Martin Lagestee

Sanne (Hanna Obbeek) loves stories about ghosts and other mysterious things. Her father Lucas, is a famous ghost hunter. During a holiday Lucas is asked to chase ghosts of the former cruise ship 'Rotterdam'. Sanne is very happy to hear she and her little brother Thomas can come along. On the ship she meets ghost Bobby (Nils Verkooijen), a boy of her age, who has been wandering the ship since the sixties. Sanne decides to help Bobby.

Sanne (Hanna Obbeek) loves stories about ghosts and other mysterious things. Her father Lucas, is a famous ghost hunter. During a holiday Lucas is asked to chase ghosts of the former cruise ship 'Rotterdam'. Sanne is very happy to hear she and her little brother Thomas can come along. On the ship she meets ghost Bobby (Nils Verkooijen), a boy of her age, who has been wandering the ship since the sixties. Sanne decides to help Bobby.

Comedy about the adventures of a group of friends in Amsterdam, who are planning a party during their summer holiday. When the ticket sales are disappointing they think of a new and exiting way to attract more people to the party.

Johannes Vermeer (1632-1675) left us a small oeuvre of only 36 paintings. Internationally, the power of his work is now more profound than ever. Blockbuster exhibitions, the novel and movie ‘Girl with a pearl earring’ caught a broad audience. Millions are touched by his work. What do we see in Vermeer that makes him so contemporary? The dignity of his painted ladies, the cinematic and photographic character of his images, the psychological impact, the serenity or apparent glimpse in our own everyday life? Influential contemporary artists, photographers and opinion leaders unravel the extraordinary and mysterious impact of this 17th century master in our day and age.

A rich American couple, a family of Dutch criminals, a French gay couple, a working class family from Germany and an illegal Moroccan youth and his kid brother, are all in Amsterdam, each with their own story. Different reasons make their paths intertwine, leading to a dramatic climax that changes their lives for ever.

1857년 벨기에 림부르크에서 악마 숭배 의식에 필요한 8명의 아이들의 머리를 모으기 위해 연쇄살인을 벌이다 체포되는 사건이 발생한다. 시간은 현재로 바뀌어서 사고로 돌아가신 아버지의 유작원고를 찾기 위해 크리스는 친구들과 함께 벨기에를 찾는다. 원고의 배경이 되었던 탄광으로 향하던 중, 연쇄 살인범의 영혼이 그들에게 빙의된다.

A heavily sweating man, returning from a long trip, is telephoning from his car to speak to his wife. But he gets his daughter on the line. Lisette is constantly asking questions and tells about a drawing she made, but all the man is asking for is to get her mother. It seems he desperately wants to speak her, for what might be the last time. When Lisette is getting her mother out of the backyard, the man is still talking, telling Lisette should say to her mother he loves her. The sound of an approaching ambulance can be heard. When his wife finally gets on the phone, it's only a remarkable short conversation. She's asking him about his flight and to come back soon because Lisette misses him much. What is going on?

A young ambitious claims assessor investigates a multi million dollar marine insurance fraud.

A young ambitious claims assessor investigates a multi million dollar marine insurance fraud.

Angie has just returned from an orphanage and everyone warns her to stay away from Alex, who leads a life of crime.

Angie has just returned from an orphanage and everyone warns her to stay away from Alex, who leads a life of crime.

Angie has just returned from an orphanage and everyone warns her to stay away from Alex, who leads a life of crime.

Notorious documentary about pedophilia, composed around a performance of Bach's Hohe Messe by the North Holland Boys' Choir. Central are three pedophile men. One of them was a board member in youth and youth work for many years and thus came into contact with boys. Another portrays boys in Norway and the Netherlands and has a lot of success with his work. The fact that pedophilia is often misunderstood and tolerated less is shown by the story of the man who, after he told his environment of his or her nature, is absolutely no longer accepted. Actual sexual contact remains a rarity, but a visit to a performance of the Noord-Hollands Jongenskoor offers all three possibilities for the development of their feelings.