover.
Director
A rich Italian's shocking suicide means different things to his twin brother, mother and pregnant lover.
Self
Traces the life of Anna Magnani, her creations, her successes, her triumphs, her boycotted career, her nonconformism, her anxieties, her generosity ... Punctuated with photos that tell her career in theater and cinema, Extracts of films, this documentary portrait also gives the floor to his friends and relatives, from Roberto Rossellini to Marcello Mastroianni, through Federico Fellini.
Writer
Director Marco Bellocchio returns with his family to his homeland, in the province of Piacenza. The journey is an opportunity to confront oneself with one's past, as well as with the nostalgia of an era.
Director
Director Marco Bellocchio returns with his family to his homeland, in the province of Piacenza. The journey is an opportunity to confront oneself with one's past, as well as with the nostalgia of an era.
Screenplay
The story of a turbulent relationship between Elisa, a mentally unstable young woman, and her psychiatrist who, meets her after she's hospitalized when she faints in a subway station. He advises her to stay in the hospital, but she wants to feel free.
Story
Mauro, a judge, is worried about his older sister Marta, who took care of him since he was a boy, and now suffers from mental illness and suicidal thoughts. She seems to recover from her depression when Mauro acquaints her with Giovanni, a brilliant actor at the edge of legality. However, Mauro becomes unconsciously jealous of their relationship and tries to get Giovanni arrested.
Screenplay
Mauro, a judge, is worried about his older sister Marta, who took care of him since he was a boy, and now suffers from mental illness and suicidal thoughts. She seems to recover from her depression when Mauro acquaints her with Giovanni, a brilliant actor at the edge of legality. However, Mauro becomes unconsciously jealous of their relationship and tries to get Giovanni arrested.
Director
Mauro, a judge, is worried about his older sister Marta, who took care of him since he was a boy, and now suffers from mental illness and suicidal thoughts. She seems to recover from her depression when Mauro acquaints her with Giovanni, a brilliant actor at the edge of legality. However, Mauro becomes unconsciously jealous of their relationship and tries to get Giovanni arrested.
Director
Directed by a group of avant-garde filmmakers, the film is an investigation of the less edifying aspects of film industry.
Screenplay
A young writer is trapped between his awful actress mother and the knowledge that he has only a mediocre talent as a playwright and almost no force of character.
Director
A young writer is trapped between his awful actress mother and the knowledge that he has only a mediocre talent as a playwright and almost no force of character.
Director
The drawbacks and difficulties of military life are explored in this film. Paolo Passeri is a college graduate, somewhat spoiled, somewhat effete, who finds himself in an officer training program under the stern martinet, Captain Asciutto. He gradually becomes acclimated to the military mind-set, and when the Captain's wife decides to take a romantic interest in him, he does not report her dangerous peculiarities to anyone.
Himself (uncredited)
Via the New York Times: "This documentary was distilled from a 3 1/2-hour television film Nessuno o Tutti, to make the point that many inmates now in mental hospitals could be released without harm to society, and to their advantage. Both patients -- chosen for their ability to talk before a camera -- and sponsors in the community at large are interviewed to promote the concept of the patients' re-integration into the outside world. Three men (Paolo, Angelo, and Marco -- a mentally handicapped youth) talk to the interviewers about their own perspectives, and while the success of the mentally handicapped working at one plant is illustrated, the implied excesses of hospitals run by the Catholic Church are also discussed. Filming was not allowed inside those institutions."
Director
Via the New York Times: "This documentary was distilled from a 3 1/2-hour television film Nessuno o Tutti, to make the point that many inmates now in mental hospitals could be released without harm to society, and to their advantage. Both patients -- chosen for their ability to talk before a camera -- and sponsors in the community at large are interviewed to promote the concept of the patients' re-integration into the outside world. Three men (Paolo, Angelo, and Marco -- a mentally handicapped youth) talk to the interviewers about their own perspectives, and while the success of the mentally handicapped working at one plant is illustrated, the implied excesses of hospitals run by the Catholic Church are also discussed. Filming was not allowed inside those institutions."
Director
1972, Milan. Just a few days before the general elections, a young girl from an esteemed family is raped and murdered. Bizanti, editor-in-chief of a conservative newspaper, tries to derail the official police investigation in order to help the right-wing candidates supported by his boss to win the elections.
Writer
Writer
In 1958 Angelo, a rich and spoiled boy, enters a religious school, where students are tired of its vice-rector, and the strict rules and old-fashioned teaching methods of priests. Soon, Angelo exerts strong leadership among his peers and incites turmoil among them, helped by intellectual Franco and shy Camma. They expel the prefect from the school, organize a Grand Guignol show, and disappear the corpse of an old professor.
Director
In 1958 Angelo, a rich and spoiled boy, enters a religious school, where students are tired of its vice-rector, and the strict rules and old-fashioned teaching methods of priests. Soon, Angelo exerts strong leadership among his peers and incites turmoil among them, helped by intellectual Franco and shy Camma. They expel the prefect from the school, organize a Grand Guignol show, and disappear the corpse of an old professor.
Predicatore (voce)
A phrophetic Film about the fundamental problem of our times, that automatization of the production process ultimately eliminates human labour. In this fact lies the potential for the marxist liberation of the productive forces and the and the industrial genocide.
Lecturer (segment "Discutiamo, discutiamo")
다섯 명의 감독이 연출한 다섯 개의 에피소드로 된 옴니버스 영화. EP1. 무관심 [L'indifferenza] : 선량한 사마리아인 우화에 대한 내용 (카를로 리자니) EP2. 임종 [Agonia] : 임종 직전의 사람이 미노르 무화과나무 우화로 선에 대한 의문을 던지는 내용 (베르나르도 베르톨루치) EP3. 종이꽃다발 [La sequenza del fiore di cart] : 현대 세계의 공포에 대한 죄의식을 다룬 내용 (피에르 파올로 파졸리니) EP4. 사랑 [L'Amore] : 혁명, 민주주의에 관한 견해의 차이로 헤어지는 남녀에 대한 내용 (장 뤽 고다르) EP5. 논의하자, 논의하자 [Discutiamo, discutiamo] : 대학생들과 벨로치오 감독 간에 사회주의, 개혁 등에 대한 토론을 다룬 내용 (마르코 벨로치오)
Director
A group of young guys occupies a university. Young people are fighters student revolution of the Sixties, and now that they have in hand the building, the guys begin to argue among themselves, bringing new ideas and changes. However, they do nothing but talk nonsense, not changing anything in society.
Writer
다섯 명의 감독이 연출한 다섯 개의 에피소드로 된 옴니버스 영화. EP1. 무관심 [L'indifferenza] : 선량한 사마리아인 우화에 대한 내용 (카를로 리자니) EP2. 임종 [Agonia] : 임종 직전의 사람이 미노르 무화과나무 우화로 선에 대한 의문을 던지는 내용 (베르나르도 베르톨루치) EP3. 종이꽃다발 [La sequenza del fiore di cart] : 현대 세계의 공포에 대한 죄의식을 다룬 내용 (피에르 파올로 파졸리니) EP4. 사랑 [L'Amore] : 혁명, 민주주의에 관한 견해의 차이로 헤어지는 남녀에 대한 내용 (장 뤽 고다르) EP5. 논의하자, 논의하자 [Discutiamo, discutiamo] : 대학생들과 벨로치오 감독 간에 사회주의, 개혁 등에 대한 토론을 다룬 내용 (마르코 벨로치오)
Director
다섯 명의 감독이 연출한 다섯 개의 에피소드로 된 옴니버스 영화. EP1. 무관심 [L'indifferenza] : 선량한 사마리아인 우화에 대한 내용 (카를로 리자니) EP2. 임종 [Agonia] : 임종 직전의 사람이 미노르 무화과나무 우화로 선에 대한 의문을 던지는 내용 (베르나르도 베르톨루치) EP3. 종이꽃다발 [La sequenza del fiore di cart] : 현대 세계의 공포에 대한 죄의식을 다룬 내용 (피에르 파올로 파졸리니) EP4. 사랑 [L'Amore] : 혁명, 민주주의에 관한 견해의 차이로 헤어지는 남녀에 대한 내용 (장 뤽 고다르) EP5. 논의하자, 논의하자 [Discutiamo, discutiamo] : 대학생들과 벨로치오 감독 간에 사회주의, 개혁 등에 대한 토론을 다룬 내용 (마르코 벨로치오)
Director
Milan, 1 May 1969. A propaganda film produced by the communist organization Servire il popolo.
Director
A documentary set in Paola, in Calabria, about the fight to occupy housing.
Writer
A pair of working class lovers - a secretary and an accountant, scheme to marry into the rich landed gentry.
Director
A pair of working class lovers - a secretary and an accountant, scheme to marry into the rich landed gentry.
Self
In this documentary, giants of italian cinema such as Rossellini, De Sica, Fellini and Zavattini talk about the importance of cinema after WW2, and about huge moments of social rebellion. This movie gives the floor to the creators of italian neorealism.
Cavani made her first full-length feature film in 1966 with Francis of Assisi (Francesco d'Assisi). Made for television and aired in two parts, it was deeply influenced by the style of Rossellini and the atmosphere typical of the films of Pasolini. Made in a period of political unrest, it was to become a kind of manifesto of dissenting Catholicism. Starring Lou Castel, it portrays Francis of Assisi as a slightly depressed protestor and an avid, albeit mad, supporter of armed brotherhood. The ideal defender of the 1968 student movement. The film was a great success, but also triggered many negative reactions. It was called "heretical, blasphemous and offensive for the faith of the Italian people". It was the first of many polemical reactions to Cavani's work.
Writer
Ale, a deeply disturbed young man subject to seizures, benignly decides to murder members of his dysfunctional family for altruistic reasons.
Director
Ale, a deeply disturbed young man subject to seizures, benignly decides to murder members of his dysfunctional family for altruistic reasons.
Writer
At the centre of the narrative, which continues and deepens the themes of blame and punishment, the fall of a leader, Juniper.
Director
At the centre of the narrative, which continues and deepens the themes of blame and punishment, the fall of a leader, Juniper.
Writer
Children playing on a graveyard.
Director
Children playing on a graveyard.
Story
For trying to seduce the boss's wife, a young delinquent is punished by gangsters.
Screenplay
For trying to seduce the boss's wife, a young delinquent is punished by gangsters.
Director
For trying to seduce the boss's wife, a young delinquent is punished by gangsters.
Writer
Director
Screenplay
The story of Edgardo Mortara, a young Jewish boy living in Bologna, Italy, who in 1858, after being secretly baptized, was forcibly taken from his family to be raised as a Christian. His parents’ struggle to free their son became part of a larger political battle that pitted the papacy against forces of democracy and Italian unification.
Director
The story of Edgardo Mortara, a young Jewish boy living in Bologna, Italy, who in 1858, after being secretly baptized, was forcibly taken from his family to be raised as a Christian. His parents’ struggle to free their son became part of a larger political battle that pitted the papacy against forces of democracy and Italian unification.
